In this book, Marie-Soleil Frère synthesises the interaction between the mass media and conflict in Burundi, the Democratic Republic of Congo (DRC), Rwanda, Congo-Brazzaville, the Central African Republic, Chad, Cameroon, Gabon and Equatorial Guinea.

An in-depth investigation of the role that local news media play in Central African conflicts.

Over the past ten years, the Democratic Republic of Congo, Burundi, Chad, Central African Republic, Republic of Congo and Rwanda all organized pluralist elections in a post conflict context, having experienced an armed conflict which either interrupted or prevented democratization processes. These polls were organized with the support of the international community, which viewed them as a crucial step in the peace-building process. The local media's role throughout was supposed to be to ensure that an electoral process is actually 'free and fair' - a role that becomes even more crucial in countries where the media have previously being perceived as warmongers or peace-builders in the conflicts. Giving a voice to African journalists and analysing the work they have been publishing or broadcasting during these elections, African media specialist Marie-Soleil Frere explores if and how the local media fulfilled their duties. In doing so, the book reveals journalists' professional challenges at a time when much is expected from the media, as well as the intense political pressure faced that can make their work particularly difficult. Insightful and comprehensive, Elections and the Media in Post-Conflict Africa underlines both the importance and the fragility of the role of the media in a democratic system.

How can an "ethics of listening" guide the media to contribute to the deepening of democracy in Africa? In Africa, the media plays a significant role in conflict management and resolution. Which conflicts the media report, which are ignored, and how conflicts are represented can have a profound impact on the outcomes. While the media can in some cases ensure the stability of African democracy, critics have pointed out that in other cases, the media actually increases tensions in areas of conflict. The media tends to privilege only elite voices, offering superficial coverage of marginalized groups in a way that increases polarization. In The Ethics of Engagement, Herman Wasserman explores the ethics of the media in conflicts that arise during transitions to democracy in Africa. He examines the roles, responsibilities, and obligations of media in contexts of high socioeconomic inequality. In doing so, he looks at ethnic and racial polarization in the histories of colonialism, post-colonial authoritarianism, and hybrid regimes. Taking a critical view of the normative guidelines and professional identities of journalism inherited from contexts outside of Africa, he argues that a more reciprocal and collaborative approach is needed. He develops a new ethics of engagement that would require the media to facilitate the resolution of conflicts across differences of ethnicity, citizenship, and class. A central point of this theory is the development of an "ethics of listening" which would enable the media to conceive of their role as facilitators in democratic deliberation and community-building. Wasserman applies his ethics of listening to case studies across the African continent. He finds that by following this new model of conduct, the media may actually deepen democracy and help de-escalate conflict. This original study provides a useful framework for reimaging the media's role in transitional democracies in Africa--and across the globe.

A history of the 1960s unrecognized state’s army and their role in Central Africa’s political and military conflicts. Erik Kennes and Miles Larmer provide a history of the Katangese gendarmes and their largely undocumented role in many of the most important political and military conflicts in Central Africa. Katanga, located in today’s Democratic Republic of Congo, seceded in 1960 as Congo achieved independence, and the gendarmes fought as the unrecognized state’s army during the Congo crisis. Kennes and Larmer explain how the ex-gendarmes, then exiled in Angola, struggled to maintain their national identity and return “home.” They take readers through the complex history of the Katangese and their engagement in regional conflicts and Africa’s Cold War. Kennes and Larmer show how the paths not taken at Africa’s independence persist in contemporary political and military movements and bring new understandings to the challenges that personal and collective identities pose to the relationship between African nation-states and their citizens and subjects. “A fascinating story which is tied to the colonial development of Katanga province, cold war politics in Central Africa, the crisis of the postcolonial state in the Congo, and the interregional politics in the Great Lakes area.” —Georges Nzongola-Ntalaja, University of North Carolina “A major contribution to our understanding of postcolonial politics in Africa more broadly and sheds light on the survival of militias over time and forms of subnationalism emerging from regional consciousness.” —M. Crawford Young, University of Wisconsin, Madison

This book explores the role and place of popular, traditional and digital media platforms in the mediatization, representation and performance of various conflicts and peacebuilding interventions in the African context. The role of the media in conflict is often depicted as either 'good' (as symbolized by peace journalism) or 'bad' (as exemplified by war journalism), but this book moves beyond this binary to highlight the 'in-between' role that the media often plays in times of conflict. The volume does not only focus on the relationship between mass media, conflict and peacebuilding processes but it broadens its scope by critically analysing the dynamic and emergent roles of popular and digital media platforms in a continent where the semi-literate and oral communities still rely heavily on popular communication platforms to get news and information. Whilst social media platforms have been hailed for their assumed democratic and digital dividends, this book does not only focus on these positive aspects but also shines a light on dark forms of participation which are fuelling racial, gender, ethnic, political and religious conflicts in highly polarized and stratified societies. Highlighting the many ways in which traditional, digital and popular media can be used to both escalate conflicts and promote peacebuilding, this volume will be a useful resource for students, researchers and civil society groups interested in peace and conflict studies, journalism and media studies in different contexts within Africa.