This prize-winning study of Levantine migration to Mexico brings “a new and revelatory light” to the subject (Christina Civantos, author of Between Argentines and Arabs). In the late nineteenth and early twentieth centuries, migration from the Middle East brought hundreds of thousands of people to the Americas. After a pause during World War I, this intense mobility resumed in the 1920s and continued through the 1940s under the French Mandate. A significant number of these migrants settled in Mexico, building transnational lives. The Mexican Mahjar provides the first global history of Middle Eastern migrations to Mexico. Making unprecedented use of French colonial archives and historical ethnography, Camila Pastor examines how French control over Syria and Lebanon affected the migrants. This study explores issues of class, race, and gender through the decades of increased immigration to Mexico, looking at narratives created by the migrants themselves. Pastor sheds new light on the creation of transnational networks at the intersection of Arab, French, and Mexican colonial modernisms. Revealing how migrants experienced mobility as conquest, diaspora, exile, or pilgrimage, The Mexican Mahjar tracks global history on an intimate scale. Winner of the 2018 Khayrallah Prize in Migration Studies

Migration from the Middle East brought hundreds of thousands of people to the Americas in the late nineteenth and early twentieth centuries. By the time the Ottoman political system collapsed in 1918, over a third of the population of the Mashriq, i.e. the Levant, had made the transatlantic journey. This intense mobility was interrupted by World War I but resumed in the 1920s and continued through the late 1940s under the French Mandate. Many migrants returned to their homelands, but the rest concentrated in Brazil, Argentina, the United States, Haiti, and Mexico, building transnational lives. The Mexican Mahjar provides the first global history of Middle Eastern migrations to Mexico. Making unprecedented use of French colonial archives and historical ethnography, Camila Pastor examines how French colonial control over Syria and Lebanon affected the migrants. Tracing issues of class, race, and gender through the decades of increased immigration to Mexico and looking at the narratives created by the Mahjaris (migrants) themselves in both their old and new homes, Pastor sheds new light on the creation of transnational networks at the intersection of Arab, French, and Mexican colonial modernisms. Revealing how migrants experienced mobility as conquest, diaspora, exile, or pilgrimage, The Mexican Mahjar tracks global history on an intimate scale.

“This ingenious study . . . will transform how we conceptualize immigration, race, gender, and the histories and boundaries of Arab and Latin America” (Nadine Naber, author of Arab America). Los Angeles is home to the largest population of people of Middle Eastern origin and descent in the United States. Since the late nineteenth century, Syrian and Lebanese migration to Southern California has been intimately connected to and through Latin America. Arab Routes uncovers the stories of this Syrian American community, one both Arabized and Latinized, to reveal important cross-border and multiethnic solidarities in Syrian California. Sarah M. A. Gualtieri reconstructs the early Syrian connections through California, Texas, Mexico, and Lebanon. She reveals the Syrian interests in the defense of the Mexican American teens charged in the 1942 Sleepy Lagoon murder, in actor Danny Thomas's rise to prominence in LA’s Syrian cultural festivals, and in more recent activities of the grandchildren of immigrants to reclaim a sense of Arabness. Gualtieri reinscribes Syrians into Southern California history through her examination of powerful images and texts, augmented with interviews with descendants of immigrants. Telling the story of how Syrians helped forge a global Los Angeles, Arab Routes counters a long-held stereotype of Arabs as outsiders and underscores their longstanding place in American culture and in interethnic coalitions, past and present.

Melding the rural and the urban with the local, regional, and global, Levantine cuisine is a mélange of ingredients, recipes, and modes of consumption rooted in the Eastern Mediterranean. Making Levantine Cuisine provides much-needed scholarly attention to the region’s culinary cultures while teasing apart the tangled histories and knotted migrations of food. Akin to the region itself, the culinary repertoires that comprise Levantine cuisine endure and transform—are unified but not uniform. This book delves into the production and circulation of sugar, olive oil, and pistachios; examines the social origins of kibbe, Adana kebab, shakshuka, falafel, and shawarma; and offers a sprinkling of family recipes along the way. The histories of these ingredients and dishes, now so emblematic of the Levant, reveal the processes that codified them as national foods, the faulty binaries of Arab or Jewish and traditional or modern, and the global nature of foodways. Making Levantine Cuisine draws from personal archives and public memory to illustrate the diverse past and persistent cultural unity of a politically divided region.

Between the Middle East and the Americas: The Cultural Politics of Diaspora traces the production and circulation of discourses about "the Middle East" across various cultural sites, against the historical backdrop of cross-Atlantic Mahjar flows. The book highlights the fraught and ambivalent situation of Arabs/Muslims in the Americas, where they are at once celebrated and demonized, integrated and marginalized, simultaneously invisible and spectacularly visible. The essays cover such themes as Arab hip-hop's transnational imaginary; gender/sexuality and the Muslim digital diaspora; patriotic drama and the media's War on Terror; the global negotiation of the Prophet Mohammad cartoons controversy; the Latin American paradoxes of Turcophobia/Turcophilia; the ambiguities of the bellydancing fad; French and American commodification of Rumi spirituality; the reception of Iranian memoirs as cultural domestication; and the politics of translation of Turkish novels into English. Taken together, the essays analyze the hegemonic discourses that position "the Middle East" as a consumable exoticized object, while also developing complex understandings of self-representation in literature, cinema/TV, music, performance, visual culture, and digital spaces. Charting the shifting significations of differing and overlapping forms of Orientalism, the volume addresses Middle Eastern diasporic practices from a transnational perspective that brings postcolonial cultural studies methods to bear on Arab American studies, Middle Eastern studies, and Latin American studies. Between the Middle East and the Americas disentangles the conventional separation of regions, moving beyond the binarist notion of "here" and "there" to imaginatively reveal the thorough interconnectedness of cultural geographies.

Since 2011 over 5.6 million Syrians have fled to Turkey, Lebanon, Jordan, and beyond, and another 6.6 million are internally displaced. The contemporary flight of Syrian refugees comes one century after the region's formative experience with massive upheaval, displacement, and geopolitical intervention: the First World War. In this book, Stacy Fahrenthold examines the politics of Syrian and Lebanese migration around the period of the First World War. Some half million Arab migrants, nearly all still subjects of the Ottoman Empire, lived in a diaspora concentrated in Brazil, Argentina, and the United States. They faced new demands for their political loyalty from Istanbul, which commanded them to resist European colonialism. From the Western hemisphere, Syrian migrants grappled with political suspicion, travel restriction, and outward displays of support for the war against the Ottomans. From these diasporic communities, Syrians used their ethnic associations, commercial networks, and global press to oppose Ottoman rule, collaborating with the Entente powers because they believed this war work would bolster the cause of Syria's liberation. Between the Ottomans and the Entente shows how these communities in North and South America became a geopolitical frontier between the Young Turk Revolution and the early French Mandate. It examines how empires at war-from the Ottomans to the French-embraced and claimed Syrian migrants as part of the state-building process in the Middle East. In doing so, they transformed this diaspora into an epicenter for Arab nationalist politics. Drawing on transnational sources from migrant activists, this wide-ranging work reveals the degree to which Ottoman migrants "became Syrians" while abroad and brought their politics home to the post-Ottoman Middle East.

Forging Ties, Forging Passports is a history of migration and nation-building from the vantage point of those who lived between states. Devi Mays traces the histories of Ottoman Sephardi Jews who emigrated to the Americas—and especially to Mexico—in the late nineteenth and early twentieth centuries, and the complex relationships they maintained to legal documentation as they migrated and settled into new homes. Mays considers the shifting notions of belonging, nationality, and citizenship through the stories of individual women, men, and families who navigated these transitions in their everyday lives, as well as through the paperwork they carried. In the aftermath of World War I and the Mexican Revolution, migrants traversed new layers of bureaucracy and authority amid shifting political regimes as they crossed and were crossed by borders. Ottoman Sephardi migrants in Mexico resisted unequivocal classification as either Ottoman expatriates or Mexicans through their links to the Sephardi diaspora in formerly Ottoman lands, France, Cuba, and the United States. By making use of commercial and familial networks, these Sephardi migrants maintained a geographic and social mobility that challenged the physical borders of the state and the conceptual boundaries of the nation.