When the insane sorceress Theatana escapes from her island prison with the aid of raiders from a far-off country, she also discovers the blackest sorcery, which will help her take control of the land. Her nephew Ilarion is determined to find her before she can discover the whereabouts of the Mask of the Adversary and launch a merciless assault upon her own homeland and her blood kin. Sequel to "The Stone and the Maiden" (RC19473). 2001.

Seventeen centuries past, a great diviner locked the Deep Magic away forever, deeming the primal sorcery too dangerous for use by humankind.

"If ever your heart has said, 'The great days are no more. The golden afternoon of golden tales has faded into night, and I came late, born out of time, to warm my hands at the embers that flicker and fade hour by hour' -- read this. . . Here are ghosts grim and gentle, red gold of Ophir, and fell weavings. Here is a tale to keep Scheherazade talking a hundred years." -- Gene Wolfe "Darrell Schweitzer is a fine writer . . . Not only is he skilled in the exotic use of the best trappings of Fantasy, he employs a disquieting awareness of the dark nooks of the mind and soul. . . .Best of all, Schweitzer is a story-teller, by whose smoky fire one may sit spell-bound." -- Tanith Lee "Superlative." --Interzone Darrell Schweitzer has been three-times nominated for the World Fantasy Award, twice for Best Collection, and once for the novella "To Become a Sorcerer," which forms the first four chapters of this book. He is also the author of "The White Isle," "The Shattered Goddess," and nearly 300 short stories, many of which are collected in such volumes as "The Darrell Schweitzer Megapack." An expert on fantastic fiction, who has written books about Lord Dunsany and H.P. Lovecraft, he also co-edited the legendary "Weird Tales" magazine.

Old Norse literature abounds with descriptions of magic acts that allow ritual specialists of various kinds to manipulate the world around them, see into the future or the distant past, change weather conditions, influence the outcomes of battles, and more. While magic practitioners are known under myriad terms, the most iconic of them is the völva. As the central figure of the famous mythological poem Völuspá (The Prophecy of the Völva), the völva commands both respect and fear. In non-mythological texts similar women are portrayed as crucial albeit somewhat peculiar members of society. Always veiled in mystery, the völur and their kind have captured the academic and popular imagination for centuries. Bringing together scholars from various disciplinary backgrounds, this volume aims to provide new insights into the reality of magic and its agents in the Viking world, beyond the pages of medieval texts. It explores new trajectories for the study of past mentalities, beliefs, and rituals as well as the tools employed in these practices and the individuals who wielded them. In doing so, the volume engages with several topical issues of Viking Age research, including the complex entanglements of mind and materiality, the cultural attitudes to animals and the natural world, and the cultural constructions of gender and sexuality. By addressing these complex themes, it offers a nuanced image of the völva and related magic workers in their cultural context. The volume is intended for a broad, diverse, and international audience, including experts in the field of Viking and Old Norse studies but also various non-professional history enthusiasts. The Norse Sorceress: Mind and Materiality in the Viking World is a key output of the project Tanken bag Tingene (Thoughts behind Things) conducted at the National Museum of Denmark from 2020 to 2023 and funded by the Krogager Foundation.

Described by theater critics as one of the twentieth century’s greatest talents, Benjamin Zuskin (1899–1952) was a star of the Moscow State Jewish Theater. In writing The Travels of Benjamin Zuskin, his daughter, Ala Zuskin Perelman, has rescued from oblivion his story and that of the theater in which he served as performer and, for a period, artistic director. Against the backdrop of the Soviet regime’s effort to stifle any expression of Jewish identity, the Moscow State Jewish Theater—throughout its thirty years of existence (1919–49)—maintained a high level of artistic excellence while also becoming a center of Jewish life and culture. A member of the Jewish Anti-Fascist Committee, Zuskin was arrested under fabricated charges and eventually executed on August 12, 1952, along with twelve other eminent Soviet Jews and committee members. Zuskin Perelman’s fascinating chronicle, more than just a personal memoir, conveys the vibrancy and energy of Jewish theater, celebrates the cultural achievements of Soviet Jews, and calls attention to the tragic fate that awaited them. The Travels of Benjamin Zuskin sheds light on Soviet Jewish history through the lens of one of the period’s most influential cultural icons.