This handbook is unique in its consideration of social and cultural contributions to sustainable oceans management. It is also unique in its deconstruction of the hegemonic value attached to the oceans and in its analysis of discourses regarding what national governments in the Global South should prioritise in their oceans management strategy. Offering a historical perspective from the start, the handbook reflects on the confluence of (western) scientific discourse and colonialism, and the impact of this on indigenous conceptions of the oceans and on social identity. With regard to the latter, the authors are mindful of the nationalisation of island territories worldwide and the impact of this process on regional collaboration, cultural exchange and the valuation of the oceans. Focusing on global examples, the handbook offers a nuanced, region relevant, contemporary conceptualisation of blue heritage, discussing what will be required to achieve an inclusive oceans economy by 2063, the end goal date of the African Union’s Agenda 2063. The analysis will be useful to established academics in the field of ocean studies, policymakers and practitioners engaged in research on the ocean economy, as well as graduate scholars in the ocean sciences.

This book explores heritage from a wide range of perspectives and disciplines and in doing so provides a distinctive and deeply relevant survey of the field as it is currently researched, understood and practiced around the world.

This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.

This perceptive book evaluates the effectiveness of current ocean governance as it aims to respond to the threats of increased sea temperatures, salination, biodiversity loss, overfishing, and exploitation of ocean resources. Contributors pose the key question: what type of political space are the oceans and is it possible to create, implement and assess an international framework which enables the oceans to be governed?

This dynamic multidisciplinary collection of essays examines the uncanny, eerie, wondrous, and dreaded dimensions of oceans, seas, waterways, and watery forms of the oceanic South, a haunted global precinct stretching across the Pacific, Southern and Indian Oceans, and around Australasia, Oceania, Aotearoa New Zealand, and South Africa. Presenting work from leading scholars, the chapters contend with the contemporary fears and repressions associated with the return of environmental traumas, colonial traumas, and the spectres of the precolonial deep past that resurface in the present. The book examines the manifestations of these Gothic aesthetics and propensities across a range of watery spaces – seas, oceans, waterholes, and swamps – in vessels, ports, shorelines, journeys, strandings, and transformations, in amphibious bodies and the drowned, all of which promote haunted engagement with the materiality of water. This collection renews the interdisciplinary breadth of Gothic criticism and the relevance of Gothic affect and sensibility to understanding the histories and cultures of the oceanic South through an exploration of the rarely considered uncanniness of the oceans, waterways, and aqueous forms of the Southern Hemisphere, haunted by colonial and precolonial imaginings of the Antipodes, the legacies of imperialism, and the “double vision” between Oceanic and settler-colonial epistemologies, and the encroaching menace of climate change. Comprising diverse contributions from screen, literary, and cultural studies, environmental humanities, human geography, and creative practice in ecological sound art, and poetry, the collection examines the uncanny and the sublime in watery fictions and authentic settings of a range of aqueous southern forms – ocean surfaces and depths, haunted shallows and reefs, moist mangroves, moss and lichen, the awesome horror of tidal apocalypse. This book will be illuminating reading for students and scholars of cultural studies, postcolonial studies, area studies, and Indigenous studies.

This is an edited volume of original essays which explore the meaning of bodies of water in creative narratives by African Americans. The contributors explore the representations of still and moving waterbodies across several genres of literature, film, and music. They also deploy socio-historical and environmental theories, in addition to close-reading interpretive strategies, all acknowledging and developing traditional ways of thinking about water in relation to African American experience and culture. The writers gathered here showcase insightful and vigorous research in various art forms, and, together, embody provocative, innovative and refreshing ways to contemplate water in Black American artistic expressivity.

Fair and equitable benefit-sharing is a diffuse legal phenomenon in international law. The continued proliferation of benefit-sharing clauses can be explained by their appeal as an optimistic frame in addressing sustainability and equity concerns related to bio-based innovation, the use of natural resources, environmental protection, and knowledge creation. In principle, fair and equitable benefit-sharing serves to recognize, encourage, and incentivise sustainable human relationships with the environment by focusing on equity issues arising from the most intractable challenges of our time, such as loss of biodiversity, climate change, poverty, and global epidemics. Empirical evidence, however, indicates that, in practice, benefit-sharing rarely achieves its fairness and equity objectives, and ends up entrenching or worsening inequitable relationships with little to no benefit for the environment. Instead of focusing on fair and equitable benefit-sharing in sub-specialist areas of international law in isolation, Elisa Morgera assesses the phenomenon from a general international law perspective and through comparison-across international environmental law, international human rights law, international health law, and the law of the sea. Strengthened by insights from local-level case studies in different regions and sectors, this book looks toward overcoming the limitations inherent in individual international regimes and addressing the shortcomings in benefit-sharing implementation. Morgera's topical and comprehensive analysis reveals opportunities to advance fairness and equity in benefit-sharing through a mutually supportive interpretation of international biodiversity law and international human rights law, as well as opportunities to contribute to future research in areas such as international health law, international law on outer space, and international economic law. This is an open access title. It is made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International licence. It is available to read and download as a PDF version on the Oxford Academic platform.