The 1954 British Empire and Commonwealth Games in Vancouver changed both the city and world sport forever. The Games will always be remembered for the "Miracle Mile," the much-anticipated showdown between the first two men to break the four-minute barrier, England's Roger Bannister and Australia's John Landy. But as the press focused the world's attention on Vancouver, and Bannister outpaced Landy in the stretch, fate found an even more dramatic story that seared itself into the memories of all who saw it. England's Jim Peters, the world-record holder in the marathon, entered Empire Stadium at the end of a brutal twenty-six-mile run, collapsing repeatedly before a medic stopped him two hundred yards from the finish line. These two stories brought the Games to a stirring conclusion on its final day - Saturday, August 7, 1954 - but there were many other extraordinary moments throughout the events. A group of novice UBC rowers pulled off the biggest upset in Games history on the Fraser Valley's Vedder Canal. Australia's Marjorie Jackson-Nelson, the fastest woman in history, blasted down the track one final time to remain undefeated in international competition, an unprecedented accomplishment before and since. Emmanuel Ifeajuna, a little-known high jumper from Nigeria, surprised the world when he won Africa's first-ever international gold medal. He later masterminded a bloody coup that plunged his nation into devastating civil war. Every single day offered up unbelievable tales of glory and grief. As one 1954 billboard boldly proclaimed, the Games were "a week you'll remember a lifetime "

The summer of 1989 was a particularly turbulent one for Walter Chaw, who found solace in a little movie about the end of the world, Steve De Jarnatt's genre-bending "Miracle Mile". Part memoir, part critical study, and featuring the participation of writer-director De Jarnatt, this monograph is an utterly unique chronicle of the Reagan era that examines how the most public of media can give meaning to the most private apocalypse.

"A history of the famous Miracle Mile neighborhood along Wilshire Boulevard in Los Angeles, with a special focus on the area's architecture"--

"Furtick shows us how Jesus's last words offer mile markers for our journey in relationship with God. It's a lifelong journey and it's not always easy. But Jesus is both our guide and our destination as we travel"--Amazon.com.

AMERICAN LIBRARY ASSOCIATION NOTABLE BOOK OF 2012 IRISH TIMES BOOK-TO-READ FOR 2012 ATLANTIC BOOK AWARD WINNER FINALIST FOR THE GILLER PRIZE AND THE FRANK O'CONNOR AWARD A GLOBE & MAIL, QUILL & QUIRE, AND AMAZON.CA BEST BOOK OF THE YEAR "Engrossing, thrilling and ultimately satisfying: each story has the weight of a novel." —The Economist This was the day after Mike Tyson bit off Evander Holyfield’s ear. You remember that. It was a moment in history – not like Kennedy or the planes flying into the World Trade Center – not up at that level. This was something much lower, more like Ben Johnson, back when his eyes were that thick, yellow color and he tested positive in Seoul after breaking the world-record in the hundred. You might not know exactly where you were standing or exactly what you were doing when you first heard about Tyson or about Ben, but when the news came down, I bet it stuck with you. When Tyson bit off Holyfield’s ear, that cut right through the everyday clutter. —from "Miracle Mile" Two runners race a cargo train through the darkness of a rat-infested tunnel beneath the Detroit River. A drugstore bicycle courier crosses a forbidden threshold in an attempt to save a life and a young swimmer conquers her fear of water only to discover she's caught in far more dangerous currents. An auto-worker who loses his family in a car accident is forced to reconsider his relationship with the internal combustion engine. Alexander MacLeod is a writer of "ferocious intelligence" and "ferocious physicality" (CTV). Light Lifting, his celebrated first collection, offers us a suite of darkly urban and unflinching elegies that explore the depths of the psyche and channel the subconscious hopes and terrors that motivate us all. These are elemental stories of work and its bonds, of tragedy and tragedy barely averted, but also of beauty, love and fragile understanding.

This collection of poems and stories is a journey among the dispossessed and rootless of end-of-century America. It is at one time a dream of America, and a lament for America?