Three works deal with a concentration camp survivor, a hostage holder in Palestine, and a recovering accident victim.

Elie Wiesel's Dawn is an eloquent meditation on the compromises, justifications, and sacrifices that human beings make when they murder other human beings. "The author . . . has built knowledge into artistic fiction." —The New York Times Book Review Elisha is a young Jewish man, a Holocaust survivor, and an Israeli freedom fighter in British-controlled Palestine; John Dawson is the captured English officer he will murder at dawn in retribution for the British execution of a fellow freedom fighter. The night-long wait for morning and death provides Dawn, Elie Wiesel's ever more timely novel, with its harrowingly taut, hour-by-hour narrative. Caught between the manifold horrors of the past and the troubling dilemmas of the present, Elisha wrestles with guilt, ghosts, and ultimately God as he waits for the appointed hour and his act of assassination. The basis for the 2014 film of the same name, now available on streaming and home video.

A New Translation From The French By Marion Wiesel Born in Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 and deported to the Auschwitz concentration camp, and then to Buchenwald. Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's seminal work.

Featuring the most popular character from the Sembia series, this second installment finds Erevis Cale having to put his trust in a god served by thieves and born of chaos. Original.

"In 1939," Julian Padowicz says, "I was a Polish Jew-hater. Under different circumstances my story might have been one of denouncing Jews to the Gestapo. As it happened, I was a Jew myself, and I was seven years old." Julian's mother was a Warsaw socialite who had no interest in child-rearing. She turned her son over completely to his governess, a good Catholic, named Kiki, whom he loved with all his heart. Kiki was deeply worried about Julian's immortal soul, explaining that he could go to Heaven only if he became a Catholic. When bombs began to fall on Warsaw, Julian's world crumbled. His beloved Kiki returned to her family in Lodz; Julian's stepfather joined the Polish army, and the grief-stricken boy was left with the mother whom he hardly knew. Resourceful and determinded, his mother did whatever was necessary to provide for herself and her son: she brazenly cut into food lines and befriended Russian officers to get extra rations of food and fuel. But brought up by Kiki to distrust all things Jewish, Julian considered his mother's behavior un-Christian. In the winter of 1940, as conditions worsened, Julian and his mother made a dramatic escape to Hungary on foot through the Carpathian mountains and Julian came to believe that even Jews could go to Heaven.

“The most credible and frightening of all the vampire books of the past decade.” —San Francisco Chronicle “Bram Stoker meets Stephen King meets Michael Crichton. It just doesn’t get much better than this.” —Nelson DeMille The stunning New York Times bestselling vampire saga that author Dan Simmons (Drood, The Terror) calls, “an unholy spawn of I Am Legend out of ‘Salem’s Lot,” concludes with The Night Eternal. The magnificent, if monstrously warped brainchild of cinematic horror master Guillermo del Toro (Pan’s Labyrinth, Hellboy) and Chuck Hogan—whose novel Prince of Thieves, was praised as, “one of the 10 best books of the year” by Stephen King—The Night Eternal begins where The Strain and The Fall left off: with the last remnants of humankind enslaved by the vampire masters in a world forever shrouded by nuclear winter. Still, a small band of the living fights on in the shadows, in the final book of the ingenious dark fantasy trilogy that Newsweek says is, “good enough to make us break that vow to swear off vampire stories.”