This 1988 book provides sixteen chapters by acknowledged experts on the richness and diversity of psychological approaches to the study of creativity.

Brings together the research programs and findings of the twenty-four psychological scientists most cited in major textbooks on creativity.

As we become increasingly aware of the power of nature to lift our spirits, so, too, are we becoming more conscious of the role that mindfulness can play in sparking our creativity. The renowned textile artist and embroiderer Jane E. Hall brings these ideas together in her captivating new book. As a child, Jane loved playing outside and making things using natural materials, from daisy chains and petal-based perfumes to tiny tea sets of acorn cups and leaf saucers. Now, as a successful professional artist, Jane still finds great happiness and inspiration in connecting with nature, and here encourages you to attune to the beauty of the natural world as a way of stimulating your creativity. Jane begins by explaining how spending time in nature helps us to engage the senses and rediscover playfulness, and outlines her belief that one should embrace the process of making art rather than focusing on its final form. She shares the special spaces, both indoors and out, that allow her imagination to have free rein, and then presents 10 creative ideas inspired by nature. These 'Creative Contemplations' first explore building your own treasure collection of materials to use in artistic projects, and then move on to the creation of a range of beautiful designs: stunning mandalas of petals, leaves, and shells; delicate dreamcatchers; a dainty purse of honesty seed pods; handmade birds' nests; exquisite embroidered butterflies; 'woodland fairies' composed of lichen-covered twigs and feathers; and much more. Some 'Contemplations' include step-by-step instructions, while others feature the stories behind their making in order to inspire you to push beyond your perceived creative limits. Jane's writing style is uplifting and engaging, and the text throughout is accompanied by specially commissioned photography. No matter how skilled or unskilled you believe yourself to be, The Nature of Creativity will nurture your artistic thoughts and help you find your inner happiness. Journey with Jane through the natural landscape to unlock your artistic potential and breathe creativity back into your life!

"Turning Points: The Nature of Creativity" discusses theories and methods focusing on a critical concept of intellectual turning points in the context of critical thinking, scientific discovery, and problem solving in general. This book introduces a novel analytical and experimental system that provides not only new ways for retrospective studies of scientific change but also for characterizing transformative potentials of prospective scientific contributions. The book is intended for scientists and researchers in the fields of information science and computer science. Dr. Chaomei Chen is an Associate Professor at the College of Information Science and Technology, Drexel University, USA.

The Nature of Creative Development presents a new understanding of the basis of creativity. Describing patterns of development seen in creative individuals, the author shows how creativity grows out of distinctive interests that often form years before one makes his/her main conributions. The book is filled with case studies that analyze creative developments across a wide range of fields. The individuals examined range from Virginia Woolf and Albert Einstein to Thomas Edison and Ray Kroc. The text also considers contemporary creatives interviewed by the author. Feinstein provides a useful framework for those engaged in creative work or in managing such individuals. This text will help the reader understand the nature of creativity, including the difficulties that one may encounter in working creatively and ways to overcome them.

No single factor determined the growth of this book. It may have been that as a novice researcher in Behavioral Psychology I experienced growing discontent with the direction of intellectual activity in which the accent was on methodology and measurement, with a distinct atmosphere of dogmatism, insecurity and defensiveness. The anathema of tender-mindedness was attached to any study of mental manifes tations that avoided laboratory confirmation and statistical significance. Man in his uniqueness and unpredictable potentialities remained un explored. Yet outside the systematic vivisection of variables and their measurement men of originality and genius were studying the mind in its complex yet natural interaction of aspirations, values and creative capacities. It was almost too easy for me to turn to them for the re orientation of my psychological interest, and it was not difficult to find in Freud the most daring and penetrating representant of humanistic psychology. Furthermore, it could have been the fact that Freud's thoughts on creative processes appeared to me at once starkly original and yet incomplete and fragmentary, that led me to reconsider and expand on them. Freud's fascination with culture and creativity, although frank and serious, led him to a peculiar indecisiveness and overcautiousness which was radically different from the dramatic boldness of his thera peutic methods and the depth of his personality theories.