On a normal day in provincial China, a teenager goes about his regular business, but he’s also planning the brutal murder of his only friend. He lures her over, strangles her, stuffs her body into the washing machine and flees town, whereupon a perilous game of cat-and-mouse begins. A shocking investigation into the despair that traps the rural poor as well as a technically brilliant excursion into the claustrophobic realm of classic horror and suspense, A Perfect Crime is a thrilling and stylish novel about a motiveless murder that echoes Kafka’s absurdism, Camus’ nihilism and Dostoyevsky’s depravity. With exceptional tonal control, A Yi steadily reveals the psychological backstory that enables us to make sense of the story’s dramatic violence and provides chillingly apt insights into a country on the cusp of enormous social, political and economic change.

In his new book, perhaps the most cogent expression of his mature thought, Jean Baudrillard turns detective in order to investigate a crime which he hopes may yet be solved: the "murder" of reality. To solve the crime would be to unravel the social and technological processes by which reality has quite simply vanished under the deadly glare of media "real time." But Baudrillard is not merely intending to lament the disappearance of the real, an occurrence he recently described as "the most important event of modern history," nor even to meditate upon the paradoxes of reality and illusion, truth and its masks. The Perfect Crime is also the work of a great moraliste: a penetrating examination of vital aspects of the social, political and cultural life of the "advanced democracies" in the (very) late twentieth century. Where critics like McLuhan once exposed the alienating consequences of "the medium," Baudrillard lays bare the depredatory effects of an oppressive transparency on our social lives, of a relentless positivity on our critical faculties, and of a withering 'high definition' on our very sense of reality.

“A perfect page-turner . . . Books this well written and involving don’t come along often. . . . Peter Abrahams is my favorite American suspense novelist.”—Stephen King An unfaithful wife. A cheating lover. A loyal friend. A jealous husband. In this stunning thriller, four lives hang in precarious balance—as a cunning killer prepares their roles in A Perfect Crime. Distraught by a failing marriage, Francie Cullingwood enters into a secret affair with charismatic radio psychologist Ned Demarco. But what seems like a refuge takes a decidedly dark turn. For when the liaison is discovered, a seething, enraged genius begins to construct the perfect, flawless murder, manipulating Francie, her lover, and her best friend like chess pieces in a lethal game. But even the most brilliant mind can make mistakes. And soon the intricate plan is spinning wildly out of control—in shocking, fatal directions. . . . Praise for A Perfect Crime “Abrahams gets the human dimensions just right. . . . Each stage of this perverse puzzle has been constructed with deadly artistry.”—The New York Times Book Review “A first-rate psychological thriller . . . a plot filled with Machiavellian maneuvers and subtle irony . . . Drawing the reader unrelentingly through the chain of events, this novel is a must-read.”—The Denver Post “Abrahams has written more than a crime story here. His prose is elegant by any literary standard. . . . Abrahams grips us so closely, line by line, making everything hyper-real.”—Los Angeles Times “A Perfect Crime is a perfect read—a novel of malice and retribution that crackles from page one like a live wire.”—New York Times bestselling author Michael Palmer

When 21 shots from a semi-automatic pistol rang out across the Alpine woodland high above Lake Annecy, there was nobody nearby to raise the alarm. In a car, in a lay-by off the single-land track above, were the bloodied bodies of British computer engineer, Saad al-Hilli, his dentist wife, Iqbal, and her mother, Suhaila. Nearby, on the road, lay the corpse of French cyclist, Sylvain Mollier, punctured by seven shots from the same gun. Saad's eldest daughter, Zainab, seven, had been shot, pistol-whipped and left for dead. Cowering underneath her mum Iqbal's skirt in the back seat of the car was Zainab's little sister Zeena - the only one of the six people there left unharmed. Was this a professional assassin's error, or a humane gesture by someone who knew the girls? Two years on from this most implausible crime, French police remain baffled. This book explores the background of the case.

Don’t miss the new, devastatingly good thriller from Helen Fields, The Institution. Coming March 2023 – available to pre-order now! ‘One of the best crime fiction series out there... Helen Fields always delivers gripping, compelling, thrilling and tense stories full of intriguing characters.’ Reader review, ⭐⭐⭐⭐⭐

In the vein of The Creative Habit and The Artist’s Way, a manifesto on the creative process from a master of the impossible. Since well before his epic (and illegal) 1974 walk between the Twin Towers of the World Trade Center, Philippe Petit had become an artist who answered first to the demands of his craft—and not just on the high wire, but also as a magician, street juggler, visual artist, builder, and writer. He was a rebel and an autodidact, cultivating the attitudes, resources, and techniques to tackle even seemingly impossible feats. His outlaw sensibility spawned a unique approach to the creative process—an approach he shares, with characteristic enthusiasm, irreverence, and originality, in Creativity: The Perfect Crime. With the reader as his accomplice, Petit reveals fresh and unconventional ways of going about the artistic endeavor, from generating and shaping ideas to practicing, problem-solving, and ultimately pulling off the “coup” itself—executing a finished work. His strategies and insights will resonate with performers of every stripe (actors, musicians, dancers), practitioners of the non-performing arts (writers, artists), professionals in search of new ways of meeting challenges, and individuals simply engaged in the art of living creatively.

Cat Sebastian returns to Georgian London with a stunning tale of a reluctant criminal and the thief who cannot help but love her. Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before… A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the law or the right side of anybody’s bed. He never meant to fall for the woman whose secrets he promised to keep for the low price of five hundred pounds, but how could he resist someone who led him on a merry chase all over London, left him tied up in a seedy inn, and then arrived covered in her husband’s blood and in desperate need of his help? As they flee across the country—stopping to pick pockets, drink to excess, and rescue invalid cats—they discover more true joy and peace than either has felt in ages. But when the truth of Rob’s past catches up to him, they must decide if they are willing to reshape their lives in order to forge a future together.