The Italian Resistance in World War II began as a spontaneous rebellion against Nazi oppression in the days following Italy's unconditional surrender to the Allies on September 8, 1943. The story of the underground battle of the Italians against the Nazis and Fascisti, largely unknown outside Italy, was, unlike the French Resistance, a spontaneous city-by-city, region-by-region uprising. This book traces the growth of the wartime resistance from its birth in 1943 against overwhelming odds to its dramatic triumph two years later. Here are Neapolitan youngsters fighting German tanks; patriots operating an underground radio station inside Nazi occupied Florence; Romans ambushing a Nazi patrol; mountain fighters blasting enemy convoys; peasants who hid partisan and Allied escapees; and priests and nuns who outfoxed Nazi and Fascist patrols. It was a moving episode, a lesson for all of us who live so easily in the kind of society dreamed of by the partisans. This is a story of courage, sacrifice and individual heroism - a noble episode in the history of a great people. "A valuable contribution to the history of World War II, which was as much a "peoples war" - a revolution - as it was a gigantic struggle between the armies of the Allies and those of the Axis powers. The book demonstrates with a wealth of facts and anecdotes drawn from survivors and memoirs that given a cause to fight for the Italians are as capable of reckless courage as the bravest. And in Word War II their cause was freedom from the Fascism that had crushed their civil rights for a generation that dominated them after the Italo-Allied Armistice of September 1943. "Particularly valuable are Mrs. Wilhelm's chapters on the often ambiguous role of the Catholic Church; the participation of Jews in the armed resistance; the price they paid in deportations to the German concentration camps, where most of the 3000 Jews perished; and finally the important role of the women of Italy in the liberation as Resistance fighters."

The Other Side of the Tiber illuminates Italy in an entirely new way, treating the peninsula as a series of distinct places, subjects, histories, and geographies loosely bound together by shared priorities and limits. A subtle and solid image of Italy emerges as does a multi-faceted portrait of the author. Earthquakes and volcanoes; a hundred-year-old man; Siena as a walled city; Keats in Rome; the refugee camp of Manduria; the Slow Food movement realism in Caravaggio; the concept of good and evil; Mary the Madonna as a subject--from these varied angles, Wilde-Menozzi traces a society skeptical about competition and tolerant of contradiction, and suggests the benefits of its long view of time and belief in beauty.

“Our lives are Swiss,” Emily Dickinson wrote in 1859, “So still—so cool.” But over the Alps, “Italy stands the other side.” For Dickinson, as for many other writers and artists, Italy has been the land of light, a seductive source of invention, enchantment, and freedom. So it was for Helen Barolini, who, as a student in Rome after World War II, wrote her first poetry and gave birth to her own creative life, reinvigorating her mother tongue. In this book, Barolini celebrates the lives of other women whose imaginations succumbed to the lure of Italy. Here Barolini profiles six gifted women transformed by Italy’s mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of “Italy” and its gifts—in whose welcome a new self could be created. Or discovered. Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies—and created a refuge from Mussolini’s fascism. Linking these lives, Barolini shows, is the transforming catalyst of change in a new land. Their Other Side is a wise, warm, and deeply felt literary journey that brilliantly captures the enduring effects of Italy as a place, a culture, and an experience.

Italy possesses two literary canons, one in the Tuscan language and the other made up of the various dialects of its many regions. The Other Italy presents for the first time an overview of the principal authors and texts of Italy's literary canon in dialect. It highlights the cultivated dialect poetry, drama, and narrative prose since the codification of the Tuscan literary language in the early sixteenth century, when writing in dialect became a deliberate and conscious alternative to the official literary standard. The book offers a panorama of the literary dialects of Italy over five centuries and across the country's regions, shedding light on a profoundly plurilingual and polycentric civilization. As a guide to reading and research, it provides a compendium of literary sources in dialect, arranged by region and accompanied by syntheses of regional traditions with selected textual illustrations. A work of extraordinary importance, The Other Italy was awarded the Modern Language Association of America's Aldo and Jean Scaglione Publication Award for a Manuscript in Italian Literary Studies. It will serve scholars as an indispensable resource book for years to come.

Magnificent natural beauty, rich culture and longstanding traditions, Basilicata packs an incredible diversity into the unassuming instep of the Italian boot. From the renowned Sassi di Matera to the smallest village, this in-depth travel essay uncovers a land, its people, their past and present, sharing the joys and challenges of the experience.

Co-published by: Centre for Reformation and Renaissance Studies.

The first story in this book is retold from the "Fioretti" of St. Francis of Assisi. "Calandrino and the pig" is from the "Decameron" of Boccaccio. The last three stories are adapted from "Legends of Florence" by C.G. Leland.