From the acclaimed master of historical fiction comes an epic saga about a reluctant hero, the Roman Empire, and the rise of a new faith. Jerusalem and the Sinai desert, first century AD. In the turbulent aftermath of the crucifixion of Jesus, officers of the Roman Empire acquire intelligence of a pilgrim bearing an incendiary letter from a religious fanatic to insurrectionists in Corinth. The content of this letter could bring down the empire. The Romans hire a former legionary, the solitary man-at-arms, Telamon of Arcadia, to intercept the letter and capture its courier. Telamon operates by a dark code all his own, with no room for noble causes or lofty beliefs. But once he overtakes the courier, something happens that neither he nor the empire could have predicted. In his first novel of the ancient world in thirteen years, the best-selling author of Gates of Fire and Tides of War returns with a gripping saga of conquest and rebellion, bloodshed and faith.

Corporal Carrot has been promoted! He’s now in charge of the new recruits guarding Ankh-Morpork, Discworld’s greatest city, from Barbarian Tribes, Miscellaneous Marauders, unlicensed Thieves, and such. It’s a big job, particularly for an adopted dwarf. But an even bigger job awaits. An ancient document has just revealed that Ankh-Morpork, ruled for decades by Disorganized crime, has a secret sovereign! And his name is Carrot . . . And so begins the most awesome epic encounter of all time, or at least all afternoon, in which the fate of a city—indeed of the universe itself!—depends on a young man’s courage, an ancient sword’s magic, and a three-legged poodle’s bladder.

Volume 1 of Waugh's Sword of Honour trilogy. The other two volumes are Officers and Gentlemen and The End of the Battle (UK title Unconditional Surrender). The novel is semi-autobiographical and reflects Waugh's experiences during the Second World War, while giving a satirical view of military bureaucracy. There is a strong religious element.

"Arms and the Man" by George Bernard Shaw is a witty and satirical play that explores themes of war, love, and the illusions of heroism. Set during the Serbo-Bulgarian War of 1885, the play follows the romantic entanglements of its characters against the backdrop of military conflict. Shaw's protagonist, Captain Bluntschli, challenges traditional notions of heroism with his pragmatic and cynical views on warfare. Through sharp dialogue and humorous situations, Shaw critiques the romanticized ideals of war and nationalism, offering a biting commentary on the futility of armed conflict. As the characters navigate the complexities of love and honor, they confront their own illusions and prejudices, leading to unexpected revelations and personal growth. "Arms and the Man" is a thought-provoking and entertaining play that continues to captivate audiences with its wit, intelligence, and timeless relevance. Shaw's clever satire and incisive social commentary ensure that the play remains a classic of modern drama, celebrated for its sharp insights into the human condition and its enduring relevance in today's world.

The ancient warrior code which persisted in medieval Christian Europe dictated that a man's greatest virtues were physical strength, skill at arms, bravery, daring, loyalty to the chieftain and solidarity within the tribe. The primitive Church had been diametrically opposed to such ideals, however by the early 8th century the Church had grown wealthy, and the Saracen invasions of Spain and France posed a threat to that wealth. The Roman Church began to support war in defence of the faith, and by channelling the martial spirit into the service of God, the brutal warrior of the past was transformed into a guardian of society.

The literature of chivalry and of courtly love has left an indelible impression on western ideas. What is less clear is how far the contemporary warrior aristocracy took this literature to heart and how far its ideals had influence in practice, especially in war. These are questions that Maurice Keen is uniquely qualified to answer. This book is a collection of Maurice Keen's articles and deals with both the ideas of chivalry and the reality of warfare. He discusses brotherhood-in-arms, courtly love, crusades, heraldry, knighthood, the law of arms, tournaments and the nature of nobility, as well as describing the actual brutality of medieval warfare and the lure of plunder. While the standards set by chivalric codes undoubtedly had a real, if intangible, influence on the behaviour of contemporaries, chivalry's idealisation of the knight errant also enhanced the attraction of war, endorsing its horrors with a veneer of acceptability.

Featuring a previously published author introduction, a personal foreword by his son and a new introduction by his grandson, a definitive edition of the lauded World War I classic collects all 39 of the Nobel Prize-winning author's alternate endings to offer new insights into his creative process. Reprint.