Bodenheimer defines the personal paradoxes that helped to shape Eliot's fictional characters and narrative style. Bodenheimer revisits pivotal episodes in Mary Ann Evans's life and career, including the "Holy War" through which she asserted her youthful religious skepticism; her decision to elope with the married writer George Henry Lewes; and her marriage with John Cross after Lewes's death. Bodenheimer also discusses the rumor campaign that led to the discovery that "George Eliot" was a woman, and she traces the trajectory of Eliot's impassioned conflict between her ambition and her womanhood.

A New Yorker writer revisits the seminal book of her youth--Middlemarch--and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories. Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us.

Perfect for fans of The Alice Network and Kate Quinn, The Physicists' Daughter is "a fascinating and intelligent WWII home front story." —Rhys Bowen, New York Times bestselling author of The Venice Sketchbook. No one can be trusted. The fate of a country is at stake. And everything depends on the physicists' daughter. New Orleans, 1944. Sabotage. That's the word on factory worker Justine Byrne's mind as she is repeatedly called to weld machine parts that keep failing with no clear cause. Could someone inside the secretive Carbon Division be deliberately undermining the factory's Allied war efforts? Raised by her late parents to think logically, she also can't help wondering just what the oddly shaped carbon gadgets she assembles day after day have to do with the boats the factory builds. When a crane inexplicably crashes to the factory floor, leaving a woman dead, Justine can no longer ignore her nagging fear that German spies are at work within the building, trying to put the factory and its workers out of commission. Unable to trust anyone—not the charming men vying for her attention, not her unpleasant boss, and not even the women who work beside her—Justine draws on the legacy of her unconventional upbringing to keep her division running and protect her coworkers, her country, and herself from a war that is suddenly very close to home.

Biography of George Eliot (1819-1880, born as Mary Anne Evans), British writer and poet. It gives an account of what it means to become a novelist, and to think like a novelist: in particular a realist novelist for whom art exists not for art's sake but in the exploration and service of human life.

This intensely engaging biography examines the extraordinary life of George Eliot from her childhood, through her scandalous liaison and social exile, to her hard-won status as one of Victorian England's literary elite.

Faye Longchamp has lost nearly everything except for her quick mind and a grim determination to hang onto her ancestral home, Joyeuse, a moldering plantation hidden along the Florida coast. No one knows how Faye’s great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War. No one knows how her descendants hung onto it through Reconstruction, world wars, the Depression, and Jim Crow, but Faye has inherited the island plantation—and the family tenacity. When the property taxes rise beyond her means, she sets out to save Joyeuse by digging for artifacts on her property and the surrounding National Wildlife Refuge and selling them on the black market. A tiny bit of that dead glory would pay a year’s taxes. A big valuable chunk of the past would save her home forever. But instead of potsherds and arrowheads, she uncovers a woman’s shattered skull, a Jackie Kennedy-style earring nestled against its bony cheek. Faye is torn. If she reports the forty-year-old murder, she’ll reveal her illegal livelihood, thus risking jail and the lose of Joyeuse. She doesn’t intend to let that happen, so she probes into the dead woman’s history, unaware that the past is rushing up on her like a hurricane across deceptively calm Gulf waters...

In this essay, originally published anonymously in The Westminster Review (1856), George Eliot examines the state of women's fiction in her time. She lamentingly argues that absurd and banal novels, written by well-to-do women of her time, do great disservice for the overall appreciation of women's intellectual capacities. Eliot divides 'silly novels by lady novelists' into several distinct categories: the mind-and-millinery species, the oracular type and the white-neck-cloth variety. She writes with characteristic sharp wit and insightful intellect in this scathing (but not unfeeling) feminist critique of 'Silly Novels by Lady Novelists'. This edition includes illustrations from the books critiqued by Eliot, along with annotations. George Eliot (Marian/Mary Ann Evans) was born in Warwickshire England in 1819. She went on to become one of England's most astute nineteenth century writers. Eliot is the author of celebrated novels including Adam Bede (1859), Middlemarch (1871-1872) and Daniel Deronda (1876). She also published non-fiction essays, poems and short stories, and was a skilled translator of German-language philosophy, including works by Strauss, Feuerbach and Spinoza. Eliot's writing is characterised by gritty realism entwined with deep empathy and keen insight into human life and ethics. Sarah Bacaller is a writer, researcher and audiobook producer from Melbourne, Australia.