They explore how such manifestations of ngoma are perceived, how they function in relation to the needs and requirements of individuals and communities and how they maintain their key functions in the face of modernity."--BOOK JACKET.

Ngoma, a Southern African ritual of healing, dance, rhythm and rhyme, is at the heart of social effort to change the fortunes of individuals and communities so that well-being is restored.

Born to ex-slaves in Reconstruction-era Tennessee, Bishop Charles Harrison Mason had a vision for the Church of God in Christ (COGIC) that thrives today in an international Pentecostal church with more than five million members. With Signs Following: The Life and Ministry of Charles Harrison Mason examines the social, cultural, and religious aspects of Bishop Mason's leadership and creative genius in establishing COGIC as a distinct Black Church tradition. With Signs Following shares four decades of research from leading scholars that addresses the sociological, theological, psychological, social-ethical, and historical perspectives of COGIC and Mason's ministry. Contributors: Christopher Brennan Ithiel Clemmons David D. Daniels III Glenda Williams Goodson Robert R. Owens Craig Scandrett-Leatherman Raynard D. Smith Frederick L. Ware

This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.

David Livingstone’s Zambesi expedition marked the beginning of an ongoing series of medical exchanges between the British and Malawians. This book explores these entangled histories by placing medicine in the frameworks of mobilities and networks that extended across Southern Africa and beyond. It provides a new approach to the study of medicine and empire. Drawing on a range of written and oral sources, the book argues that mobility was a crucial aspect of intertwined medical cultures that shared a search for therapy in changing conditions. Mobile individuals, ideas and materials played key roles in medical networks that involved both professionals and laypeople. These networks connected colonial medicine with Protestant Christianity and migrant labour. The book will be of value to scholars and students of history and anthropology of colonialism and medicine, as well as a wider readership interested in the plural search for health in Africa and globally.

In southeast Africa, the power to heal is often associated with crossing borders, whether literal or metaphorical. This wide-ranging volume reveals that healers, whose power depends on the ability to broker therapeutic resources, also contribute to the construction of the borders they transgress. While addressing diverse healing practices such as herbalism, razor-blade vaccination, spirit possession, prophetic healing, missionary health clinics, and traumatic storytelling, the nine lively and provocative essays in Borders and Healers explore the creativity and resilience of the region's healers and those they heal in a world shaped by economic stagnation, declining state commitments to health care, and the AIDS pandemic. This important book contributes to understandings of the ways in which healing practices in southeast Africa mediate divides between the wealthy and the impoverished, the traditional and the modern, the local and the global.