Authored by well-established and respected scholars, this work examines the kinds of efforts that have been made to adopt Western modernity in Melanesia and explores the reasons for their varied outcomes. The contributors take the work of Professor Marshall Sahlins as a starting point, assessing his theories of cultural change and of the relationship between cultural intensification and globalizing forces. They acknowledge the importance of Sahlins' ideas, while refining, extending, modifying and critiquing them in light of their own first hand knowledge of Pacific island societies. Also presenting one of Sahlins' less widely available original essays for reference, this book is an exciting contribution to serious anthropological engagement with Papua New Guinea.

Since the 1970s, Melanesian countries have been beguiled by the prospect of economic development that would enable them to participate in a world market economic system. Global markets would provide the means to improve their standards of living, allowing them to take their places as independent nations in a modern world. But development, like globalisation and modernity itself, are contested notions both in theory and practice. Managing Modernity in the Western Pacific takes a broad sweep through contemporary topics in Melanesian anthropology and ethnography. With nuanced and rigorous scholarship, it views contemporary debate on modernity in Melanesian within the context of the global economy and cultural capitalism. In particular, contributors assess local ideas about wealth, success, speculation and development and their connections to participations in institutions and activities generated by them. Fast money schemes in Papua New Guinea, collectivities in rural Solomon Islands, gambling in the Cook Islands, and the Vanuatu tax haven - all are considered in social contexts where notions of individuality, social obligation, and virtuous relations with kin and community are contested and in flux. This innovative and accessible collection offers a new intersection between Western Pacific anthropology and global studies.

This wide-ranging volume captures the diverse range of societies and experiences that form what has come to be known as Melanesia. It covers prehistoric, historic and contemporary issues, and includes work by art historians, political scientists, geographers and anthropologists. The chapters range from studies of subsistence, ritual and ceremonial exchange to accounts of state violence, new media and climate change. The ‘Melanesian world’ assembled here raises questions that cut to the heart of debates in the human sciences today, with profound implications for the ways in which scholars across disciplines can describe and understand human difference. This impressive collection of essays represents a valuable resource for scholars and students alike.

The Pacific region presents a huge diversity of cultural forms, which have fuelled some of the most challenging ethnographic work undertaken in the discipline. But this challenge has come at a cost. Culture, often reconfigured as ‘custom’, has often served to trap the people of the Pacific in the past of cultural reproduction, where everything is what it has always been, or worse—outdated, outmoded and destined for modernization. Pacific Futures asks how our understanding of social life in the Pacific would be different if we approached it from the perspective of the futures which Pacific people dream of, predict or struggle to achieve, not the reproduction of cultural tradition. From Christianity to gambling, marriage to cargo cult, military coups to reflections on childhood fishing trips, the contributors to this volume show how Pacific people are actively shaping their lives with the future in mind.

This book analyses the dual alienations of a coastal group rural men, the Murik of Papua New Guinea. David Lipset argues that Murik men engage in a Bakhtinian dialogue: voicing their alienation from both their own, indigenous masculinity, as well as from the postcolonial modernity in which they find themselves adrift. Lipset analyses young men’s elusive expressions of desire in courtship narratives, marijuana discourse, and mobile phone use—in which generational tensions play out together with their disaffection from the state. He also borrows from Lacanian psychoanalysis in discussing how men’s dialogue of dual alienation appears in folk theater, in material substitutions—most notably, in the replacement of outrigger canoes by fiberglass boats—as well as in rising sea-levels, and the looming possibility of resettlement.

The Anthropology of Morality in Melanesia and Beyond examines how Melanesians experience and deal with moral dilemmas and challenges. Taking Kenelm Burridge’s seminal work as their starting point, the contributors focus upon public situations and types of people that exemplify key ethical contradictions for members of moral communities. While returning to some classical concerns, such as the roles of big men and sorcerers, the book opens new territory with richly textured ethnographic studies and theoretical reviews that explore the interface between the values associated with indigenous village life and the ethical orientations associated with Christianity, the state, the marketplace, and other facets of ’modernity'. A major contribution to the emerging field of the anthropology of morality, the volume includes some of the most prominent scholars working in the discipline today, including Bruce Knauft, Joel Robbins, F.G. Bailey, Deborah Gewertz and Frederick Errington.

Annotation. The global interconnections that the twenty-first-century world is experiencing have raised new questions about agency. Some argue that the destabilization of local truths have given rise to new forms of self-understanding that draw on multiple and ungrounded images. These claims must be scrutinized through an examination of agents' everyday negotiations over the meaning of the local and the global, the modern and the traditional. Through an analysis of vignettes from my ethnographic research in two small-scale societies on the edge of global currents, Tonga (South Pacific) and Tuvalu (Central Pacific), I demonstrate that the crafting of the self constitutes a never-ending and always-contested project, in which performance figures prominently as a resource. I propose a research plan for cultural anthropology at the University of Amsterdam that problematizes modernity by focusing, ethnographically and comparatively, on performance as symbolic and material resources for the formation of subjectivity. This title can be previewed in Google Books - http://books.google.com/books?vid=ISBN9789056294885.