The Moon Belongs to Everyone' by Stacy Mehrfar, is a response to the contemporary experience of migration ? of shifting continents and mindsets. A multi-layered visual narrative set in a non-locatable landscape, the book reflects upon the loss of roots, and search for belonging in the wake of immigration.

Embark on a dreamy, nighttime jaunt with a young boy and the moon. Overcoming a fear of the dark and discovering the world at night lives at the heart of this poetic tale. Includes notes about the moon and plants and animals that thrive in the wee hours.

From the #1 New York Times bestselling author of Anathem, Reamde, and Cryptonomicon comes an exciting and thought-provoking science fiction epic—a grand story of annihilation and survival spanning five thousand years. What would happen if the world were ending? A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space. But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain . . . Five thousand years later, their progeny—seven distinct races now three billion strong—embark on yet another audacious journey into the unknown . . . to an alien world utterly transformed by cataclysm and time: Earth. A writer of dazzling genius and imaginative vision, Neal Stephenson combines science, philosophy, technology, psychology, and literature in a magnificent work of speculative fiction that offers a portrait of a future that is both extraordinary and eerily recognizable. As he did in Anathem, Cryptonomicon, the Baroque Cycle, and Reamde, Stephenson explores some of our biggest ideas and perplexing challenges in a breathtaking saga that is daring, engrossing, and altogether brilliant.

"In this debut collection of body-horror fairy tales and mid-apocalyptic Catholic cyberpunk, memory and myth, loss and age ... are the tools of storyteller Jarboe, a talent in the field of queer fabulism. Bodily autonomy and transformation, the importance of negative emotions, unhealthy relationships, and bad situations [inform the] staggering and urgent question of how [to] build and nurture meaning, love, and safety in a larger world/society that might not be 'fixable'"--Publisher marketing.

When penniless businessman Mr Bedford retreats to the Kent coast to write a play, he meets by chance the brilliant Dr Cavor, an absent-minded scientist on the brink of developing a material that blocks gravity. Cavor soon succeeds in his experiments, only to tell a stunned Bedford the invention makes possible one of the oldest dreams of humanity: a journey to the moon. With Bedford motivated by money, and Cavor by the desire for knowledge, the two embark on the expedition. But neither are prepared for what they find - a world of freezing nights, boiling days and sinister alien life, on which they may be trapped forever.

Elizabeth MacLennan was one of the founder members of the theatre company 7:84, created in 1971 to bring plays in performance to working-class audiences. The company was named after the proposition that 7% of the population in Britain owns 84% of the wealth. Quite early in its history the company divided into two - one based in Scotland performing both in the villages of the Highlands and the towns and cities of the Lowlands, and the other based in England. The author was one of the Scottish company's leading performers, and here she combines the story of the fortunes and productions of 7:84 Scotland with an account of her own motivation and experiences as a professional actress who, after ten years' work in the London theatre and on television, threw in her lot with a touring company committed to radical theatre.

May, 1915. Alfie and his fisherman father find a girl on an uninhabited island in the Scillies-- injured, thirsty, lost-- and with absolutely no memory of who she is, or how she came to be there. She can say only one word: Lucy. Is she a mermaid, the victim of a German U-boat, or even, as some islanders suggest, a German spy? Only one thing is for sure: she loves music and moonlight, and it is when she listens to the gramophone that the glimmers of the girl she once was begin to appear.--