This book explains how the media helped to invent the European Union as the supranational polity that we know today. Against conventional EU scholarship, it tells the story of the rise of the Euro-journalists – pro-European advocacy journalists – within the post-war Western European media, and argues that the Euro-journalists pioneered a shift in the media representation of European integration. During the 1950s, multiple visions of Western European cooperation competed in the media, which initially considered the European Community to be a merely technocratic international organization. By the late 1970s, however, the media were symbolically magnifying the Community as a sui generis European polity and the sole embodiment of Europe. Normative research on the media and European integration has focused on how the media might help to construct a democratic and legitimate European Union. In contrast, this book aims to deconstruct a pro-European advocacy journalism, which became dominant within the Western European media between the 1950s and the 1970s. Moreover, the book shows how journalists – as part of Western European elites – played a key role in elite European identity building campaigns.

This book explains how the media helped to invent the European Union as the supranational polity that we know today. Against normative EU scholarship, it tells the story of the rise of the Euro-journalists – pro-European advocacy journalists – within the post-war Western European media. The Euro-journalists pioneered a journalism which symbolically magnified the technocratic European Community as the embodiment of Europe. Normative research on the media and European integration has focused on how the media might help to construct a democratic and legitimate European Union. In contrast, this book aims to deconstruct how journalists – as part of Western European elites – played a key role in elite European identity building campaigns.

This pertinent and highly original volume explores how ideas of Europe and processes of continental political, socio-economic, and cultural integration have been intertwined since the nineteenth century. Applying a wider definition of Europeanization in the sense of "becoming European", it will pay equal attention to counter-processes of disentanglement and disintegration that have accompanied, slowed down, or displaced such trends and developments. By focusing on the practices, agents, and experience of Europeanization, the volume strives to bring together the history of ideas and the history of human actions and conduct, two approaches that are usually treated separately in the field of European studies.

The histories of European unification and of West European democracy during the second half of the twentieth century have often been considered as separate or even antagonistic processes with the institutions of European integration being regarded as bastions of bureaucratic rule. A More Democratic Community challenges this assumption and argues that European integration benefited from the democratic accountability of member states while contributing to the validation of national democratic institutions. However, it also unveils a paradox: as integration deepened, it diminished the power of national parliaments, sparking a democratic accountability crisis within the Community. This insightful volume sheds light on pivotal reforms addressing Europe's perceived democratic deficit.

Today it often appears as though the European Union has entered existential crisis after decades of success, condemned by its adversaries as a bureaucratic monster eroding national sovereignty: at best wasteful, at worst dangerous. How did we reach this point and how has European integration impacted on ordinary people's lives - not just in the member states, but also beyond? Did the predecessors of today's EU really create peace after World War II, as is often argued? How about its contribution to creating prosperity? What was the role of citizens in this process, and can the EU justifiably claim to be a 'community of values'? Kiran Klaus Patel's bracing look back at the myths and realities of integration challenges conventional wisdoms of Europhiles and Eurosceptics alike and shows that the future of Project Europe will depend on the lessons that Europeans derive from its past.

Peeking into the home through the eyes of artists and image-makers, this book unveils the untold story of Italian domestic experiences from the 1940s to the 1970s. Torn between the trauma of World War II and the frenzied optimism of the postwar decades, and haunted by the echoes of fascism, the domestic realm embodied contrasting and often contradictory meanings: care and violence, oppression and emotional fulfillment, nourishment and privation. Silvia Bottinelli casts a fresh light on domestic experiences that are easily overlooked and taken for granted, finding new expressions of home - as an idea, an emotion, a space, and a set of habits - in a variety of cultural and artistic movements, including new realism, visual poetry, pop art, arte povera, and radical architecture, among others. Double-Edged Comforts finds nuance by viewing artistic interpretations of domestic life in dialogue with contemporaneous visual culture: the advertisements, commercials, illustrations, and popular magazines that influenced and informed art, even materially, and often triggered the critical reactions of artists. Bottinelli pays particular attention to women's perspectives, discussing artworks that have fallen through the cracks of established art historical narratives and giving specific consideration to women artists: Carla Accardi, Marisa Merz, Maria Lai, Ketty La Rocca, Lucia Marcucci, and others who were often marginalized by the Italian art system in this period. From sleeping and bathing, chores, and making and eating food to the arrival of television, Double-Edged Comforts provides a fresh account of modern domesticity relevant to anyone interested in understanding how we make sense of the places we live and what we do there, showing how art complicates the familiar comforts and meanings of home.

International Organizations and the Media in the Nineteenth and Twentieth Centuries is the first volume to explore the historical relationship between international organizations and the media. Beginning in the early nineteenth century and coming up to the 1990s, the volume shows how people around the globe largely learned about international organizations and their activities through the media and images created by journalists, publicists, and filmmakers in texts, sound bites, and pictures. The book examines how interactions with the media are a formative component of international organizations. At the same time, it questions some of the basic assumptions about how media promoted or enabled international governance. Written by leading scholars in the field from Europe, North America, and Australasia, and including case studies from all regions of the world, it covers a wide range of issues from humanitarianism and environmentalism to Hollywood and debates about international information orders. Bringing together two burgeoning yet largely unconnected strands of research—the history of international organizations and international media histories—this book is essential reading for scholars of international history and those interested in the development and impact of media over time.