A penetrating analysis of the writings of the great Persian mystics on the quest for dawning light in the spiritual journey. Suhrawradi, Semnani, Najm alDin Kubra and other Sufis.

"This is a translation of 11 traditional texts of Iranian Islam from the 12th century to the present, with 100 pages of introduction by Professor Corbin. . . . Reading this book is an adventure in a beautiful alien land, again and again experiencing sudden pangs of recognition of the deeply familiar among the totally exotic".--"The Journal of Analytical Psychology". *Lightning Print On Demand Title

First published in 1983. The volume Cyclical Time and Ismaili Gnosis brings together in English translation three of Henry Corbin's richest and most complex studies, originally presented at the Eranos conferences of 1951 and 1954 and another conference in 1956. Each of these three relatively early studies is built around a complex, highly creative 'comparison' of the phenomenological correspondences between texts (often highly fragmentary) from a vast range of spiritual traditions from late Antiquity (including Manichaenism and the sects of Sassanid Iran) - all 'gnostic' in the root Greek sense of that term favoured by Corbin, though not in the narrower historical sense used by most contemporary scholars - and comparable spiritual themes in an equally wide range of Islamic texts eventually preserved in the later Ismaili Shi'i tradition.

Ibn 'Arabi was one of the great mystics of all time. Through the richness of his personal experience and the constructive power of his intellect, he made a unique contribution to Shi'ite Sufism. In this book, which features a powerful new preface by Harold Bloom, Henry Corbin brings us to the very core of this movement with a penetrating analysis of Ibn 'Arabi's life and doctrines.

What if you were to discover that you were only one half of a whole—that you had a divine double? In the second and third centuries CE, Charles Stang shows, this idea gripped the religious imagination of the Eastern Mediterranean, offering a distinctive understanding of the self that has survived in various forms down to the present.

All the World an Icon is the fourth book in an informal "quartet" of works by Tom Cheetham on the spirituality of Henry Corbin, a major twentieth-century scholar of Sufism and colleague of C. G. Jung, whose influence on contemporary religion and the humanities is beginning to become clear. Cheetham's books have helped spark a renewed interest in the work of this important, creative religious thinker. Henry Corbin (1903-1978) was professor of Islamic religion at the Sorbonne in Paris and director of the department of Iranic studies at the Institut Franco-Iranien in Teheran. His wide-ranging work includes the first translations of Heidegger into French, studies in Swedenborg and Boehme, writings on the Grail and angelology, and definitive translations of Persian Islamic and Sufi texts. He introduced such seminal terms as "the imaginal realm" and "theophany" into Western thought, and his use of the Shi'ite idea of ta'wil or "spiritual interpretation" influenced psychologist James Hillman and the literary critic Harold Bloom. His books were read by a broad range of poets including Charles Olson and Robert Duncan, and his impact on American poetry, says Cheetham, has yet to be fully appreciated. His published titles in English include Creative Imagination in the Sufism of Ibn Arabi, Avicenna and the Visionary Recital, and The Man of Light in Iranian Sufism. As the religions of the Book place the divine Word at the center of creation, the importance of hermaneutics, the theory and practice of interpretation, cannot be overstated. In the theology and spirituality of Henry Corbin, the mystical heart of this tradition is to be found in the creative, active imagination; the alchemy of spiritual development is best understood as a story of the soul's search for the Lost Speech. Cheetham eloquently demonstrates Corbin's view that the living interpretation of texts, whether divine or human—or, indeed, of the world itself seen as the Text of Creation—is the primary task of spiritual life. In his first three books on Corbin, Cheetham explores different aspects of Corbin's work, but has saved for this book his final analysis of what Corbin meant by the Arabic term ta'wil—perhaps the most important concept in his entire oeuvre. "Any consideration of how Corbin's ideas were adapted by others has to begin with a clear idea of what Corbin himself intended," writes Cheetham; "his own intellectual and spiritual cosmos is already highly complex and eclectic and a knowledge of his particular philosophical project is crucial for understanding the range and implications of his work." Cheetham lays out the implications of ta'wil as well as the use of language as integral part of any artistic or spiritual practice, with the view that the creative imagination is a fundamentally linguistic phenomenon for the Abrahamic religions, and, as Corbin tells us, prayer is the supreme form of creative imagination.