This fall, as debates around nationalism and borders in North America reach a fever pitch, Aperture magazine releases "Native America," a special issue about photography and Indigenous lives, guest edited by the artist Wendy Red Star. "Native America" considers the wide-ranging work of photographers and lens-based artists who pose challenging questions about land rights, identity and heritage, and histories of colonialism. Several contributors revisit or reconfigure photographic archives--from writer Rebecca Bengal's look at the works of Richard Throssel and Horace Poolaw, to artist Duane Linklater's intervention in a 1995 issue of Aperture, "Strong Hearts," the magazine's first volume devoted to Native American photographers. "I was thinking about young Native artists," says Red Star, "and what would be inspirational and important for them as a road map." That map spans a diverse array of intergenerational image-making, counting as lodestars the meditative assemblages of Kimowan Metchewais and installation works of Alan Michelson, the stylish self-portraits of Martine Gutierrez, and the speculative mythologies of Karen Miranda Rivadeneira and Guadalupe Maravilla. "Native America" also features contributions by distinguished writers and curators, including strikingly personal reflections from acclaimed poets Tommy Pico and Natalie Diaz. With additional essential contributions from Rebecca Belmore and Julian Brave NoiseCat, as well as a portfolio from Red Star, the issue looks into the historic, often fraught relationship between photography and Native representation, while also offering new perspectives by emerging artists who reimagine what it means to be a citizen in North America today.

A powerful presentation of the impact of colonization of American Indian tribes on the safety of Native American women and the changes to address such violence under the Violence Against Women Act. This essential reading reviews through the voices and experiences of Native women the systemic reforms under the Act to remove barriers to justice and their safety. It places the historic changes witnessed over the last twenty years under the Act in the context of the tribal grassroots movement for safety of Native women. Legal practitioners, students and social justice advocates will find this book a powerful and inspirational resource to creating a more just, humane, and safer world.

In the second volume of the IHS Press’s Peopling Indiana Series, anthropologist Elizabeth Glenn and ethnohistorian Stewart Rafert put readers in touch with the first people to inhabit the Hoosier state, exploring what it meant historically to be an Indian in this land and discussing the resurgence of native life in the state today. Many natives either assimilated into white culture or hid their Indian identity. World War II dramatically changed this scenario when Native Americans served in the U.S. military and on the home front. Afterward, Indians from many tribal lineages flocked to Indiana to find work. Along with Indiana's Miami and Potawatomi, they are creating a diverse Indian culture that enriches the lives of all Hoosiers.