From Tin Pan Alley to the Beatles to Beyoncé, "Mr. Bradley skillfully breaks down a century of standards and pop songs into their elements to reveal the interaction of craft and art in composition and performance." (The Wall Street Journal) Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n' roll to today's hits. George and Ira Gershwin's "Fascinating Rhythm." The Rolling Stones' "(I Can't Get No) Satisfaction." Rihanna's "Diamonds." These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.

A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyoncé and beyond. Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n’ roll to today’s hits. George and Ira Gershwin’s “Fascinating Rhythm.” The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Rihanna’s “Diamonds.” These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.

Brilliant, illuminating criticism from a superstar poet—a refreshing, insightful look at how works of art, specifically poetry and popular music, can serve as essential tools for living. How can art help us make sense—or nonsense—of the world? If wrong life cannot be lived rightly, as Theodor Adorno had it, what weapons and strategies for living wrongly can art provide? With the same intelligence that animates his poetry, Michael Robbins addresses this weighty question while contemplating the idea of how strange it is that we need art at all. Ranging from Prince to Def Leppard, Lucille Clifton to Frederick Seidel, Robbins’s mastery of poetry and popular music shines in Equipment for Living. He has a singular ability to illustrate points with seemingly disparate examples (Friedrich Kittler and Taylor Swift, to W.B. Yeats and Anna Kendrick’s “Cups”). Robbins weaves a discussion on poet Juliana Spahr with the different subsets of Scandinavian black metal, illuminating subjects in ways that few scholars can achieve. Equipment for Living is also a wonderful guide to essential poetry and popular music.

I remember when W was president and many people were worried about his intellectual ability. This was much later than Reagan and worries about his Alzheimers. I only heard about this because I was too young to really remember much about Reagan while he was in office. But, this is all overshadowed these days with the fragments and short bursts of Trump and the ramblings of Biden. The time is right to present the poetry of Biden. All of these poems are taken straight from the speeches of Biden through out the years. No wording was changed. Only line breaks were added to turn his words into free verse poetry.

There certainly is more than one kind of love. Using traditional forms of poetry (e.g., sonnet, pantoum) and forms from the pop song (e.g., perfect rhyme, repetition), Thomas Gagnon describes different kinds of love: romance and friendshipwith men and with womenlove for a father and for a mentor, even fascination with a celebrity dancer. Beneath these relationshipslike the ancient town beneath the new cityis the relationship with the self, an especially complicated relationship that Gagnon does not shrink from exploring, whether whimsically or solemnly, or whimsically and solemnly in one poem. These poems will reverberate in your mindlike the lyrics from the latest pop song.

The Bard meets the Backstreet Boys in Pop Sonnets, a collection of 100 classic pop songs reimagined as Shakespearean sonnets. All your favorite songs are here, including hits by Jay-Z, Johnny Cash, Katy Perry, Michael Jackson, Talking Heads, and many others. With stirring sentiments on everything from love and despair to wanton women, Pop Sonnets offers inspirational verse for every occasion.

Follow the silvery trail through an enchanting maze of stunning pop-up landscapes that range from tranquil to mysterious to magical. This sparkling creation by multi-award-winning designer David Pelham will amaze and delight all who take the journey through this remarkable book.