The Origins of Buddhist Monastic Codes in China contains the first complete translation of China’s earliest and most influential monastic code. The twelfth-century text Chanyuan qinggui (Rules of Purity for the Chan Monastery) provides a wealth of detail on all aspects of life in public Buddhist monasteries during the Sung (960–1279). Part One consists of Yifa’s overview of the development of monastic regulations in Chinese Buddhist history, a biography of the text’s author, and an analysis of the social and cultural context of premodern Chinese Buddhist monasticism. Of particular importance are the interconnections made between Chan traditions and the dual heritages of Chinese culture and Indian Buddhist Vinaya. Although much of the text’s source material is traced directly to the Vinayas and the works of the Vinaya advocate Daoan (312–385) and the Lü master Daoxuan (596–667), the Chanyuan qinggui includes elements foreign to the original Vinaya texts—elements incorporated from Chinese governmental policies and traditional Chinese etiquette. Following the translator’s overview is a complete translation of the text, extensively annotated.

Original Scholarly Monograph

Buddhist monasteries in medieval China employed a variety of practices to ensure their ascendancy and survival. Most successful was the exchange of material goods for salvation, as in the donation of land, which allowed monks to spread their teachings throughout China. By investigating a variety of socioeconomic spaces produced and perpetuated by Chinese monasteries, Michael J. Walsh reveals the "sacred economies" that shaped early Buddhism and its relationship with consumption and salvation. Centering his study on Tiantong, a Buddhist monastery that has thrived for close to seventeen centuries in southeast China, Walsh follows three main topics: the spaces monks produced, within and around which a community could pursue a meaningful existence; the social and economic avenues through which monasteries provided diverse sacred resources and secured the primacy of Buddhist teachings within an agrarian culture; and the nature of "transactive" participation within monastic spaces, which later became a fundamental component of a broader Chinese religiosity. Unpacking these sacred economies and repositioning them within the history of religion in China, Walsh encourages a different approach to the study of Chinese religion, emphasizing the critical link between religious exchange and the production of material culture.

In an attempt to reconstruct an elusive aspect of the medieval Chinese imagination, The Eminent Monk examines biographies of Chinese Buddhist monks, from the uncompromising ascetic to the unfathomable wonder-worker. While analyzing images of the monk in medieval China, the author addresses some questions encountered along the way: What are we to make of accounts in “eminent monk” collections of deviant monks who violate monastic precepts? Who wrote biographies of monks and who read them? How did different segments of Chinese society contend for the image of the monk and which image prevailed? By placing biographies of monks in the context of Chinese political and religious rhetoric, The Eminent Monk explores both the role of Buddhist literature in Chinese history and the monastic imagination that inspired this literature.

Written by prominent scholars, this text covers rituals from the early Chan period to modern Japan and key developments that occurred in the Linji/Rinzai and Caodon/Soto schools. It describes how rituals mould the lives of its practitioners in accordance with the ideal of Zen awakening.

First published in 1981, The Renewal of Buddhism in China broke new ground in the study of Chinese Buddhism. An interdisciplinary study of a Buddhist master and reformer in late Ming China, it challenged the conventional view that Buddhism had reached its height under the Tang dynasty (618–907) and steadily declined afterward. Chün-fang Yü details how in sixteenth-century China, Buddhism entered a period of revitalization due in large part to a cohort of innovative monks who sought to transcend sectarian rivalries and doctrinal specialization. She examines the life, work, and teaching of one of the most important of these monks, Zhuhong (1535–1615), a charismatic teacher of lay Buddhists and a successful reformer of monastic Buddhism. Zhuhong’s contributions demonstrate that the late Ming was one of the most creative periods in Chinese intellectual and religious history. Weaving together diverse sources—scriptures, dynastic history, Buddhist chronicles, monks’ biographies, letters, ritual manuals, legal codes, and literature—Yü grounds Buddhism in the reality of Ming society, highlighting distinctive lay Buddhist practices to provide a vivid portrait of lived religion. Since the book was published four decades ago, many have written on the diversity of Buddhist beliefs and practices in the centuries before and after Zhuhong’s time, yet The Renewal of Buddhism in China remains a crucial touchstone for all scholarship on post-Tang Buddhism. This fortieth anniversary edition features updated transliteration, a foreword by Daniel B. Stevenson, and an updated introduction by the author speaking to the ongoing relevance of this classic work.