From the beginning of the Christian era and throughout the Middle Ages, biblical interpretation was the field where theological, philosophical and political matters were discussed. At the same time Scripture’s interpretation required the exploration of hermeneutical positions about how a literal and a hidden meaning could be established and how they related to each other. Ranging from early-Christian concerns about the text of the Bible itself, via Carolingian biblical commentaries, and the ever more diverse interpretations from the twelfth century and onwards, to the literary implications of (Jewish) commentary, the articles in this volume examine biblical exegesis both as a discourse on theology, philosophy and politics, and as the context for discussions on its underlying interpretative principles. Contributors are J. K. Kitchen, Katja Vehlow, Caroline Chevalier-Royet, Sumi Shimahara, Ian Christopher Levy, Pierre Boucaud, Elisabeth Mégier, Cédric Giraud, Wanda Zemler-Cizewski, Ineke van ’t Spijker, Eva De Visscher, Alexander Fidora, Frans van Liere, and Robert A. Harris.

Your Guide to Understanding the Bible Understanding the Bible isn’t for the few, the gifted, the scholarly. The Bible is accessible. It’s meant to be read and comprehended by everyone from armchair readers to seminary students. A few essential insights into the Bible can clear up a lot of misconceptions and help you grasp the meaning of Scripture and its application to your 21st-century life. More than half a million people have turned to How to Read the Bible for All Its Worth to inform their reading of the Bible. This third edition features substantial revisions that keep pace with current scholarship, resources, and culture. Changes include: •Updated language •A new authors’ preface •Several chapters rewritten for better readability •Updated list of recommended commentaries and resources Covering everything from translational concerns to different genres of biblical writing, How to Read the Bible for All Its Worth is used all around the world. In clear, simple language, it helps you accurately understand the different parts of the Bible—their meaning for ancient audiences and their implications for you today—so you can uncover the inexhaustible worth that is in God’s Word.

An examination of the role played by the Bible in the emergence of natural science.

Oberman's magisterial work transfers discussion of late medieval Christian thought from the private studies of the specialist to more general use and understanding, and explains the significance of the ideas of the time. Although this 'Late Medieval Reader' does not exhaust the riches of the period between the High Middle Ages and the Reformation era, it introduces the reader to aspects of such major themes as conciliarism, curialism, mysticism, scholasticism, the spirituality of the Devotio Moderna, and the impact of Renaissance humanism.The theme of the Forerunners has grown out of the consideration that the justified rejection of a confessional reading of the past has been succeeded by an equally unhistorical disjunction of the Medieval and Reformation periods. Without a grasp of the fourteenth and fifteenth centuries, the medieval basis of modern thought is incomplete, since Reformation and Counter Reformation seem to arise 'out of the blue'.

Fifteen years after its original publication comes a thoroughly revised edition of the Evangelical Dictionary of Theology. Every article from the original edition has been revisited. With some articles being removed, others revised, and many new articles added, the result is a completely new dictionary covering systematic, historical, and philosophical theology as well as theological ethics.

In this volume, Mordechai Z. Cohen explores the interpretive methods of Rashi of Troyes (1040–1105), the most influential Jewish Bible commentator of all time. By elucidating the 'plain sense' (peshat) of Scripture, together with critically selected midrashic interpretations, Rashi created an approach that was revolutionary in the talmudically-oriented Ashkenazic milieu. Cohen contextualizes Rashi's commentaries by examining influences from other centers of Jewish learning in Muslim Spain and Byzantine lands. He also opens new scholarly paths by comparing Rashi's methods with trends in Latin learning reflected in the Psalms commentary of his older contemporary, Saint Bruno the Carthusian (1030–1101). Drawing upon the Latin tradition of enarratio poetarum ('interpreting the poets'), Bruno applied a grammatical interpretive method and incorporated patristic commentary selectively, a parallel that Cohen uses to illuminate Rashi's exegetical values. Cohen thereby brings to light the novel literary conceptions manifested by Rashi and his key students, Josef Qara and Rashbam.

This anthology has been significantly expanded for this edition to include a wider range of contemporary issues. The most important addition is a new section on multicultural theory, including important and controversial selections ranging from discussions of art in other cultures to discussions of the appropriation of nonWestern art in Western cultures. The material from Kant's Critique of Judgment has been expanded to include his writing on aesthetical ideas and the sublime. The selections from Derrida have been updated and considerably expanded for this edition, primarily from The Truth in Painting. One of Derrida's most interesting provocations has also been added, his letter to Peter Eisenman on architecture. In addition, the section on feminist theory now includes a chapter from Irigaray's Speculum of the Other Woman. The anthology includes the most important writings on the theory of art in the Western tradition, including selections from Plato, Aristotle, Hume, Kant, Hegel, and Nietzsche; the most important philosophical writings of the last hundred years on the theory of art, including selections from Collingwood, Langer, Goodman, Heidegger, and Merleau-Ponty; contemporary Continental writings on art and interpretation, including selections from Gadamer, Ricoeur, Derrida, Lyotard, and Foucault; also writings on the psychology of art by Freud and Jung, from the Frankfurt School by Benjamin, Adorno, and Marcuse, in feminist theory, multiculturalism, and postmodernism. The anthology also includes twentieth-century writings by artists including discussions of futurism, suprematism, and conceptual art. Stephen David Ross is Professor of Philosophy and Comparative Literature, State University of New York at Binghamton.