Ever since man started to create stories, there has existed a seemingly invisible yet eternal bond between fictional tales woven out of words and the actual truth. It is undeniable that the truth always reigns with magnificence and glory within any culture and its people. It is this very truth, seemingly shrouded in lies, that a writer attempts to capture and jail forever within intricate cages of letters and words. Doing this is an attempt, on his part, to relieve the heavy hearts of society from the burden of these lies. Although the need for guile exists as the requirement of the times, it is nonetheless preferred to be kept anonymous and unidentifiable. Consequently, the writer too has to alter the identity of these lies. Hence, borrowing unknown shrouds and cloaking these fibs with torn, soiled, and beleaguered words, he is forced to present them as being true. The Naked Beggar and Other Stories is also a similar attempt of a writer to go within the heart of truth and weave out tales that, though born of honesty, cannot be presented as anything else but falsehood. That is the need of the time, and it is the only way these truths will ever be accepted. These stories are strewn all about us but are visible only to the discerning eye and a sensitive heart. Mans intellect can only attempt to capture the essence of these tales. It is ultimately up to the human heart to inject meaning and life into them. For this reason, this collection is not just stories but living beings that have the potential to touch our lives as potently as mortals do. Should the circumambulation of the world seem tedious and wearisome, and should you feel the need to slow down and look inside your heart for peace rather than search for it in the meaningless rowdiness around you, then the stories in this collection will not disappoint you.

Investigating representations of poverty in Tudor-Stuart England, Fat King, Lean Beggar reveals the gaps and outright contradictions in what poets, pamphleteers, government functionaries, and dramatists of the period said about beggars and vagabonds. William C. Carroll analyzes these conflicting "truths" and reveals the various aesthetic, political, and socio-economic purposes Renaissance constructions of beggary were made to serve.Carroll begins with a broad survey of both the official images and explanations of poverty and also their unsettling unofficial counterparts. This discourse defines and contains the beggar by continually linking him with his hierarchical inversion, the king. Carroll then turns his attention to the exemplary case of Nicholas Genings, perhaps the single most famous beggar of the period, whose machinations as fraudulent parasite and histrionic genius were chronicled by Thomas Harman. Carroll next assesses institutional responses to poverty by considering two hospitals for the destitute, Bridewell and Bedlam, and their role as real and symbolic places in Elizabethan drama.Fat King, Lean Beggar then focuses on dramatic inscriptions of poverty, primarily in Shakespeare's plays. Carroll's analysis of The Taming of the Shrew and The Winter's Tale links the tradition of the merry beggar to the socioeconomic forces of the day; and his reading of King Lear makes a case for the uniqueness of Edgar, the Bedlam beggar, in the history of drama. Carroll also considers later plays such as Fletcher and Massinger's Beggars' Bush and Richard Brome's Jovial Crew to show how idealizations of the beggar ironically equate him with a monarch in his supposed freedom.

One of the three great gods of Hinduism, Siva is a living god. The most sacred and most ancient book of India, "The Rg Veda," evokes his presence in its hymns; Vedic myths, rituals, and even astronomy testify to his existence from the dawn of time. In a lively meditation on Siva--based on original Sanskrit texts, many translated here for the first time--Stella Kramrisch ponders the metaphysics, ontology, and myths of Siva from the Vedas and the Puranas. Who is Siva? Who is this god whose being comprises and transcends everything? From the dawn of creation, the Wild God, the Great Yogi, the sum of all opposites, has been guardian of the absolute. By retelling and interweaving the many myths that keep Siva alive in India today, Kramrisch reveals the paradoxes in Siva's nature and thus in the nature of consciousness itself.

Emperor Tiberius rules a Rome where patrician life is reaching its luxurious zenith. But after the Emperor’s nephew is violently murdered in the streets, the aristocratic lifestyle immediately becomes hazardous. The relentless partying of the wealthy is suddenly interrupted. Someone is targeting the nobles of Rome. The casualties begin to mount, and the perpetrators seem impossible to catch. The gossips dub them “The Palatine Bandits” and a true crime wave begins. Pontious Pilate, the Emperor’s watchdog and newly commissioned commander of Rome’s Urban Cohorts, is called in to put a stop to this continuing crime wave, and he immediately puts the city on lockdown. With the city boiling over with stress, and the Palatine Bandits remaining at large, Pilate wants appointed the new government post – Prefect of Judea – as a reward for ending the crime wave. But Lucius Quinteros, the richest man in Rome, also wants the Judean post, and sets off on his own to solve the mystery. Using his own private resources – including a championship, gladiatorial team – to help him probe the crimes, Lucius embarks on his own investigation. Lucius also initiates his bid for the Judean post using his own brand of politicking. Meanwhile, the slums of Rome are teaming with millions of lost souls. Life there is a struggle just to survive, and even the basest essentials are doled out sparingly and used as weapons of manipulation. Thrust into this world is Darius, a youthful innocent who was raised from birth in a brothel. When Darius meets Poppaea, stunningly beautiful ward of Lucius Quinteros, she tries to convince him that their way to happiness is love. But is Poppaea’s love aiming too high for a boy from the ghetto, or will his own pride be his stumbling block? Meet these, and many more characters in this fast-paced, tightly woven tale of 1st century Rome.