As a grade seven student living in an affluent suburb of Vancouver, our unnamed narrator and his closest friend Nettie, are introduced to the exciting world of super-8 filmmaking by a progressive young teacher. Together Nettie and the narrator find in film a means of expressing their somewhat skewed world views. At the age of sixteen the narrator shoots his first adult film, surreptitiously capturing his neighbours having sex. He believes that through representations of sexual activity he can comment on that which he finds both painful and confusing. Nettie, an idealistic poet now away at school, sees in pornography the opportunity to do something artistic, liberating, and socially relevant, and she pushes the narrator to make films that subvert the way the world is constructed. Ultimately, despite his radical intentions, the narrator falls into a world of greed, delusion, and hypocrisy - the same world he once rebelled against.

Examines the history and theory of films adapted from Canadian literature through the lens of gender studies. This study offers readings of works by well-known Canadian authors such as Margaret Atwood, Marie-Claire Blais, and Michael Ondaatje, and by important Canadian filmmakers such as Mireille Dansereau, Claude Jutra, and Bruce McDonald.

Personal erotica explores sex in all its implications from childhood to middle age. John B. Lee is the only two-time winner of the Milton Acorn Memorial People's Poetry Award.

Brings together all of the writings of Northrop Frye, both published and unpublished, on the subject of Canadian literature and culture, from his early book reviews of the 1930s and 1940s through his cultural commentaries of the 60s, 70s, and 80s.

Originally published in 1971,The Bush Garden features Northrop Frye’s timeless essays on Canadian literature and painting, and an introduction by bestselling author Lisa Moore. In this cogent collection of essays written between 1943 and 1969, formidable literary critic and theorist Northrop Frye explores the Canadian imagination through the lens of the country’s artistic output: prose, poetry, and paintings. Frye offers insightful commentary on the works that shaped a “Canadian sensibility,” and includes a comprehensive survey of the landscape of Canadian poetry throughout the 1950s, including astute criticism of the work of E. J. Pratt, Robert Service, Irving Layton, and many others. Written with clarity and precision,The Bush Garden is a significant cache of literary criticism that traces a pivotal moment in the country’s cultural history and the evolution of Frye’s thinking at various stages of his career. These essays are evidence of Frye’s brilliance, and cemented his reputation as Canada’s — and the world’s — foremost literary critic.

The provocative novel by 'one of the greatest writers of our era' (Hilary Mantel) and 'the Irish novelist everyone should read' (Colm Tóibín). Michael, a writer of pornographic fiction, creates an ideal world of sex through his two stock athletes, Colonel Grimshaw and Mavis Carmichael, while he bungles every phase of his entanglement with an older woman who has the misfortune to fall in love with him. But his insensitivity to this love is in direct contrast to the tenderness with which he attempts to make his aunt's slow death in hospital tolerable, while his employer, Maloney, failed poet and comic king of pornographers, comes gradually to preside over this broken world. Everywhere in this rich novel is the drama of opposites, but, above all, sex and death are never far from each other. 'Wise and compelling ... Elegiac and graceful.' David Mitchell 'I have admired, even loved, John McGahern's work since his first novel .' Melvyn Bragg 'A marvellous novel, deep, moving, rich and resonant, about love, lust, life and death.' Sunday Express 'A novel that succeeds beautifully in doing what it sets out to do; to record and illuminate varieties of disenchantment.' Times Literary Supplement 'An admirable book, one of the finest I have read for a long time ... I cannot recommend Mr McGahern too strongly.' Sunday Telegraph

Including topics as diverse as feminism and its relationship to the marketplace, plagiarism and copyright, silence and forgetting, and myth in a digital age, this book explores the role of rewriting within feminist literature from the 1970s onwards in relation to the theme of cultural memory.