"Bianca Stone is a brilliant transcriber of her generation's emerging pathology and sensibility." —John Ashbery A Paris Review Staff Pick and Most Anticipated Book of 2018 at NYLON, Bustle, Autostraddle, and more. The Möbius Strip Club of Grief is a collection of poems that take place in a burlesque purgatory where the living pay—dearly, with both money and conscience—to watch the dead perform scandalous acts otherwise unseen: “$20 for five minutes. I’ll hold your hand in my own,” one ghost says. “I’ll tell you you were good to me.” Like Dante before her, Stone positions herself as the living poet passing through and observing the land of the dead. She imagines a feminist Limbo where women run the show and create a space to navigate the difficulties endured in life. With a nod to her grandmother Ruth Stone’s poem “The Mobius Strip of Grief,” Stone creates a labyrinthine underworld as a way to confront and investigate complicated family relationships in the hopes of breaking the never-ending cycle of grief.

"Bianca Stone is a brilliant transcriber of her generation's emerging pathology and sensibility." —John Ashbery A Paris Review Staff Pick and Most Anticipated Book of 2018 at NYLON, Bustle, Autostraddle, and more. The Möbius Strip Club of Grief is a collection of poems that take place in a burlesque purgatory where the living pay—dearly, with both money and conscience—to watch the dead perform scandalous acts otherwise unseen: “$20 for five minutes. I’ll hold your hand in my own,” one ghost says. “I’ll tell you you were good to me.” Like Dante before her, Stone positions herself as the living poet passing through and observing the land of the dead. She imagines a feminist Limbo where women run the show and create a space to navigate the difficulties endured in life. With a nod to her grandmother Ruth Stone’s poem “The Mobius Strip of Grief,” Stone creates a labyrinthine underworld as a way to confront and investigate complicated family relationships in the hopes of breaking the never-ending cycle of grief.

The much-anticipated debut collection from a celebrated young poet, Someone Else's Wedding Vows marks the arrival of an exciting new voice in American poetry. Someone Else’s Wedding Vows reflects on the different forms of love, which can be both tremendously joyous and devastatingly destructive. The title poem confronts a human ritual of marriage from the standpoint of a wedding photographer. Within the tedium and alienation of the ceremony, the speaker grapples with a strange human hopefulness. In this vein, Stone explores our everyday patterns and customs, and in doing so, exposes them for their complexities. Drawing on the neurological, scientific, psychological, and even supernatural, this collection confronts the difficulties of love and family. Stone rankles with a desire to understand, but the questions she asks are never answered simply. These poems stroll along the abyss, pointing towards the absurdity of our choices. They recede into the imaginative in order to understand and translate the distressing nature of reality. It is a bittersweet question this book raises: Why we are like this? There is no easy answer. So while we look down at our hands, perplexed, Someone Else’s Wedding Vows raises a glass to the future.

Finalist for the New England Book Award in Poetry and the Vermont Book Award As heard on NPR Morning Edition A New York Public Library Best Book of 2022 A searching, startling new collection of poems from the author of The Möbius Strip Club of Grief and Someone Else’s Wedding Vows Written in four sections with incisive and vivid lyrical language, Bianca Stone’s What Is Otherwise Infinite considers how we find our place in the world through themes of philosophy, religion, environment, myth, and psychology. “I deal only in the hardest pain-revivers, symbols and tongues,” writes Stone. “I want to tell you only / in the intimacy of our discomfort.” Populated by Archangels, limping in paradise; by allergies of the soul; the intimacy and danger of motherhood; psychic wounds; and dirty, dirty chocolate layer cake, What Is Otherwise Infinite deftly examines our inherent and inherited ideas of how to live, and the experience of the Self—which on one hand is so intensely personal, and on the other, universal.

Expertly and sensitively selected by her granddaughter Bianca, The Essential Ruth Stone bears witness to a vivid fifty-year career of one of America’s most influential and pioneering poets. Distilling twelve books into a single volume―from the wild formalism of her early work to the science-filled cosmic intellect of her final collection―The Essential Ruth Stone shows a visionary poet with a physical grasp on language. Dazzling, humorous and grief-stricken poems explore the continuity of loss and love, in the spectral appearances of the dead husband, to portraits of an American childhood, life during wartime, and complex metaphysical inquiries into consciousness itself. Ruth Stone’s feminism, mysticism and overall fierceness shine through her wit and passion. Moving gracefully between the loneliness of grief and loss to the fullness of life and love, Stone approaches all her subjects with a profound humanity, an understanding born from her own lived experiences.

Beautiful mutants, vagabond scuba divers, lovers with disordered gorilla hearts: These poetry comics place the lyric and the grotesque, the elegant and the despondent, side by side in one emotionally intense panel after another. At the vanguard of a movement that embraces our increasingly visual culture and believes poetry has an essential place therein, Bianca Stone redefines how we think about poetry, what we expect from comics, and how we interpret our own lives. Although reminiscent of illuminations by William Blake, Thomas Phillips's A Humument, and more recent visual-poetic hybrids by Mary Ruefle and Matthea Harvey, Stone's comics feature a mixture of dreamy expression and absurdist wit that is entirely her own. Her watercolor panels are filled with anthropomorphic horses and baffled ballerinas that guide the reader through the poet's graphic dreamscape: "I was moving like a monsoon through a forest. I was thinking about where I saw myself in two thousand years... And where I saw myself was a tiny subspace ripple sliding through the corridors with a plastic horse in my hand." This book, its own small universe, erases genre distinctions between the visual and the literary, and offers readers a poetic vision of artistic possibilities.

Jump into extreme language play with A Little Called Pauline where young readers will experience Gertrude Stein's playful, mysterious language for the very first time--and delight in a girl named Pauline who lives by the sea with her mom.