THE MEDIUM is the 1st book in the Emily Chambers Spirit Medium Trilogy. What readers and reviewers are saying about THE MEDIUM "This is a beautiful story filled with all kinds of surprises. I look forward to the next book in the series because these are characters are really want to know more about." ~ 5 stars, Paranormal Romance Guild "A book worth every one of the 5 stars!" "Couldn"t put it down" Description Spirit medium Emily Chambers has a problem. Actually, she has several. As if seeing dead people isn't a big enough social disadvantage, she also has to contend with an escaped demon and a handsome ghost with a secret past. And then there's the question of her parentage. Being born an entire year after her father's death (yes, a year) and without the pale skin of other respectable English ladies, Emily is as much a mystery as the ghost assigned to her Jacob Beaufort's spirit has been unable to crossover since his death several months ago. It might have something to do with the fact he was murdered. Or it might not. All he knows is, he has been assigned by the Otherworld's administrators to a girl named Emily. A girl who can see and touch him. A girl who released a shape-shifting demon into the mortal realm. Together they must send the demon back before it wreaks havoc on London. It should be a simple assignment, but they soon learn there's nothing simple when a living woman and a dead man fall in love. Keywords: fantasy, urban fantasy, historical fantasy, fantasy series, speculative fiction, dark fantasy, paranormal, female protagonist, interracial, diverse, female main character, paranormal romance, historical romance, historical paranormal romance, action, adventure, ghosts, spirits, demons, magic, alternative history, parallel world, victorian romance, victorian era, victorian london, gothic, teen fiction, young adult, free, diverse fiction, free book, bestseller, bestselling, similar to books by Sarah J Maas, Cassandra Clare, Bella Forest's A Shade of Vampire, Maria V Snyder's Poison Study

At just five years old, Maureen Hancock discovered her ability to communicate with the dead. Descended from a long line of legendary Irish mystics, she was no stranger to the spiritual realm, but for fear of being misunderstood by her friends and family she kept the otherworldly messages to herself, eventually suppressing them completely. Maureen wouldn't hear the spirits again until she was in a near-fatal car crash. Soon after, she had hundreds of voices in her head, many of which helped her crack cases and expose fraud in her role as a litigation paralegal at a large Boston law firm. Then, when tragedy struck on 9/11, Maureen was bombarded with messages from the spirit world. As each one made contact with her, she finally came to terms with her calling: to communicate with the deceased, assist the dying, search for missing children, and teach the living about life after death, all the while raising her children in her suburban home. Maureen Hancock is literally is the Medium Next Door, and in this book and through her stories of her encounters with the otherworld as well as guided exercises at the conclusion of each chapter, she offers the same comfort and wisdom she shares in her healing encounters and lectures about what is out there waiting for all who are open to its mysteries. . . .

**FINALIST, 2022 PROSE Award in Theology & Religious Studies** An innovative exploration of religion's influence on communication networks When Samuel Morse sent the words “what hath God wrought” from the US Supreme Court to Baltimore in mere minutes, it was the first public demonstration of words travelling faster than human beings and farther than a line of sight in the US. This strange confluence of media, religion, technology, and US nationhood lies at the foundation of global networks. The advent of a telegraph cable crossing the Atlantic Ocean was viewed much the way the internet is today, to herald a coming world-wide unification. President Buchanan declared that the Atlantic Telegraph would be “an instrument destined by divine providence to diffuse religion, civilization, liberty, and law throughout the world” through which “the nations of Christendom [would] spontaneously unite.” Evangelical Protestantism embraced the new technology as indicating God’s support for their work to Christianize the globe. Public figures in the US imagined this new communication technology in primarily religious terms as offering the means to unite the world and inspire peaceful relations among nations. Religious utopianists saw the telegraph as the dawn of a perfect future. Religious framing thus dominated the interpretation of the technology’s possibilities, forging an imaginary of networks as connective, so much so that connection is now fundamental to the idea of networks. In reality, however, networks are marked, at core, by disconnection. With lively historical sources and an accessible engagement with critical theory, When the Medium was the Mission tells the story of how connection was made into the fundamental promise of networks, illuminating the power of public Protestantism in the first network imaginaries, which continue to resonate today in false expectations of connection.

Over a mere three decades, the video game became the entertainment medium of choice for millions of people, who now spend more time in the interactive virtual world of games than they do in watching movies or even television. The release of new games or game-playing equipment, such as the PlayStation 2, generates great excitement and even buying frenzies. Yet, until now, this giant on the popular culture landscape has received little in-depth study or analysis. In this book, Mark J. P. Wolf and four other scholars conduct the first thorough investigation of the video game as an artistic medium. The book begins with an attempt to define what is meant by the term "video game" and the variety of modes of production within the medium. It moves on to a brief history of the video game, then applies the tools of film studies to look at the medium in terms of the formal aspects of space, time, narrative, and genre. The book also considers the video game as a cultural entity, object of museum curation, and repository of psychological archetypes. It closes with a list of video game research resources for further study.

Say the name Marshall McLuhan and you think of the great discover's explorations of the media. But throughout his life, McLuhan never stopped reflecting profoundly on the nature of God and worship, and on the traditions of the Church. Often other intellectuals and artists would ask him incredulously, Are you really a Catholic? He would answer, Yes, I am a Catholic, the worst kind -- a convert, leaving them more baffled than before. Here, like a golden thread lining his public utterances on the media, are McLuhan's brilliant probes into the nature of conversion, the church's understanding of media, the shape of tomorrow's church, religion and youth, and the God-making machines of the modern world. This fascinating collection, gathered from his many and scattered remarks, essays, and other writings, shows the deeply Christian side of a man widely considered the most important thinker of our time, a man whose insights into media and culture have revolutionized the field of media study and the way we see the world.

Have you ever walked away from an argument and suddenly thought of all the brilliant things you wish you'd said? Do you avoid certain family members and colleagues because of bitter, festering tension that you can't figure out how to address? Now, finally, there's a solution: a new framework that frees you from the trap of unproductive conflict and pointless arguing forever. If the threat of raised voices, emotional outbursts, and public discord makes you want to hide under the conference room table, you're not alone. Conflict, or the fear of it, can be exhausting. But as this powerful book argues, conflict doesn't have to be unpleasant. In fact, properly channeled, conflict can be the most valuable tool we have at our disposal for deepening relationships, solving problems, and coming up with new ideas. As the mastermind behind some of the highest-performing teams at Amazon, Twitter, and Slack, Buster Benson spent decades facilitating hard conversations in stressful environments. In this book, Buster reveals the psychological underpinnings of awkward, unproductive conflict and the critical habits anyone can learn to avoid it. Armed with a deeper understanding of how arguments, you'll be able to: Remain confident when you're put on the spot Diffuse tense moments with a few strategic questions Facilitate creative solutions even when your team has radically different perspectives Why Are We Yelling will shatter your assumptions about what makes arguments productive. You'll find yourself having fewer repetitive, predictable fights once you're empowered to identify your biases, listen with an open mind, and communicate well.

Presents the story of Florence Cook, one of the most famous materializing mediums of Victorian England, and William Crookes, an eminent British chemist who investigated Florence and her attendant spirit, Katie King.