"A welcome new talent" Caroline BaumInterior designer Christina Clemente is caught off guard by an intense affair with her charismatic client, Jackson Plummer. He quickly becomes the cure to Christina's loneliness and a surrogate father to her young daughter Bianca. When Jackson suggests moving to a rundown farm in the mountains, Christina soon forgets her initial hesitation and absorbs herself in restoring the rambling century-old house, Bartholemews Run, becoming obsessed with solving its mysterious history. But while living on the isolated farm, her once effervescent child transforms into a quiet sullen teenager and Christina increasingly struggles to connect with her.Because Bianca has a secret. And the monstrous truth threatens to destroy them all.PRAISE FOR THE FENCE"Jaff� does for neighbourly disputes what Liane Moriarty did for schoolyard scandals in big little lies...the fence is guaranteed to resonate" Australian Women's Weekly

"Interior designer Christina Clemente is caught off guard by an intense affair with her charismatic client, Jackson Plummer. He quickly becomes the cure to Christina's loneliness and a surrogate father to her young daughter Bianca. When Jackson suggests moving to a rundown farm in the mountains, Christina soon forgets her initial hesitation and absorbs herself in restoring the rambling century-old house, Bartholemews Run, becoming obsessed with solving its mysterious history. But while living on the isolated farm, her once effervescent child transforms into a quiet sullen teenager and Christina increasingly struggles to connect with her. Because Bianca has a secret. And the monstrous truth threatens to destroy them all."

Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those “monstrous intimacies” and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass’s narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams’s declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the “generational genital fantasies” depicted in Gayl Jones’s novel Corregidora with a firsthand account of such “monstrous intimacies” in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African–born writer Bessie Head’s novel Maru—about race, power, and liberation in Botswana—in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the “Hottentot Venus” in the nineteenth century. Reading Isaac Julien’s film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker’s black silhouettes, and the critiques leveled against both the silhouettes and the artist.

Named a Best Book of Summer by Good Morning America • CNN • Parade • EW • Travel & Leisure • PopSugar • New York Post • BuzzFeed • Brit & Co • SheReads • Women.com A dazzling portrait of a young woman coming into her own, the youthful allure of sex, drugs, and rock and roll, and what we lose—and gain—when we leave home. ONCE IN A LIFETIME, YOU CAN HAVE THE TIME OF YOUR LIFE The small town of Lake Geneva, Wisconsin is an unlikely location for a Playboy Resort, and nineteen-year old Sherri Taylor is an unlikely bunny. Growing up in neighboring East Troy, Sherri plays the organ at the local church and has never felt comfortable in her own skin. But when her parents die in quick succession, she leaves the only home she’s ever known for the chance to be part of a glamorous slice of history. In the winter of 1981, in a costume two sizes too small, her toes pinched by stilettos, Sherri joins the daughters of dairy farmers and factory workers for the defining experience of her life. Living in the “bunny hutch”—Playboy’s version of a college dorm—Sherri gets her education in the joys of sisterhood, the thrill of financial independence, the magic of first love, and the heady effects of sex, drugs, and rock and roll. But as spring gives way to summer, Sherri finds herself caught in a romantic triangle—and the tragedy that ensues will haunt her for the next forty years. From the Midwestern prairie to the California desert, from Wisconsin lakes to the Pacific Ocean, this is a story of what happens when small town life is sprinkled with stardust, and what we lose—and gain—when we leave home. With a heroine to root for and a narrative to get lost in, Christina Clancy's Shoulder Season is a sexy, evocative tale, drenched in longing and desire, that captures a fleeting moment in American history with nostalgia and heart.

STAND TALL. BE LOUD. GAME FACE ON. This pitch perfect graphic memoir about courage and competition, friendship and belonging is perfect for fans of Smile, New Kid, Rollergirl, and Real Friends. "A captivating middle-grade gem." - The New York Times Book Review ★ "Funny, relatable, and genuine." - Kirkus Reviews, starred review ★ "Captures every nuanced emotion." - School Library Journal, starred review ★ "Genuinely nail-biting." - Publishers Weekly, starred review ★ "Cringe-worthy in the best possible way...inspiring and insightful." - Shelf Awareness, starred review "Delightfully expressive...a standout." - Booklist When cheerleading tryouts are announced, Christina and her best friend, Megan, literally jump at the chance to join the squad. As two of the only kids of color in the school, they have always yearned to fit in-and the middle school cheerleaders are popular and accepted by everyone. But will the girls survive the terrifying tryouts, with their whole grade watching? And will their friendship withstand the pressures of competition? Hilarious and highly relatable, The Tryout by two-time Newbery Honoree Christina Soontornvat and shining new talent Joanna Cacao will make you laugh, cry, and cheer!

How did eighteenth-century readers find and make time to read? Books have always posed a problem of time for readers. Becoming widely available in the eighteenth century—when working hours increased and lighter and quicker forms of reading (newspapers, magazines, broadsheets) surged in popularity—the material form of the codex book invited readers to situate themselves creatively in time. Drawing on letters, diaries, reading logs, and a range of eighteenth- and early nineteenth-century novels, Christina Lupton’s Reading and the Making of Time in the Eighteenth Century concretely describes how book-readers of the past carved up, expanded, and anticipated time. Placing canonical works by Elizabeth Inchbald, Henry Fielding, Amelia Opie, and Samuel Richardson alongside those of lesser-known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention and paths of return. In contrast to the digital interfaces of our own moment and the ephemeral newspapers and pamphlets read in the 1700s, books are rarely seen as shaping or keeping modern time. However, as Lupton demonstrates, books are often put down and picked up, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge temporal distances. In showing how discourse itself engages with these material practices, Lupton argues that reading is something to be studied textually as well as historically. Applying modern theorists such as Niklas Luhmann, Bruno Latour, and Bernard Stiegler, Lupton offers a rare phenomenological approach to the study of a concrete historical field. This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.

This sensational biography charts Christina Aguilera’s rise to the top in the face of parental issues, panic attacks, self-harm, and professional betrayals big and small. Initially driven by a compulsion to escape from her father, she took refuge in a private world of music, singing along with her favourite tapes. When she and her mother fled to escape the family home, Christina’s ambitions to sing made her the victim of school bullying, but after a breakthrough stint on TV in Disney’s The New Mickey Mouse Club she finally won a record deal. Rejecting bids to mould her into a bubblegum pop act by suppressing her sexuality and changing her Ecuadorian name, she attracted threats, rumours and criticism from those she alienated. Marriage, motherhood and divorce followed, but through it all she fought on and emerged not only a superstar but also a feisty spokesperson for female empowerment.