Devised to legitimize the Republic of China’s claim over Inner Asia, the Sinocentric paradigm stems from the Open Door Policy and Chinese nationalism. Advanced against the conquest theory, and rationalized as the pathfinding ecological theory, it is an evolutionary materialist scheme that became the vision of history. Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.

The Nomadic Leviathan debunks as myth the most widely held theory of the origins and nature of the state, resurrects the conquest theory that places pastoralism and the Eurasian steppe at the origin of the state, and gives primacy to the political over the economic order.

Seeking the answer to the mystery of life, Captain Oswald Bastable visits the Temple of the Future Buddha and is thrown through time to a new twentieth century. Plague, anarchy and superstition rule the world where he finds himself. Bands of diseased mutants pillage the continents while pirate U-boats prowl the oceans. But from this chaos emerges Black Attila, commander of the African Hordes and master of the most terrible weapon ever devised by Man - the Land Leviathan, a terrifying ziggurat on wheels, a moving mountain of deadly artillery. At last, after centuries of cruel oppression, the Land Leviathan helps the Black Attila establish Black Power on an unimaginable, global scale. Unimaginable, that is, to anyone except Michael Moorcock who has re-written the history of the twentieth century in his own totally original, biting style.

The sensational follow up to MONSTROUS HEART; a magical tale of intrigue on dark waters and a love story for the ages. The perfect gothic, gaslamp fantasy – ideal for fans of V.E. Schwab and China Mieville

Peace is a universal ideal, but its political life is a great paradox: "peace" is the opposite of war, but it also enables war. If peace is the elimination of war, then what does it mean to wage war for the sake of peace? What does peace mean when some say that they are committed to it but that their enemies do not value it? Why is it that associating peace with other ideals, like justice, friendship, security, and law, does little to distance peace from war? Although political theory has dealt extensively with most major concepts that today define "the political" it has paid relatively scant critical attention to peace, the very concept that is often said to be the major aim and ideal of humanity. In War for Peace, Murad Idris looks at the ways that peace has been treated across the writings of ten thinkers from ancient and modern political thought, from Plato to Immanuel Kant and Sayyid Qutb, to produce an original and striking account of what peace means and how it works. Idris argues that peace is parasitical in that the addition of other ideals into peace, such as law, security, and friendship, reduces it to consensus and actually facilitates war; it is provincial in that its universalized content reflects particularistic desires and fears, constructions of difference, and hierarchies within humanity; and it is polemical, in that its idealization is not only the product of antagonisms, but also enables hostility. War for Peace uncovers the basis of peace's moralities and the political functions of its idealizations, historically and into the present. This bold and ambitious book confronts readers with the impurity of peace as an ideal, and the pressing need to think beyond universal peace.

A brand-new edition of the second novel in Moorcock's acclaimed steampunk series. Oswald Bastable visits an alternate 1904. Here, he discovers that most of the Western world has been devastated by a short, yet horrific, war fought with futuristic devices and biological weapons. An Afro-American Black Attila is conquering the remnants of the Western nations, destroyed by the wars, in an attempt to bring civilization and social order.