In a world where magic is real and evil walks amongst humanity, a young sorcerer is beset upon by enemies, both old and new. Angelus Salvatore is the only necromancer in all of Boston, and his name is whispered warily by the undead and fellow sorcerers alike. He and his brother Isaac are the lone survivors of an attack by an army of the undead, in which Angel used a spell so powerful it forever marked his place in history. Now, years later, Angel struggles to balance his career as a teacher of the higher magical arts, his role as big brother, and a tenuous relationship with an Elder vampire from the local clan. When his brother's boyfriend is used as a pawn in a mysterious plot to draw Angel out, Angel is once again drawn back into the old hostilities that fueled the Blood Wars and led to his family's death. Leaning on others for help is something Angel cannot do, and while he searches for clues into who may be targeting him and his brother, Angel finds his heart steadily growing occupied with Simeon, Elder and vampire. Dealing with death magic and vampires on a daily basis may leave Angel jaded when it comes to life and staying that way, but the more time he spends fending off the ancient vampire's attention and affections, the more he realizes he wants to give in. Can Angel find out who wants him dead, and keep his heart safe in the process? How can he fall for a vampire, when his whole family was torn apart by an army of the undead? Death stalks the streets of Boston's historic Beacon Hill....and there is no one more suited to battle against death than a necromancer.

Simon L'Furil, also known as the Sellsword Bard, travels with three companions: a mage from the feared country of Colta, a dwarf fond of strong drink, or any drink, that has a tendency to ax first and question later, and a seven foot tall Northman of the White Wolf clan, the age-old enemy of all dwarves. They have been up to every challenge thus far, but when Simon agrees to help a besieged duchess they will face a Necromancer for the first time, a Necromancer supporting a neighboring duke's army with the undead he controls.

'These days my life is a cross between a preternatural soap opera and an action-adventure movie.' The first hit man came after me at home, which should be against the rules. Then there was a second, and a third. Word on the street is that Anita Blake, preternatural expert and vampire killer extraordinaire, is worth half a million dollars. Dead, not alive. So what's a girl to do but turn to the men in her life for help? Which in my case means an alpha werewolf and a master vampire. With professional killers on your trail, it's not a bad idea to have as much protection as possible, human or otherwise. But I'm beginning to wonder if two monsters are better than one...

This account of Thomas Sheridan's career as theater manager has been based on biographies written by his contemporaries, on 18th-century newspapers and pamphlets, and on letters written to and by Sheridan. The author also gives us much new information about Sheridan’s relations with David Garrick. In an appendix, the author has included a Smock-Alley Calendar, giving a daily record of performances and casts. Most of the material in the Calendar has not been collected before and should be invaluable to theater historians. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

“You think you got away with something, don’t you? But your time has run out. We know where you are. And we are coming.” Andrew Ranulf Blankenship is a stylish nonconformist with wry wit, a classic Mustang, and a massive library. He’s also a recovering alcoholic and a practicing warlock. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic is a brutal game requiring blood sacrifice and a willingness to confront death, but years of peace and comfort have left him more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her.

Even love can die without trust. Angel's brother, Isaac, has returned home, and the pair begins to make slow and awkward attempts back to each other. Learning how to be a brother to a grown man instead of a parental figure has Angel adjusting his behaviors and habits, and Isaac still remains a mystery. Was it merely entering adulthood that turned Isaac away from an overprotective Angel, or does Isaac carry a secret that will keep them from finally being a real family? Daniel Macavoy, Angel's new apprentice, is torn between his bond with Angel and the grasping machinations of his father. Dealing with a traumatized apprentice with dangerous holes in his magical education, saving Daniel may be harder than Angel first thought-especially since the biggest problem is not revenge, but guilt. The one shining beacon in his life is Simeon, Elder vampire of Boston's only Bloodclan. Four hundred years old and sexy as sin, Simeon is warrior and sage, patient and cunning. The strength Angel draws from Simeon's devotion and the newborn mate-bond between them is steadfast and true...and the fount of death magic that animates the undead lord places Angel in the midst of a power struggle for control over himself, his lover, and his family. Through it all, Angel is beleaguered by the unwanted attention of a troll-hybrid, the adventures of a dragon in the city, and a serial killer has decided to hunt the back alleys and midnight streets of Boston.

Craig Cabell's Children's poem about life and death is at last printed with the author's original colour illustrations to celebrate its 30th Anniversary. 'The animals of the wood all gathered around' and the menacing spectre of the Necromancer brings death and truth to the world.