Thom Jones made his literary debut in The New Yorker in 1991. Within six months his stories appeared in Harper's, Esquire, Mirabella, Story, Buzz, and in The New Yorker twice more. "The Pugilist at Rest" - the title story from this stunning collection - took first place in Prize Stories 1993: The O. Henry Awards and was selected for inclusion in Best American Short Stories 1992. He is a writer of astonishing talent. Jones's stories - whether set in the combat zones of Vietnam or the brittle social and intellectual milieu of an elite New England college, whether recounting the poignant last battles of an alcoholic ex-fighter or the hallucinatory visions of an American wandering lost in Bombay in the aftermath of an epileptic fugue - are fueled by an almost brutal vision of the human condition, in a world without mercy or redemption. Physically battered, soul-sick, and morally exhausted, Jones's characters are yet unable to concede defeat: his stories are infused with the improbable grace of the spirit that ought to collapse, but cannot. For in these extraordinary pieces of fiction, it is not goodness that finally redeems us, but the heart's illogical resilience, and the ennobling tenacity with which we cling to each other and to our lives. The publication of The Pugilist at Rest is a major literary event, heralding the arrival of an electrifying new voice in American fiction, and a writer of magnificent depth and range. With these eleven stories, Thom Jones takes his place among the ranks of this country's most important authors.

A posthumous and definitive collection of new and selected stories by "virtuoso of the short story" (Esquire) and National Book Award finalist Thom Jones. This scorching collection from award-winning author Thom Jones features his best new short fiction alongside a selection of outstanding stories from three previous books. Jones's stories are full of high-octane, prose-drunk entertainment. His characters are grifters and drifters, rogues and ne'er-do-wells, would-be do-gooders whose human frailties usually get the better of them. Some are lovable, others are not, but each has an indelible and irresistible voice. They include Vietnam soldiers, amateur boxers, devoted doctors, strung-out advertising writers, pill poppers and veterans of the psych ward, and an unforgettable adolescent DJ radio host, among others. The stories here are excursions into a unique world that veers between abject desperation and fleeting transcendence. Perhaps no other writer in recent memory could encapsulate in such short spaces the profound and the devastating, the poignant and the hallucinatory, with such an exquisite balance of darkness and light. Jones's fiction reveals again and again the resilience and grace of characters who refuse to succumb. In stories that can at once delight us with their wicked humor and sting us with their affecting pathos, Night Train perfectly captures the essence of this iconic American master, showcasing in a single collection the breadth of power of his inimitable fiction.

The author's world encompasses dilapidated fight arenas, state mental hospitals & chaotic emergency rooms. The inhabitants are his brilliantly etched characters, who battle desperately against fate in a game of life they cannot win but dare not lose. As we approach the end of the century & the millennium, no one writes better or more vividly than Jones does about the personal, private apocalypses we all face in our darkest moments. In one story, a Vietnam vet, a Recon Marine, swims alone across the English Channel, the Straits of Gibraltar, & the Bosporus to maintain "the edge" that kept him alive in wartime - & that is all he now has left. In another, a brilliant doctor verges on a breakdown. In the title story, a young amateur fighter stoically endures repetitive beatings because he knows the world of boxing shields & protects him from the even crueler world outside of the ring. A number of these stories have appeared in different forms in the New Yorker, Playboy, & Esquire.

An anthology of stories tackles such subjects as the combat zones of Vietnam, an alcoholic former boxer, and adultery

Thom Jones's stories strike with a profound and devastating impact. HIs vision of the human condition is almost brutal, for in ithe world of Jones's fiction there is such a preponderance of darkness that light itself becomes a form of torture. Yet each story in this collection is infused with the surprising, perhaps even ennobling grace of the spirit that ought to collapse, but cannot.

Ian is intrigued by the idea of “servicing” straight guys, and through a friend contacts Shawn. Although the experience is not quite what he expected, Ian discovers a deep satisfaction in being submissive. Shawn, an amateur boxer, begins to visit more frequently, sometimes even sleeping over. Ian also visits Shawn at the gym to watch him train. The two men connect, and Ian is hopeful something more might develop. Then Shawn dies unexpectedly in Ian’s bed. Now Ian finds himself facing the suspicions of the investigating policeman, Glen, even though Shawn died from natural causes. When Glen returns to question Ian further, he begins asking for specific details about Ian’s and Shawn’s relationship. Then he insists on Ian performing re-enactments. Soon all pretense is stripped away as things grow more intense between them. Ian starts to hope something might be developing with Glen. But the cop is keeping secrets from him. Will Ian still be interested when he discovers why Glen initiated things between them in the first place?