Abandoned by his wife, a man tries to protect his family during the Great Depression, in this “powerful” novel by the bestselling author of Songs in Ordinary Time (Publishers Weekly). During the Great Depression, rural Vermont suffers along with the rest of the country, and Henry Talcott, with only occasional work as a butcher, is reduced to moving into a tent on the edge of Black Pond with his two children. Their beautiful but unreliable mother has left them, and Henry is devastated by her desertion. He hasn’t told Thomas or Margaret why she left—or if she will return. Told from twelve-year-old Thomas’s perspective, The Lost Mother follows this shattered family as a wealthy neighbor begins to woo the children as companions for her strange, housebound son, and Henry weighs an unexpected proposition, the consequences of which may cost him everything. “A perfectly lovely story about perfectly awful things” by the New York Times–bestselling and National Book Award–nominated author of A Dangerous Woman and Light from a Distant Star, The Lost Mother is “the quietest, subtlest novel that has ever kept [its readers] up into the small hours of the night, unable to look away” (The Washington Post).

She looked at the empty cradle where her baby had been. Her heart felt tattered and empty, like the hollow streets of Berlin after its people began to live in fear. Berlin, 1934. Homes once filled with laughter stand empty as the Nazi party's grip on the city tightens. When Anna Tiegel's beautiful best friend catches Reich Minister Goebbels' special attention, an impulsive act to save her brings Anna under his unforgiving scrutiny. First, she loses her job, then slowly, mercilessly, she finds her life stripped away. After her father is killed by the Nazis, Anna's final hope is to escape to America with her boyfriend Eddy, but when she reaches his apartment on the agreed date, she finds it deserted. Alone and pregnant, the future feels terrifying, but she must try to protect the life inside her. Rhode Island, 1957. Peggy Bailey stares in shock at the faded photograph of two laughing women which her beloved adoptive mother struggled to pass on to her before she died, whispering 'It was inside your baby blanket when we brought you home'. As Peggy continues to stare, she realises that she has seen one of the girls before, in the most unlikely of places... Bursting at the realisation, she embarks on a mission which takes her across America to find the truth behind her heritage. Nothing, however, could prepare her for the tragic story her actions uncover... A poignant and beautiful World War Two story about survival and a mother's enduring search for her child against all the odds. A heart-breaking read for fans of The Tattooist of Auschwitz, We Were the Lucky Ones and The Alice Network. What readers are saying about Catherine Hokin: ⭐⭐⭐⭐⭐ 'The best historical fiction book I've read this year! I was awake until the early morning hours finishing it, because I could not put it down! The story was heartbreaking... It held me riveted from the first page to the last.' Goodreads reviewer

My mother had just turned ten in mid-1933 when a young woman approached her as they were both leaving Mass at St Joan of Arc's in Brighton...The woman was an artist and she would like to paint her portrait... After her mother's death in 2005, Anne Summers inherits a portrait of her mother as a child. Mesmerised by this image, she finds herself drawn into the story of how the portrait was painted and eventually found its way into her family. She soon learns the artist painted another portrait of her mother; this time as the Madonna. In a gripping narrative that is part art history, part detective story and part meditation on the relations between mothers and daughters, Anne's search for the Madonna painting and the mysterious Russian migr collector who bought both paintings takes her down unexpected paths. Her search soon turns into a parallel quest to rescue Constance Stokes, the artist, from obscurity, and to learn why the collector suddenly abandoned the paintings. Along the way Anne finds she must face the truth of the relationship she had with her mother. In turn hypnotic and moving, The Lost Mother is a powerful exploration of art, loss and love.

Every loss mama deserves to be reminded she is the mother of all mothers.

New York Times Bestseller The heartbreaking true story of an Irishwoman and the secret she kept for 50 years When she became pregnant as a teenager in Ireland in 1952, Philomena Lee was sent to a convent to be looked after as a “fallen woman.” Then the nuns took her baby from her and sold him, like thousands of others, to America for adoption. Fifty years later, Philomena decided to find him. Meanwhile, on the other side of the Atlantic, Philomena’s son was trying to find her. Renamed Michael Hess, he had become a leading lawyer in the first Bush administration, and he struggled to hide secrets that would jeopardize his career in the Republican Party and endanger his quest to find his mother. A gripping exposé told with novelistic intrigue, Philomena pulls back the curtain on the role of the Catholic Church in forced adoptions and on the love between a mother and son who endured a lifelong separation.

An insatiable need for sex and love. Periods of overeating or starving. A pattern of unstable and painful relationships. Does this sound painfully familiar? Trauma counselor Kelly McDaniel has seen these traits over and over in clients who feel trapped in cycles of harmful behaviors-and are unable to stop. Many of us find ourselves stuck in unhealthy habits simply because we don't see a better way. With Mother Hunger, McDaniel helps women break the cycle of destructive behavior by taking a fresh look at childhood trauma and its lasting impact. In doing so, she destigmatizes the shame that comes with being under-mothered and misdiagnosed. McDaniel offers a healing path with powerful tools that include therapeutic interventions and lifestyle changes in service to healthy relationships. The constant search for mother love can be a lifelong emotional burden, but healing begins with knowing and naming what we are missing. McDaniel is the first clinician to identify Mother Hunger, which demystifies the search for love and provides the compass that each woman needs to end the struggle with achy, lonely emptiness, and come home to herself.

Willie has lost his mother in the department store. Where will he find her?