Sarah Banet-Weiser complicates the standard feminist take on beauty pageants in this intriguing look at a hotly contested but enduringly popular American ritual. She focuses on the Miss America pageant in particular, considering its claim to be an accurate representation of the diversity of contemporary American women. Exploring the cultural constructions and legitimations that go on during the long process of the pageant, Banet-Weiser depicts the beauty pageant stage as a place where concerns about national identity, cultural hopes and desires, and anxieties about race and gender are crystallized and condensed. The beauty pageant, she convincingly demonstrates, is a profoundly political arena deserving of serious study. Drawing on cultural criticism, ethnographic research, and interviews with pageant participants and officials, The Most Beautiful Girl in the World illustrates how contestants invent and reinvent themselves while articulating the female body as a national body. Banet-Weiser finds that most pageants are characterized by the ambivalence of contemporary "liberal" feminism, which encourages individual achievement, self-determination, and civic responsibility, while simultaneously promoting very conventional notions of beauty. The book explores the many different aspects of the Miss America pageant, including the swimsuit, the interview, and the talent competitions. It also takes a closer look at some extraordinary Miss Americas, such as Bess Myerson, the first Jewish Miss America; Vanessa Williams, the first African American Miss America; and Heather Whitestone, the first Miss America with a disability.

A beautiful and compelling story of a young girl's struggle to escape a town trapped by conformity and a family on the verge of dissolution

"The most compelling, resonating novel I've read in years... A breathtakingly beautiful, yet heart-wrenchingly aching story that, despite its cruelty and humanity, uplifts the reader." - Omaha World-Herald NEW YORK TIMES BESTSELLER It is 1968. Lynnie, a young white woman with a developmental disability, and Homan, an African American deaf man, are locked away in an institution, the School for the Incurable and Feebleminded, and have been left to languish, forgotten. Deeply in love, they escape, and find refuge in the farmhouse of Martha, a retired schoolteacher and widow. But the couple is not alone-Lynnie has just given birth to a baby girl. When the authorities catch up to them that same night, Homan escapes into the darkness, and Lynnie is caught. But before she is forced back into the institution, she whispers two words to Martha: "Hide her." And so begins the 40-year epic journey of Lynnie, Homan, Martha, and baby Julia-lives divided by seemingly insurmountable obstacles, yet drawn together by a secret pact and extraordinary love.

A six-year-old peasant girl is lost and searches for her mother. The story proves an old Russian proverb: We do not love people because they are beautiful, but they seem beautiful to us because we love them.

An exposT of Elizabeth Taylor's private life includes coverage of her brain surgery, her successful fragrance line, her recovery from a near nervous breakdown, and her relationships with her husbands and other men. (Biography)

"The Most Beautiful Girl is a heartbreaking yet uplifting memoir of a daughter, her father, and the healing power of music. The story opens with a scene at Johnny Cash's funeral when author Tamara Saviano is struck with grief about unfinished business with her father. Her sorrow leads the author on a journey to rediscover her father and examine the lost relationship with a man she once loved. Through an unstable childhood, a turbulent young adulthood and finally on a path to freedom, Saviano lays bare the complexity of family ties both those that bind and those that break. She weaves a tale that proves music can provide a lasting connection long after human relationships have unraveled. Founded in a mid-century coming-of-age tale, The Most Beautiful Girl represents a true American remembrance of childhood anguish, lost identity and happy endings."-- From back cover.