In this engaging and provocative new book, Lee Eisenberg, bestselling author of The Number, dares to tackle nothing less than what it takes to find enduring meaning and purpose in life. He explains how from a young age, each of us is compelled to take memories of events and relationships and shape them into a one-of-a-kind personal narrative. In addition to sharing his own pivotal memories (some of them moving, some just a shade embarrassing), Eisenberg presents striking research culled from psychology and neuroscience, and draws on insights from a pantheon of thinkers and great writers-Tolstoy, Freud, Joseph Campbell, Virginia Woolf, among others. We also hear from men and women of all ages who are wrestling with the demands of work and family, ever in search of fulfillment and satisfaction. It all adds up to a fascinating story, delightfully told, one that goes straight to the heart of how we explain ourselves to ourselves-in other words, who we are and why.

Misty Edwards tackles the difficult questions of finding meaning in seasons of success and failure, smallness and greatness, pain and pleasure as we live lives that are, in the end, not of this world.

Radical activist, thinker, and comrade of Walter Rodney, Andaiye was one of the Caribbean’s most important political voices. For the first time, her writings are published in one collection. Through essays, letters, and journal entries, Andaiye’s thinking on the intersections of gender, race, class, and power are powerfully articulated, Caribbean histories emerge, and stories from a life lived at the barricades are revealed. We learn about the early years of the Working Peopl’s Alliance, the meaning asnd impact of the murder of Walter Rodney and the fall of the Grenada Revolution. Throughout, we bear witness to Andaiye’s acute understanding of politics rooted in communities and the daily lives of so-called ordinary people. Featuring forewords by Clem Seecharan and Robin DG Kelley, these texts will become vital tools in our own struggles to “overcome the power relations that are embedded in every unequal facet of our lives.”

NEW YORK TIMES BESTSELLER • From an award-winning journalist at The Atlantic, these searing essays make a powerful case that “real hope lies not in a sunny nostalgia for American greatness but in seeing this history plain—in all of its brutality, unadorned by euphemism” (The New York Times). NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • “No writer better demonstrates how American dreams are so often sabotaged by American history. Adam Serwer is essential.”—Ta-Nehisi Coates To many, our most shocking political crises appear unprecedented—un-American, even. But they are not, writes The Atlantic’s Adam Serwer in this prescient essay collection, which dissects the most devastating moments in recent memory to reveal deeply entrenched dynamics, patterns as old as the country itself. The January 6 insurrection, anti-immigrant sentiment, and American authoritarianism all have historic roots that explain their continued power with or without President Donald Trump—a fact borne out by what has happened since his departure from the White House. Serwer argues that Trump is not the cause, he is a symptom. Serwer’s phrase “the cruelty is the point” became among the most-used descriptions of Trump’s era, but as this book demonstrates, it resonates across centuries. The essays here combine revelatory reporting, searing analysis, and a clarity that’s bracing. In this new, expanded version of his bestselling debut, Serwer elegantly dissects white supremacy’s profound influence on our political system, looking at the persistence of the Lost Cause, the past and present of police unions, the mythology of migration, and the many faces of anti-Semitism. In so doing, he offers abundant proof that our past is present and demonstrates the devastating costs of continuing to pretend it’s not. The Cruelty Is the Point dares us, the reader, to not look away.

Liz Waldner's bold new collection takes its title and its inspiration from Definition 1 of Euclid's Elements of Geometry. Its six sections—point, line, circle, square, triangle, and point again—are explorations of various kinds of longing and loss—sex, death, exile, story, love, and time. Drawing from culture high and low—Eno and Aquinas, Lassie and Donne, Silicon Valley and Walden Pond—these poems offer proof of and proof against the “mortal right-lined circle” of memory and identity. The innocence and Keatsian beauty of Euclid's geometry become poignant from a perspective that encompasses all that is non-Euclidean as well as space, time, and the theory of matter. With rare wit and linguistic daring, Waldner opens resonant channels of communication that show there is indeed more than meets the eye—or the mind—in her poems. Hand to Mouth (Twist and Shout) Cold comes slow up out of the darkness among the leaves that smell so good when bruised Do you, too, recognize me god so soon? Her First Reckoning Pour wine into vessels the violet of woods, wine of the reddening stars. You are god, you can do it. Your lover calls you St. John the Conqueror. I have heard her. This is the name of a root. Asperge the thousands and thousands of rooms in which photosynthesis promises sun to the acolyte cells. Rain yourself on a leaf. Birch. The bark is malleable as mushroom flesh. Show that you know me. Scratch out my name with this tree. My name of trees. On the day I arrive at the door of my death, myself now hard to tell from the trees that had hid it from me, I will demand that you love me. You made me like this. Why did you make me like this? Transitive, Intransitive: Extemporary Measures Two crows above the marsh: sew. Stitch the seventeen sleek shades of blue to the shadow-patterned greens below. See fit to make me a suitable view who having nowhere to else to go might as well wear this world well. Llama necks periscope the view: yonder, across the water, you testing the air now a crow chases a redwing blackbird through. What can I show you who sees I don't believe? For now, what the eye of the needle sees: through through through: clouds, birds, me, trees; soon: in, out, with, to; something moving, something moved: a stitch in time's an avenue, future's sutures' revenue— “the shining hour” improved.

In this book, Jerome McGann argues that contemporary language-oriented writing implies a marked change in the way we think about our poetic tradition on one hand and in the future of criticism on the other.

This book is completely my perspective on understanding this world. There will be zero logic in some places but still, you have to believe. This book will help you change the way you look at things. It talks about God, Love, Mythology, and History. This will also help you to take life as life. I never tried to degrade any religion, caste, race, or belief system. This book is definitely not for the people who believe in our past and who are okay with our future...this book is for the vice-versa candidates. I don't know much about our past...so I have created my own.