The Paths of Zatoichi charts the history and influence of the Japanese film and television franchise about Zatoichi the blind swordsman. The franchise is comprised of 29 films and 100 TV episodes (starring the famous Shintaro Katsu, who starred in 26 of the 29 feature films). They all follow the adventures of a blind masseur in medieval Japan, who wanders from village to village and often has to defend himself with his deadly sword skills. The first film was released in 1962 and the most recent in 2010. These dates demonstrate how the franchise can be used as a means of charting Japanese cinema history, via the shifts in production practices and audience preferences which affected the Zatoichi series and numerous other film and TV texts. Zatoichi signifies a huge area of Japanese film history which has largely been ignored in much existing scholarly research, and yet it can reveal much about the appeal of long-running characters, franchises, and their constant adaptation and influence within global popular culture.

Zatoichi is a Japanese literary and cinematographic character whose adventures are set in the 19th century (around 1830-1840). He is a wandering swordsman who has the particularity of being blind. Despite his blindness, he is capable of facing numerous enemies (who sometimes attack him simultaneously) and of being victorious in numerous battles. He always travels walking with his cane stick, which also serves as a sword - Inside there is a sharp blade. Zatoichi is shrewd and cunning, as well as wise and compassionate at the same time; he feels a strong responsibility to protect the humble. His auditory faculties are highly developed, and he also possesses a "sixth sense" that helps to get him out of more than one trouble. The character was created by novelist Kan Shimozawa (1892-1968), who published a series of books starring Zatoichi. Later the adaptations to the big screen would come, starring Shintaro Katsu (1931-1997). This great actor belonged to a dynasty of traditional Kabuki theater performers. In cinema he would specialize in the typically Japanese genre of chanbara or jidaigeki ("samurai" films, which used to be set in the Tokugawa era). As a guide, this book compiles critiques and analyses of each and every one of Zatoichi's 26 films shot between 1962 and 1989. They were already published, in Spanish, in my blog "Alucine Cinéfago". These films, based on Shimozawa's stories, were directed by different filmmakers, but the protagonist is always Shintaro Katsu.The purpose of this compilation is to offer chanbara fans a review of the blind swordsman's film career. Zatoichi is very popular in his country of origin (in recent years the famous Takeshi Kitano returned to the character for one of his productions), but also in the West he has a huge community of fans.

This important work fills the need for a reasonably priced yet comprehensive volume on major directors in the history of Japanese film. With clear insight and without academic jargon, Jacoby examines the works of over 150 filmmakers to uncover what makes their films worth watching. Included are artistic profiles of everyone from Yutaka Abe to Isao Yukisada, including masters like Kinji Fukasaku, Juzo Itami, Akira Kurosawa, Takashi Miike, Kenji Mizoguchi, Yasujiro Ozu, and Yoji Yamada. Each entry includes a critical summary and filmography, making this book an essential reference and guide. UK-based Alexander Jacoby is a writer and researcher on Japanese film.

Examining representations of mental difference, this collection focuses on the ways that adaptations (including remakes, reboots, and other examples of remixed narratives) can shape and shift the social contexts and narratives we use to define mental disability. The movement of narratives across media via adaptation, or within media but across time and space in the case of remakes and reboots, is a common tactic for revitalization, allowing storytellers to breathe new life into tired narratives, remedying past inaccuracies and making them accessible and relevant for contemporary audiences. Thus, this collection argues that adaptation provides a useful tool for examining the constraints or opportunities different media impose on or afford narratives, or for measuring shifts in ideology as narratives move across cultures or through time. Further, narrative functions within this collection as a framework for examining the ways that popular media exerts rhetorical power, allowing for deeper understandings of the ways that mental disability is experienced by differently situated individuals, and revealing relationships with broader social narratives that attempt to push definitions of disability onto them.

This study examines the significance of the archetypal heroes and heroines of Japanese cinema and traces both their prior development in literature, drama, and folklore, and their subsequent variations in popular culture.

Meyers offers an "up-to-date, authoritative kick-butt book" detailing the best movies and where to find them. Color photos.

Cinema of Swords is a history, guide, and love letter to over four hundred movies and television shows featuring swashbucklers: knights, pirates, samurai, Vikings, gladiators, outlaw heroes like Zorro and Robin Hood, and anyone else who lives by the blade and solves their problems with the point of a sword. Though swordplay thrives as a mainstay of current pop culture—whether Game of Thrones or Lord of the Rings or Star Wars—swashbuckling was if anything even more ubiquitous during Hollywood’s classic period, from its foundations in the Silent Era up through the savage bursts of fantasy films in the ‘80s. With this huge cinematic backlist of classics now available online and on-demand, Cinema of Swords traces the roots and branches of this unruly genre, highlighting classics of the form and pointing fans toward thrilling new gems they never knew existed. With wry summaries and criticism from swordplay expert Lawrence Ellsworth, this comprehensive guidebook is perfect as a reference work or as a dazzling Hollywood history to be read end-to-end.