“Extraordinarily rich, lively and illuminating. ... [The editors] have succeeded magnificently in achieving their goal.” —Jewish Journal The late twentieth and early twenty-first centuries have been a period of mass production and proliferation of Jewish ideas, and have witnessed major changes in Jewish life and stimulated major debates. The New Jewish Canon offers a conceptual roadmap to make sense of such rapid change. With over eighty excerpts from key primary source texts and insightful corresponding essays by leading scholars, on topics of history and memory, Jewish politics and the public square, religion and religiosity, and identities and communities, The New Jewish Canon promises to start conversations from the seminar room to the dinner table. The New Jewish Canon is both text and textbook of the Jewish intellectual and communal zeitgeist for the contemporary period and the recent past, canonizing our most important ideas and debates of the past two generations; and just as importantly, stimulating debate and scholarship about what is yet to come.

What makes a great Jewish book? What makes a book "Jewish" in the first place? Ruth R. Wisse, one of the leading scholars in the field of Jewish literature, sets out to answer these questions in The Modern Jewish Canon. Wisse takes us on an exhilarating journey through language and culture, penetrating the complexities of Jewish life as they are expressed in the greatest Jewish novels of the twentieth century, from Isaac Babel to Isaac Bashevis Singer, from Elie Wiesel to Cynthia Ozick. The modern Jewish canon Wisse proposes comprises those books that convey an experience of Jewish actuality, those in which "the authors or characters know and let the reader know that they are Jews," for better or worse. Wisse is not content merely to evaluate the great books of Jewish literature; she also links the works together to present a new kind of Jewish history, as it has been told through the literature of the past hundred years. She tells the story of a multilingual, multinational people, one that has experienced an often turbulent relationship with Hebrew (the liturgical and scriptural language) and Yiddish (the commonplace vernacular tongue), as well as with the numerous languages spoken by Jews around the world. Wisse insists that language informs the essential meaning of a Jewish work, creating and ratifying political and religious alliances, historical and cultural circumstance, and methods of interpretation. Drawing from a broad sweep of twentieth-century Jewish fiction, Wisse reintroduces us to the deeper side of much-beloved books that remain touchstones of Jewish identity. Through her eyes we reencounter old friends, including: Tevye the Dairyman from Sholem Aleichem's landmark Yiddish stories, the character on whom Fiddler on the Roof is based Joseph K. of Kafka's The Trial, who "without having done anything wrong" was famously "arrested one fine morning" Anne Frank, whose poignant diary has shaped the way we think about the Holocaust Nathan Zuckerman, the enigmatic narrator of numerous Philip Roth novels Destined to be a classic in its own right, one that reshapes the way we think about some of the classic works of the modern age, The Modern Jewish Canon is a book for every Jewish reader and for every reader of great fiction.

This new study of the Old Testament canon by Roger Beckwith is on a scale to match H. E. Ryle's classic work, which was first published in 1892. But Beckwith has the advantage of writing after the Qumran (and other) discoveries; and he has also made full use of all the available sources, including biblical manuscripts and rabbinical and patristic literature, taking into account the seldom studied Syriac material as well as the Greek and Latin material. The result of many years of study, this book is a major work of scholarship on a subject which has been neglected in recent times. It is both historical and theological, but Beckwith's first consideration has been to make a thorough and unprejudiced historical investigation. One of his most important concerns - and one that is crucial for all students of Judaism, and Christians in particular - is to decide when the limits of the Jewish canon were settled. In the answer to this question lies an important key to the teaching of Jesus and his apostles, and the resultant beliefs of the New Testament church. Furthermore, any answers to questions about the state of the canon in the New Testament period would help to open a way through the present ecumenical (and interfaith) impasse on the subject. With its meticulous research and evenhanded approach, this book is sure to become the starting point for study of the Old Testament canon in the years to come.

I. L. Peretz (1852–1915), the father of modern Yiddish literature, was a master storyteller and social critic who advocated a radical shift from religious observance to secular Jewish culture. Wisse explores Peretz’s writings in relation to his ideology, which sought to create a strong Jewish identity separate from the trappings of religion.

DIVThe discovery of the Dead Sea Scrolls provides unprecedented insight into the nature of the Hebrew Bible or Old Testament before its fixation. Timothy Lim here presents a complete account of the formation of the canon in Ancient Judaism from the emergence of the Torah in the Persian period to the final acceptance of the list of twenty-two/twenty-four books in the Rabbinic period./divDIV /divDIVUsing the Hebrew Bible, the Scrolls, the Apocrypha, the Letter of Aristeas, the writings of Philo, Josephus, the New Testament, and Rabbinic literature as primary evidence he argues that throughout the post-exilic period up to around 100 CE there was not one official “canon” accepted by all Jews; rather, there existed a plurality of collections of scriptures that were authoritative for different communities. Examining the literary sources and historical circumstances that led to the emergence of authoritative scriptures in ancient Judaism, Lim proposes a theory of the majority canon that posits that the Pharisaic canon became the canon of Rabbinic Judaism in the centuries after the destruction of the Jerusalem Temple./div

Halbertal provides a panoramic survey of Jewish attitudes toward Scripture, provocatively organized around problems of normative and formative authority, with an emphasis on the changing status and functions of Mishnah, Talmud, and Kabbalah.

An erudite and accessible survey of Jewish life and culture in the twentieth century, as reflected in seminal texts. Following The People and the Books, which "covers more than 2,500 years of highly variegated Jewish cultural expression" (Robert Alter, New York Times Book Review), poet and literary critic Adam Kirsch now turns to the story of modern Jewish literature. From the vast emigration of Jews out of Eastern Europe to the Holocaust to the creation of Israel, the twentieth century transformed Jewish life. The same was true of Jewish writing: the novels, plays, poems, and memoirs of Jewish writers provided intimate access to new worlds of experience. Kirsch surveys four themes that shaped the twentieth century in Jewish literature and culture: Europe, America, Israel, and the endeavor to reimagine Judaism as a modern faith. With discussions of major books by over thirty writers—ranging from Franz Kafka to Philip Roth, Elie Wiesel to Tony Kushner, Hannah Arendt to Judith Plaskow—he argues that literature offers a new way to think about what it means to be Jewish in the modern world. With a wide scope and diverse, original observations, Kirsch draws fascinating parallels between familiar writers and their less familiar counterparts. While everyone knows the diary of Anne Frank, for example, few outside of Israel have read the diary of Hannah Senesh. Kirsch sheds new light on the literature of the Holocaust through the work of Primo Levi, explores the emergence of America as a Jewish home through the stories of Bernard Malamud, and shows how Yehuda Amichai captured the paradoxes of Israeli identity. An insightful and engaging work from "one of America’s finest literary critics" (Wall Street Journal), The Blessing and the Curse brings the Jewish experience vividly to life.