"Is this the whole world?" This question begins the first of three memoirs by Austrian Romani writer, visual artist, musician, and activist Ceija Stojka (1933-2013), told from her perspective as a child interned in three Nazi concentration camps from age nine to fifteen. Written by a child survivor much later in life, the memoirs offer insights into the nexus of narrative and extreme trauma, expressing the full spectrum of human emotions: fear and sorrow at losing loved ones; joy and relief when reconnecting with family and friends; desire to preserve some memories while attempting to erase others; horror at acts of genocide, and hope arising from dreams of survival.In addition to annotated translations of the three memoirs, the book includes two of Stojka's poems and an interview by Karin Berger, editor of the original editions of Stojka's memoirs, as well as color reproductions of several of her artworks and historical photographs. An introduction contextualizes her works within Romani history and culture, and a glossary informs the reader about the "concentrationary universe." Because the memoirs show how Stojka navigated male-dominated postwar Austrian culture, generally discriminatory to Roma, and the patriarchal aspects of Romani culture itself, the book is a contribution not only to Holocaust Studies but also to Austrian Studies, Romani Studies, and Women's and Gender Studies.and a glossary informs the reader about the "concentrationary universe." Because the memoirs show how Stojka navigated male-dominated postwar Austrian culture, generally discriminatory to Roma, and the patriarchal aspects of Romani culture itself, the book is a contribution not only to Holocaust Studies but also to Austrian Studies, Romani Studies, and Women's and Gender Studies.and a glossary informs the reader about the "concentrationary universe." Because the memoirs show how Stojka navigated male-dominated postwar Austrian culture, generally discriminatory to Roma, and the patriarchal aspects of Romani culture itself, the book is a contribution not only to Holocaust Studies but also to Austrian Studies, Romani Studies, and Women's and Gender Studies.and a glossary informs the reader about the "concentrationary universe." Because the memoirs show how Stojka navigated male-dominated postwar Austrian culture, generally discriminatory to Roma, and the patriarchal aspects of Romani culture itself, the book is a contribution not only to Holocaust Studies but also to Austrian Studies, Romani Studies, and Women's and Gender Studies.

Half a million European Roma were exterminated by the Nazi regime; many more were subjected to a policy of racial discrimination similar to that suffered by the Jewish people. However, the persecution and torment of Roma in Hitler's Europe has little presence in the history books. The Roma and the Holocaust places the Roma genocide in the context of the widespread violence of the Second World War, while offering an explanation that places it within a broader trajectory of anti-Roma persecution in modern societies. The book explores the separation and destruction of families, the sterilisation of adults and children, the plunder of property and deprivation of livelihoods, slave labour, medical experiments, the horror of extermination camps and the mass murder that the Romani people were subjected to. María Sierra uses the first section of the book to provide a much-needed critical overview and synthesis of the fragmented research and scholarship in the area that has been conducted in various languages. In the second section, Sierra shines a light the autobiographical accounts of several Roma survivors of the Nazi genocide in order for the voices of the victims who have claimed recognition and rights for the Roma people to be heard. This journey through the memories of Philomena Franz, Ceija Stojka, Lily Van Angeren, Otto Rosenberg, Walter Winter and Ewald Hanstein, in addition to other testimonies, is contextualized within the framework of other Holocaust survivors' memoirs and has been approached from a history of emotions perspective. With the Romani people having been denied recognition as victims of Nazism after the end of the war, this book crucially helps to bring about agency for the survivors, supporting their struggle for the right to memory in the process.

In March 1939, seven-year-old Eva Weiss’s innocence was shattered by Germany’s invasion of her homeland, Slovakia. Over the next five years, as the Nazi persecution of Europe’s Jews gathered momentum, Eva’s parents were forced to send their children into hiding, but she and her sister Marta could not avoid capture. In this remarkable memoir, Eva recounts her experiences at the Auschwitz-Birkenau concentration camp. There, she witnessed countless horrors and was herself subjected to torture, extreme deprivation, and medical experimentation at the hands of the notorious Dr Josef Mengele. When the Soviet army liberated the survivors of Auschwitz early in 1945, Eva and Marta faced a new challenge: crossing war-torn Europe to be reunited with their family. Narrated with the heartbreaking innocence of a young girl and the wisdom of a woman of eighty-three, Gazing at the Stars is a record of survival in the face of unimaginable evil. It is the culmination of Eva Slonim’s lifelong commitment to educating the world about the Holocaust, and to keeping alive the memory of the many who perished. Eva Slonim (née Weiss) was born in Bratislava, Slovakia, in 1931. A survivor of the Holocaust, Eva relocated with her family to Melbourne in 1948. She married Ben Slonim in 1953, and together they had five children, and many grandchildren and great- grandchildren, fulfilling Eva’s wish to rebuild what was lost in Europe. A gifted storyteller, and deeply passionate about the importance of education and community, Eva has for many years given public talks on her experiences during the war.

The history of written Romani literature is only about 100 years old, and thus Romani literatures are still being defined and consolidated. At least two special features characterize this young literature: on the one hand, it is a multilingual diasporic world literature that often can be characterized as engaged literature and tries to deconstruct various age-old stereotypes of the minority. On the other hand, female authors play a strikingly prominent role. Female authors frequently achieve visibility with their texts on the national book markets. Some authors appear in their own texts as committed feminists and/or human rights activists. For other authors, sexuality and gender play a less prominent role in their works. Additionally, women often also play very central roles in texts by male authors. Therefore, this volume aims to explore the different facets of Romani literatures on two interrelated axes. First, the essays explore the status of several diverse works as transnational world literature. Second, the contributions examine the significance of writing as a form of social engagement and self-empowerment. What emerges is the observation that mainly women authors have been speaking out and standing up for their rights as women and Romnya. With contributions from: Oksana Marafioti, Ana Belén Martín Sevillano, Martin Shaw, Kirsten von Hagen, Marina Ortrud M. Hertrampf, Emilia Kledzik, Florian Homann, Paola Toninato, Sidonia Bauer, Lorely French, Viola Parente-Capková

Pp. 9-334 contain 39 chapters, many of which were originally written as individual essays. Citron is a Holocaust survivor from Poland; the foreword (p. 1-5) relates her experiences in 1942-45, when at the age of thirteen she was deported to Auschwitz, then sent to various work camps. In April 1945 she and her mother were placed in a cattle-car transport with ca. 1,000 women, which was bombed by the Allies near Berlin; she and her mother survived, but about 500 women were killed in the bombing. Later she settled in Israel. The chapters discuss issues such as the roots of antisemitism, Christian hatred of the Jews throughout the centuries, anti-Jewish propaganda on the part of the Church, the Nazis, and now the Arabs who aim to destroy the Jewish people and the State of Israel. The indictment is against all of the forces who in the past and in the present have hated the Jews and wished to destroy them. Pp. 335-356 contain 13 appendixes relating to the Arab conflict with Israel.

Diaries, testimonies and memoirs of the Holocaust often include at least as much on the family as on the individual. Victims of the Nazi regime experienced oppression and made decisions embedded within families. Even after the war, sole survivors often described their losses and rebuilt their lives with a distinct focus on family. Yet this perspective is lacking in academic analyses. In this work, scholars from the United States, Israel, and across Europe bring a variety of backgrounds and disciplines to their study of the Holocaust and its aftermath from the family perspective. Drawing on research from Belarus to Great Britain, and examining both Jewish and Romani families, they demonstrate the importance of recognizing how people continued to function within family units—broadly defined—throughout the war and afterward.

This rare account from a survivor of Gypsy concentration camps during World War II relates how German Sinto Walter Winter was discharged from the German navy in 1943 on racial grounds and was deported to Auschwitz with his brother and sister. The atrocities he witnessed, including the death of his wife and unborn child, are told in stark, unflinching detail. As well as reporting horrific persecutions, Winter recalls moments of personal bravery in which he beat up an SS guard and confronted the notorious Dr. Mengele to request extra rations for starving Sinti children on his block. As the Gypsy culture is generally predisposed not to dwell on the past, this memoir tells a rare story infused with a quiet hopefulness that suggests Winter retained his spirit, courage, and sense of fairness in the face of unspeakable cruelty.