An epic first novel chronicling the fortunes of the opium trade by a talented Indian writer Kunal Basu's panoramic first novel follows the vagaries of Hiran's life, and the flow of the opium trade, from Calcutta to Canton. Disguised as a missionary, he survives cholera, piracy and war in China, arriving back in India to find his homeland on the verge of another rebellion. And he finds himself suddenly father to a half-caste son, the child abandoned by the Englishman and his wife when they fled back in disgrace to Britain. As Hiran dedicates himself to the education of his new son, the cycle of regeneration continues. Douglas, now an adult, neither black nor white, flees India himself for the Orient, again carried along on the flood of opium, this time to Borneo, to Sarawak: the land of the White Rajahs.

Hiran Is Born In 1857: The Year Of Mutiny And The Year His Father Dies. Brought To Calcutta By His Widowed Mother He Turns Out To Have Few Talents, Apart From An Uncanny Ability To Read A Man'S Lies In His Palm. When Luck Gets Him A Job At The Auction House, Hiran Finds Himself Embroiled In A Mysterious Trade, And Even More Deeply Embroiled In The Affairs Of His Nefarious Superior, The Infamous Mr Jonathan Crabbe And His Opium Addicted Wife. An Unlikely Hero, Hiran Is Caught Up In Rebellion And War, Buffeted By Storms At Sea, By Love And Intrigue, Innocently Implicated In Fraud And Dark Dealings.

Proceedings of a seminar held at Kolkata in February 2004.

Lisbon, 1898: Antonio Maria, surgeon and notorious playboy, returns home after a long absence to learn his beloved father has syphilis, the scourge of both rich and poor. Determined to find a cure, Antonio sets sail for Peking, to study under the evasive but renowned Dr. Xu. But Dr. Xu does not intend to give away his knowledge, and Antonio suddenly falls in love with his assistant, the elusive Fumi. The threat of the advancing Boxer rebellion hangs over the Summer Palace, and Antonio and Fumi must decide whether to flee together or remain in China. Kunal Basu's lush, haunting tale invites comparisons to Michael Ondaatje's best work. This superb novel conjures a man discovering the love that will force him to question everything.

'A tale of immense originality and intrigue. The Miniaturist is every bit as perfect and detailed as a Mughal painting should be. Well crafted in all its details of colour and texture, it is an intensely passionate creation' Observer Set in the court of the Emperor Akbar in 16th-century India, this is a richly detailed and sensuous tale of art, sex and political intrigue. Bihzad is the son of the emperor's chief artist and as such, he is groomed to follow in his father's footsteps. A child prodigy, Bihzad is shielded from life as he grows up in the stunning fortress town of Agra. But soon word of his talent - his wild, imaginative drawings free from the normal restrictions of court painting - spreads. When the emperor decides to move the court to Fatehpur Sikri, Bihzad is favoured among the other artists and musicians. In his spare time he paints a series of richly, erotic scenes. But as his fame increases, he begins to make enemies who are jealous of his success and who will use his hidden drawings to destroy him.

The essays gathered here alternately adjust the focal length of the critical lens brought to bear upon texts and contexts in the area of Indian writing in English. They bring into view both intense engagements with major voices in this literary scene and the wider socio-historical perspectives in which they have thrived. Three clearly defined sections on the genres of poetry, prose, and drama are augmented by three incisive interviews with the diasporic Indian English poet Bashabi Fraser, the renowned Indian English fiction writer Kunal Basu, and the premier Indian English playwright Mahesh Dattani. The volume will appeal to students and teachers of postcolonial and comparative literatures. It raises crucial and timely questions about the state of culture in India and the world, the crisis of intolerance, and the loss of memory and diversity. It hones a post-millennial perspective on literature written in the late 20th and early 21st centuries.