The Anglo-Saxon lyre was once used to accompany poetry throughout England. Unfortunately, it faded from favor after the harp gained popularity in the 9th and 10th centuries. Few records were left about its construction and playing techniques. The Lyre Handbook combines information from a variety of sources to help the musician or historian who is new to the lyre. It includes instructions for constructing a basic lyre and two methods of playing are taught with drills and simple songs. This booklet also contains a bibliography that can help you with further research. With this booklet, you can be one of the people rediscovering the lyre.

Ten years have passed since the events of the Demon Child books that left the god Xaphista dead, the nation Karien without a religion or king and the matriarchal country of Medalon ruled by men. But it is in the kingdoms of the south that things really heat up. When Princess Rakaia of Fardohnya discovers she is not of royal birth, she agrees to marry a much older Hythrun noble in a chance to escape her 'father's wrath. Rakaia takes nothing but her jewels and her base-born half-sister, Charisee, who has been her slave, handmaiden and best friend since she was six years old. And who can pass as Rakaia's double. These two sisters embark on a Shakespearean tale of switched identities, complicated love triangles...and meddlesome gods. Rakaia is rescued on the road by none other than the Demon Child, R'shiel, still searching for a way to force Death to release her near immortal Brak. Charisee tries to act like the princess she was never meant to be and manages to draw the attention of the God of Liars who applauds her deception and only wants to help. Then there is the little matter of the God of Music's magical totem that has been stolen...and how this theft may undo the universe. Powerful magics, byzantine politics, sweeping adventure, and a couple of juicy love stories thrown in for good measure, The Lyre Thief is classic Fallon that is sure to appeal to her fans.

Ancient Greek music and music theory has fascinated scholars for centuries not only because of its intrinsic interest as a part of ancient Greek culture but also because the Greeks? grand concept of music has continued to stimulate musical imaginations to the present day. Unlike earlier treatments of the subject, Apollo?s Lyre is aimedøprincipally at the reader interested in the musical typologies, the musical instruments, and especially the historical development of music theory and its transmission through the Middle Ages. The basic method and scope of the study are set out in a preliminary chapter, followed by two chapters concentrating on the role of music in Greek society, musical typology, organology, and performance practice. The next chapters are devoted to the music theory itself, as it developed in three stages: in the treatises of Aristoxenus and the Sectio canonis; during the period of revival in the second century C.E.; and in late antiquity. Each theorist and treatise is considered separately but always within the context of the emerging traditions. The theory provides a remarkably complete and coherent system for explaining and analyzing musical phenomena, and a great deal of its conceptual framework, as well as much of its terminology, was borrowed and adapted by medieval Latin, Byzantine, and Arabic music theorists, a legacy reviewed in the final chapter. Transcriptions and analyses of some of the more complete pieces of Greek music preserved on papyrus or stone, or in manuscript, are integrated with a consideration of the musicopoetic types themselves. The book concludes with a comprehensive bibliography for the field, updating and expanding the author?s earlier Bibliography of Sources for the Study of Ancient Greek Music.

Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets—the latter appearing together in one volume for the first time. Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including "new" Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers. Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.

No ancient culture has left us more tantalizing glimpses of its music than that of the Greeks, whose art and literature continually speak to us of the role of music, its power, and its significance to their society. In this book two scholars--one of music and one of classics--join together to explore the musical life of ancient Greece, focusing on the Greek stringed instruments and, in particular, on the all-important lyre family. Book jacket.

The first comprehensive study of the dominant form of solo singing in Renaissance Italy prior to the mid-sixteenth century.

Octavio Paz presents his sustained reflections on the poetic phenomenon and on the place of poetry in history and in our personal lives.