Ten of the finest short science fiction novels of the 1940s are collected in this outsized volume.

The Golden Age of Science Fiction, from the early 1940s through the 1950s, saw an explosion of talent in SF writing, including authors such as Isaac Asimov, Robert A. Heinlein, and Arthur C. Clarke. Their writing helped science fiction gain wide public attention, and left a lasting impression upon society. The same writers formed the mold for the next three decades of science fiction, and much of their writing remains as fresh today as it was then.

How will the King of Vampires adapt to the social and technological changes brought by the twenty-first century? Could the Count's condition be cured by modern medicine? How does the mythology perpetuated by literature and movies affect the existence of a real bloodsucker? What if Dracula found himself ruler of a world controlled by vampires? Or perhaps political and ecological catastrophe will result in the Count's final destruction? This tribute to the world's greatest vampire collects together more than 200,000 words of Dracula fiction by masters of dark fantasy such as: Hugh B. Cave, R. Chetwynd-Hayes, Basil Copper, John Gordon, Brian Hodge, Nancy Holder, Nancy Kilpatrick, Roberta Lannes, Thomas Ligotti, Paul J. McAuley, Nicholas Royle, Guy N. Smith and many more. It also includes a brand new story from Charlaine Harris.

Ten classic stories from the birth of modern science fiction writing The Golden Age of Science Fiction, from the early 1940s through the 1950s, saw an explosion of talent in SF writing including authors such as Isaac Asimov, Robert A. Heinlein, and Arthur C. Clarke. Their writing helped science fiction gained wide public attention, and left a lasting impression upon society. The same writers formed the mould for the next three decades of science fiction, and much of their writing remains as fresh today as it was then. Collected in one giant volume, here is the very best of the golden era. The stories include: A.E. van Vogt, 'The Weapons Shop' Isaac Asimov, 'The Big and the Little' Lester del Rey, 'Nerves' Fredric Brown, 'Daymare' Theodore Sturgeon, 'Killdozer!' C.L. Moore, 'No Woman Born' A. Bertram Chandler, 'Giant Killer'

Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.