Lee Child recruits Joyce Carol Oates, Jonathan Ames, Cara Black, and others to reveal nicotine’s scintillating alter egos. “Sixteen tributes to America’s guiltiest pleasure . . . Even confirmed anti-smokers will find something to savor.” —Kirkus Reviews In recent years, nicotine has become as verboten as many hard drugs. The literary styles in this volume are as varied as the moral quandaries herein, and the authors have successfully unleashed their incandescent imaginations on the subject matter, fashioning an immensely addictive collection.

A new anthology of cocaine stories from the creators of The Speed Chronicles—“Caution: these stories are addicting” (Harlan Coben). This ambitious anthology of jaw-grinding criminal behavior is masterfully curated by acclaimed authors Gary Phillips and Jervey Tervalon. Cocaine is the subject, the whys and whereofs in The Cocaine Chronicles, a collection of original short stories that are funny and harrowing, sad and scary, but at all times riveting. The Cocaine Chronicles contains tough tales by a cross-section of today’s most thought-provoking writers. Featuring brand-new stories by: Susan Straight, Lee Child, Laura Lippman, Ken Bruen, Jerry Stahl, Nina Revoyr, Bill Moody, Emory Holmes II, James Brown, Gary Phillips, Jervey Tervalon, Kerry E. West, Donnell Alexander, Deborah Vankin, Robert Ward, Manuel Ramos, and Detrice Jones.

This collection of heroin stories from Eric Bogosian, Jerry Stahl, Lydia Lunch, and more “will satisfy devotees of noir fiction and outsider art alike” (Publishers Weekly). On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, etc.) and The Cocaine Chronicles (Lee Child, Laura Lippman, etc.) comes The Heroin Chronicles, a volume sure to frighten and delight. The literary styles of these stories are as diverse as the moral quandaries they explore. From the groundbreaking novels of William S. Burroughs to the mind-altering music of The Velvet Underground, heroin—in all its ecstasy and tragedy—has been the subject of many an underground masterpiece. Collected here are all-new short stories about the infamous drug by some of today’s most celebrated and provocative writers, including Eric Bogosian, Lydia Lunch, Jerry Stahl, Nathan Larson, Ava Stander, Antonia Crane, Gary Phillips, Jervey Tervalon, John Albert, Michael Albo, Sophia Langdon, Tony O’Neill, and L.Z. Hansen.

An “addictive volume” of amphetamine stories from William T. Vollmann, Sherman Alexie, and more (Publishers Weekly). Speed is the most American of drugs: twice the productivity at half the cost, and equal opportunity for all. It has reinvented itself many times, from miracle cure to biker-gang scourge and everything in between. It goes by many names: crystal meth, amphetamines, Dexedrine, Benzedrine, Adderall; crank, spizz, chickenscratch, oblivious marching powder, the go-fast. And it crosses all ethnicities, genders, and geographies—from immigrants and heartlanders punching double factory shifts to clandestine border warlords; prostitutes to housewives; Hollywood celebs to the poorest Indian on the rez—and they all have plenty of stories. Here is the first contemporary collection of new short fiction dealing with the drug from an array of today’s most compelling authors. The elements of crime and tweaking, bleary-eyed zombies exist alongside heart-wrenching narratives of everyday people, the American Dream going up in flames, and even some accounts of pure joy. Featuring brand-new stories by: Sherman Alexie, William T. Vollmann, James Franco, Megan Abbott, Jerry Stahl, Beth Lisick, Jess Walter, Scott Phillips, James Greer, Tao Lin, Joseph Mattson, Natalie Diaz, Kenji Jasper, and Rose Bunch.

“A gem” of a collection of marijuana stories, poems and artwork by Joyce Carol Oates, Lee Child, Linda Yablonsky, Cheryl Lu-Lien Tan, and others (New York Journal of Books). It’s known by many names: Pot. Grass. Hash. Hemp. Reefer. Ganja. Dope. Weed. Smoke. Spliff. Mary Jane. Tea. Blunt. And it has played just as many parts in the mind of the public, from Reefer Madness to medical marijuana. Here is a collection of new works as diverse and provocative as the drug itself. From Joyce Carol Oates’s “High” to Dean Haspiel’s “Cannibal Sativa”; from Maggie Estep’s “Zombie Hookers of Hudson” to Philip Spitzer’s “Tips for the Pot-Smoking Traveler,” this collection explores the drug in its many forms and varietals. In prose, pictures, stories, and poems, you can delve into the folklore and the facts, rich cultural history, and dramas personal, political, spiritual, and legal. Like Dave Chappelle says: “Hey, hey, hey. Smoke weed every day.”

An outer-borough boy moves to the foreign land of Manhattan and befriends Lou Reed, in a novel by the Emmy-winning actor and screenwriter: “A winner.”—Library Journal Matthew is a sixteen-year-old living in Jackson Heights, Queens, in 1976. After he loses his two most important male role models, his father and grandfather, his mother uses her inheritance to uproot Matthew and herself to a posh apartment building in Manhattan. Although only three miles from his boyhood home, “the city” is a completely new and strange world. Soon, he befriends (and becomes a quasi-assistant to) Lou Reed, who lives with his transgender girlfriend in the same building. And the drug-addled, artistic/shamanic musician will eventually become an unorthodox father figure to Matthew, as he moves toward adulthood, adjusts to a new life, and falls head over heels for a girl wise beyond her years. “Imperioli can definitely write, and he gets high marks for the verisimilitude and empathy that he evokes.”—Booklist (starred review) “A coming-of-age tale dashed with relatable angst and humor.”—Entertainment Weekly “Some fictional trips into 1970s New York abound with nostalgia; this novel memorably opts for grit and heartbreak.”—Kirkus Reviews

“St. Louis gets a turn to show its dark side . . . [A] spirited, black-hearted collection” including a story from New York Times–bestselling author John Lutz (Kirkus Reviews). A vibrant Midwest metropolis, St. Louis has a rich, multicultural history of art and literature—both high and low. That duality is embraced here in an anthology that spans the reaches of noir, from violent criminality to bad luck and bad attitudes. St. Louis Noir includes stories by bestselling authors John Lutz and Scott Phillips, a poetic interlude featuring Poet Laureate Michael Castro, and more tales from Calvin Wilson, LaVelle Wilkins-Chinn, Paul D. Marks, Colleen J. McElroy, Jason Makansi, S.L. Coney, Laura Benedict, Jedidiah Ayres, Umar Lee, Chris Barsanti, and L.J. Smith. “The stories here are uniformly strong. Regular readers of the Noir series know what to expect: tightly written, tightly plotted, mostly character-driven stories of murder and mayhem, death and despair, shadow and shock.” —Booklist “Thirteen tales of grim homicidal happenings (plus one poetic interlude) set in the streets of the St. Louis area.” —St. Louis Post-Dispatch