This holistic study demonstrates the interconnected nature of early medieval origin legends and traces their growth over time.

This volume contains work by scholars actively publishing on origin legends across early medieval western Europe, from the fall of Rome to the high Middle Ages. Its thematic structure creates dialogue between texts and regions traditionally studied in isolation.

The inhabitants of early medieval Britain and Ireland shared the knowledge that the region held four peoples and the awareness that they must have originally come from 'elsewhere'. The Origin Legends of Early Medieval Britain and Ireland studies these peoples' origin stories, an important genre that has shaped national identity and collective history from the early medieval period to the present day. These multilingual texts share many common features that repay their study as a genre, but have previously been isolated as four disparate traditions and used to argue for the long roots of current nationalisms. Yet they were not written or read in isolation during the medieval period. Individual narratives were in constant development, written and rewritten to respond to other texts. This book argues that insular origin legends developed together to flesh out the history of the insular region as a whole.

In it, Daibhi O Croinin describes Ireland's emergence from the darkness of prehistory into the brilliant light of her 'Golden Age', as the 'Island of Saints and Scholars', and the subsequent evolution of a society comparable in achievement and sophistication with any in early medieval Europe.

Deconstructs the early history of Britain, illustrating a transformative era with wide-ranging sources and an accessible narrative.

Crucial texts from ninth- and tenth-century Wales analysed to show their key role in identify formation. WINNER OF THE FRANCIS JONES PRIZE 2022 Early medieval writers viewed the world as divided into gentes ("peoples"). These were groups that could be differentiated from each other according to certain characteristics - by the language they spoke or the territory they inhabited, for example. The same writers played a key role in deciding which characteristics were important and using these to construct ethnic identities. This book explores this process of identity construction in texts from early medieval Wales, focusing primarily on the early ninth-century Latin history of the Britons (Historia Brittonum), the biography of Alfred the Great composed by the Welsh scholar Asser in 893, and the tenth-century vernacular poem Armes Prydein Vawr ("The Great Prophecy of Britain"). It examines how these writers set about distinguishing between the Welsh and the other gentes inhabiting the island of Britain through the use of names, attention to linguistic difference, and the writing of history and origin legends. Crucially important was the identity of the Welsh as Britons, the rightful inhabitants of the entirety of Britain; its significance and durability are investigated, alongside its interaction with the emergence of an identity focused on the geographical unit of Wales.

The pivotal role of Ireland in the development of a decidedly Christian culture in early medieval Europe has long been recognized. Still, Irish scholarship on early medieval Ireland has tended not to look beyond the Irish Sea, while continental scholars try to avoid Hibernica by reference to its special Celtic background. Following the lead of the honorand of this volume, Prof. Daibhi O Croinin, this collection of 27 essays aims at contributing to a reversal of this general trend. By way of introduction to the period, the first section deals with chronological problems faced by modern scholars as well as the controversial issues relating to the reckoning of time discussed by contemporary intellectuals. The following three sections then focus on Ireland's interaction with its neighbours, namely a) Ireland in the Insular world, b) continental influences in Ireland, and c) Irish influences on the Continent. The concluding section is devoted to modern scholarship and the perception of the Middle Ages in modern literature.