Research Paper (undergraduate) from the year 2015 in the subject American Studies - Literature, grade: 100, , language: English, abstract: This article deals with the Feminist Ideology presented in the literary work of the Canadian short story writer Alice Munro. It shows how Munro stood against her male dominated society by her literary work. The paper discusses “The Office” to represents the feminist argument above.

A short story from Nobel Prize–winning Alice Munro’s first collection, Dance of the Happy Shades “It is no exaggeration to state that Munro’s short stories are among the finest that have ever been written.”—The Dallas Morning News The solution came to the writer one evening: she should have an office. From Nobel Laureate Alice Munro, a brilliantly executed and revelatory story—one of the earliest published works of her career—in which simply finding a place to write turns out to be the hardest act of all. In “The Office,” a selection from her first short story collection, Alice Munro demonstrates the precise observation, straightforward prose style, and masterful technique hailed by John Updike, who wrote in the New York Times Book Review that “one must go back to Tolstoy and Chekhov . . . for comparable largeness.” “What a stunning, subtle and sympathetic explorer of the heart Munro is.”—Ron Hansen, The Washington Post A Vintage Shorts “Short Story Month” Selection

This Companion is a thorough introduction to the writings of the Nobel Prize winner Alice Munro. Uniting the talents of distinguished creative writers and noted academics, David Staines has put together a comprehensive, exploratory account of Munro's biography, her position as a feminist, her evocation of life in small-town Ontario, her non-fictional writings as well as her short stories, and her artistic achievement. Considering a wide range of topics – including Munro's style, life writing, her personal development, and her use of Greek myths, Celtic ballads, Norse sagas, and popular songs – this volume will appeal to keen readers of Munro's fiction as well as students and scholars of literature and Canadian and gender studies.

Stacey MacAindra burns – to burst through the shadows of her existence to a richer life, to recover some of the passion she can only dimly remember from her past. The Fire-Dwellers is an extraordinary novel about a woman who has four children, a hard-working but uncommunicative husband, a spinster sister, and an abiding conviction that life has more to offer her than the tedious routine of her days. Margaret Laurence has given us another unforgettable heroine – human, compelling, full of poetry, irony and humour. In the telling of her life, Stacey rediscovers for us all the richness of the commonplace, the pain and beauty in being alive, and the secret music that dances in everyone’s soul.

This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics.

The moving story of a group of Nigerian women which follows their lives from their schooldays together through the trials and tribulations of their adult lives. Through their stories we see some of the universal problems faced by women everywhere: the struggle for financial independence and a rewarding career, the difficulties of relationships, and the dilemmas of bringing up a family, often without a partner. Set against the background of a developing Nigeria, this novel shows Nwapa at her finest.

A “masterful” (Houston Post) collection of stories from Nobel Prize–winning author Alice Munro “A spellbinding tour through a world of love, menace, and surprise . . . [Munro] is a writer of enormous gifts and perception.”—Los Angeles Times The sisters, mothers and daughters, aunts, grandmothers, and friends in these thirteen stories, “a rich exploration of womanhood” (Ms.), shimmer with hope and love, anger and reconciliation, as they content with their histories and their present, and what they can see of the future. In her remarkable second collection, Alice Munro demonstrates the precise observation, straightforward prose style, and masterful technique hailed by John Updike, who wrote in the New York Times Book Review that “one must go back to Tolstoy and Chekhov . . . for comparable largeness.”