This book is about the relationship between belief, credibility, and credulity in post-Reformation Catholicism. It argues that, starting from the end of the sixteenth century and due to different political, intellectual, cultural, and theological factors, credibility assumed a central role in post-Reformation Catholic discourse. This led to an important reconsideration of the relationship between natural reason and supernatural grace and consequently to novel and significant epistemological and moral tensions. From the perspective of the relationship between credulity, credibility, and belief, early modern Catholicism emerges not as the apex of dogmatism and intellectual repression, but rather as an engine for promoting the importance of intellectual judgment in the process of embracing faith. To be sure, finding a balance between conscience and authority was not easy for early modern Catholics. This book seeks to elucidate some of the difficulties, anxieties, and tensions caused by the novel insistence on credibility that came to dominate the theological and intellectual landscape of the early modern Catholic Church. In addition to shedding light on early modern Catholic culture, this book helps us to understand better what it means to believe. For the most part, in modern Western society we don't believe in the same things as our early modern predecessors. Even when we do believe in the same things, it is not in the same way. But believe we do, and thus understanding how early modern people addressed the question of belief might be useful as we grapple with the tension between credibility, credulity, and belief.

A Fake Saint and the True Church uncovers the remarkable story of a fake saint to tell a tale about truth. It begins at the end of the 1650s, when a large quantity of forged documents suddenly appeared throughout the Kingdom of Naples. Narrating the life and deeds of a previously unknown medieval saint named Giovanni Calà, the trove generated much excitement around the kingdom. No one was more delighted by the news than Carlo Calà, Giovanni's wealthy and politically influential seventeenth-century descendant. Attracted by the prospect of adding a saint to the family tree, Carlo presented Giovanni's case to the Roman Curia. The Catholic authorities, however, immediately realized that the sources were forged, and that Giovanni was not real (let alone holy). Yet, it took more than two decades before the forgery was exposed: why? Vividly reconstructing the intricate case of the supposed saint, Stefania Tutino explores the tensions between historical and theological truth. How much could the truth of doctrine depend on the truth of the facts before religion lost its connection with the supernatural? To what extent could the truth of doctrine ignore the truth of the facts without ending up engulfed in falsity and deceit? How could the absolute truth of theology relate to the far less absolute certainty of human affairs? This story of a fake saint illuminates early modern tensions. But the struggles to distinguish between facts, opinions, and beliefs remain with us. Examining, as this book does, how our predecessors dealt with the relationship between truth and authenticity guides us too in thinking through what is true and what is not.

This volume launches the book series of “Inquire – International Centre for Research on Inquisitions” of the University of Bologna, a research network that engages with the history of religious justice from the 13th to the 20th century. This first publication offers twenty chapters that take stock of the current historiography on medieval and early modern Inquisitions (the Spanish, Portuguese and Roman Inquisitions) and their modern continuations. Through the analysis of specific questions related to religious repression in Europe and the Iberian colonial territories extending from the Middle Ages to today, the contributions here examine the history of the perception of tribunals and the most recent historiographical trends. New research perspectives thus emerge on a subject that continues to intrigue those interested in the practices of justice and censorship, the history of religious dissent and the genesis of intolerance in the Western world and beyond.

"Profiling Saints" follows and expands the papers presented at the homonym online international conference (December 2021), which focused on cultural, theological, artistic, and social aspects of models of sanctity and their importance in the modern world up to the post-revolutionary period. This volume aims thus to shed light on the cultural value of canonizations and models of sanctity as models of Christian perfection, including the role of iconography and artworks, in the broader context of modern, global Catholicism. The topics presented by the authors include veneration to, and canonization and representations of, saint theologians, missionaries, martyrs, mystics, and reformers, men and women. "Profiling Saints" looks at modern sanctity and saints from multidisciplinary perspectives, ranging from liturgy, theology, and Church history up to history of ideas, cultural history, history of emotions, and art history, and contributes to shed light on such a complex phenomenon of Christian history in its modern developments.

This is the first history of the Plymouth Brethren, a conservative, nonconformist evangelical Christian movement whose history can be traced to Dublin, Ireland in the late 1820s. The teachings of John Nelson Darby, an influential figure among the early Plymouth Brethren, have had a huge impact on modern evangelicalism. However, the credit for Darby's work went to some of the first generation of his students, and as evangelicalism has grown it has completely ignored its origins in Darby and the Brethren. In this book, Massimo Introvigne restores credit to John Nelson Darby and his movement, and places them in a contemporary sociological framework based on Introvigne's participant observation in Brethren communities. The modern-day Plymouth Brethren emphasize sola scriptura, the belief that the Bible is the supreme authority for church doctrine and practice. Brethren see themselves as a network of like-minded independent assemblies rather than as a church or a denomination. The movement has also refused to take any formal denominational name; the title "the Brethren" comes from the Biblical passage "one is your Master, even Christ; and all ye are brethren" (Matthew 23:8). The Plymouth Brethren offers a typology of differing branches of this reclusive movement, including a case study of the "exclusive" branch known as the Plymouth Brethren Christian Church, and reveals the various ways in which Brethren ideas have permeated the modern Christian world.

For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.

"This handbook is organized by various themes with the study of U.S. Latina/x/o Christianities. Keeping in mind that the Oxford Handbooks are geared toward graduate students and professors, the organization and layout of this handbook provides a thorough examination of interlocking themes within the academic study of Latina/x/o Christian histories, sociologies, and anthropologies. These essays, taken individually and collectively, pay attention to both the diachronic (over time, historical) as well as the synchronic (contemporary). Moreover, the essays cover the major U.S. Latina/x/o ethnic groups as well as major Christian denominations and movements. Finally, essays in the handbook attend to important intersectional realities that include empire, migration, diaspora, hybridities, borderlands, and gender"--