Traces the history of English literature from Anglo-Saxon poetry to the present day.

This book provides a boldly original account of Middle English literature from the Norman Conquest to the beginning of the sixteenth century. It argues that these centuries are, in fundamental ways, the momentous period in our literary history, for they are the long moment in which the category of literature itself emerged as English writing began to insist, for the first time, that it floated free of any social reality or function. This book also charts the complex mechanisms by which English writing acquired this power in a series of linked close readings of both canonical and more obscure texts. It encloses those readings in five compelling accounts of much broader cultural areas, describing, in particular, the productive relationship of Middle English writing to medieval technology, insurgency, statecraft and cultural place, concluding with an in depth account of the particular arguments, emphases and techniques English writers used to claim a wholly new jurisdiction for their work. Both this history and its readings are everywhere informed by the most exciting developments in recent Middle English scholarship as well as literary and cultural theory. It serves as an introduction to all these areas as well as a contribution, in its own right, to each of them.

This richly illustrated book provides a comprehensive introduction to medieval England. Written by expert scholars and drawing on the latest research, it offers an authoritative survey of the years from the departure of the Roman legions to the Battle of Bosworth. The middle ages were a time of profound diversity and change. The main political themes are explored in three narrative chapters, covering the Anglo-Saxon period, the Normans and Angevins, and the late middle ages. Chapters on the social, cultural, and religious life of the period add context tothe political and institutional developments traced and cover topics as varied as the nature of national identity, urban life, art and architecture, religious practice, and the development of vernacular literature. 180 illustrations, maps, family trees, a chronology, guide to further reading, and a full index make this an indispensable guide to England in the middle ages. Contributors... Janet L. Nelson, Professor of History, King's College, London George Garnett, Fellow and Tutor in History, St Hugh's College, Oxford Chris Given-Wilson, Senior Lecturer in Medieval History, University of St Andrews Christopher Dyer, Professor of Medieval Social History, University of Birmingham Henrietta Leyser, Lecturer in Medieval History, St Peter's College, Oxford Nicola Coldstream Derek Pearsall, Professor of English, Harvard University

In 14 original essays, The Oxford Illustrated History of the Book reveals the history of books in all their various forms, from the ancient world to the digital present. Leading international scholars offer an original and richly illustrated narrative that is global in scope. The history of the book is the history of millions of written, printed, and illustrated texts, their manufacture, distribution, and reception. Here are different types of production, from clay tablets to scrolls, from inscribed codices to printed books, pamphlets, magazines, and newspapers, from written parchment to digital texts. The history of the book is a history of different methods of circulation and dissemination, all dependent on innovations in transport, from coastal and transoceanic shipping to roads, trains, planes and the internet. It is a history of different modes of reading and reception, from learned debate and individual study to public instruction and entertainment. It is a history of manufacture, craftsmanship, dissemination, reading and debate. Yet the history of books is not simply a question of material form, nor indeed of the history of reading and reception. The larger question is of the effect of textual production, distribution and reception - of how books themselves made history. To this end, each chapter of this volume, succinctly bounded by period and geography, offers incisive and stimulating insights into the relationship between books and the story of their times.

The Renaissance is one of the most celebrated periods in European history. But when did it begin? When did it end? And what did it include? Traditionally regarded as a revival of classical art and learning, centred upon fifteenth-century Italy, views of the Renaissance have changed considerably in recent decades. The glories of Florence and the art of Raphael and Michelangelo remain an important element of the Renaissance story, but they are now only a part of a much wider story which looks beyond an exclusive focus on high culture, beyond the Italian peninsula, and beyond the fifteenth century. The Oxford Illustrated History of the Renaissance tells the cultural history of this broader and longer Renaissance: from seminal figures such as Dante and Giotto in thirteenth-century Italy, to the waning of Spain's "golden age" in the 1630s, and the closure of the English theatres in 1642, the date generally taken to mark the end of the English literary Renaissance. Geographically, the story ranges from Spanish America to Renaissance Europe's encounter with the Ottomans--and far beyond, to the more distant cultures of China and Japan. And thematically, under Gordon Campbell's expert editorial guidance, the volume covers the whole gamut of Renaissance civilization, with chapters on humanism and the classical tradition; war and the state; religion; art and architecture; the performing arts; literature; craft and technology; science and medicine; and travel and cultural exchange.

In 14 original essays, The Oxford Illustrated History of the Book reveals the history of books in all their various forms, from the ancient world to the digital present. Leading international scholars offer an original and richly illustrated narrative that is global in scope. The history of the book is the history of millions of written, printed, and illustrated texts, their manufacture, distribution, and reception. Here are different types of production, from clay tablets to scrolls, from inscribed codices to printed books, pamphlets, magazines, and newspapers, from written parchment to digital texts. The history of the book is a history of different methods of circulation and dissemination, all dependent on innovations in transport, from coastal and transoceanic shipping to roads, trains, planes and the internet. It is a history of different modes of reading and reception, from learned debate and individual study to public instruction and entertainment. It is a history of manufacture, craftsmanship, dissemination, reading and debate. Yet the history of books is not simply a question of material form, nor indeed of the history of reading and reception. The larger question is of the effect of textual production, distribution and reception - of how books themselves made history. To this end, each chapter of this volume, succinctly bounded by period and geography, offers incisive and stimulating insights into the relationship between books and the story of their times.

The Short Oxford History of English Literature 2e provides a comprehensive beginners guide to the literature of the British Isles from the Anglo-Saxon period to the present day in one volume. This book is an established introduction to English literature, with separate chapters tracing the development from Beowulf to the post-modern fictions of Seamus Heaney and Angela Carter including a new section on late 20th century prose and British and Irish poetry of the 60s. The Historyprovides detailed discussion of Old and Middle English literature, the Renaissance, Shakespeare, the seventeenth and eighteenth centuries, the Romantics, Victorian and Edwardian literature, Modernism, and post-war writing. Discussions of key writers and works from Anselm and Chaucer to Spenser andBunyan, and from Swift and Johnson to Dickens and DH Lawrence, are combined with analysis of the impact on literature of contemporary political, social, and intellectual developments. The book includes Scottish, Irish, and Welsh writers, and it asks about the future of the canon in the light of thefragmented condition of British writing in the post-imperial period. Lively, accessible, and up-to-date, The Short Oxford History of English Literature will be an invaluable source for general readers and a key textbook for sixth-form students, first year undergraduates, and foreign students of English literature.