Yogesh's poems are Jazz! The poems in The Rapids express the living movement of thoughts rushing between rocky outcrop of words. This is also a secret of Yogesh's new poetic form. He cracks his poems open in the knowledge that they will cohere somewhere in the mind of the reader. He does so in the knowledge that this will let in air and light, and the scared water of the Wandle. - Philip Richard Hall What falls to pieces does not need to disseminate into darkness or pandemonium. Like harnessed rapids, as in an exhilarating ride, coherence can emerge. Meaningful living can be assimilated from it. Past coexists with our present. So, the allusions to mythological characters and folklore help extend the meaning and become participants. They do not just dress up our reality; they allow us to connect to our heritage. These intricate poems take this aboard and explore the loss of someone or love, displacements, a crisis of identity, belonging, breakups, and social and political engagement. Dabbed in ruffled sadness, but bridging through reasoning, they negotiate a passage to the emotional sanctuary.

The inherent 'metropolitanism' of writing for a Romantic-era periodical is here explored through the Elia articles that Charles Lamb wrote for the London Magazine.

Sudeep Sen's Fractals includes a wide swath of his poetry, from 1980 to the present, as well as a representative collection of his translations into English of other poets writing in Bengali, Hindu, Urdu and other languages. Sen's poems are both vivid observations and insightful meditations, often ekphrastic in that they are inspired by other art forms -- from modern European painters to classical Indian dancers. Narratives generally underlie his poems, giving us stories from around the world, past and present, from the grit of war to the mysteries of mythology.

While many books, films and documentaries claim to have captured the phenomenon that was Swinging London, just one magazine was present in the capital during the 1960s to illustrate this extraordinary moment as it unravelled. London Life emerged in October 1965 and, over the next fifteen months, would document the capital's action at its absolute zenith. With imagery from the likes of David Bailey, Duffy and Terence Donovan, designs from Peter Blake, David Hockney, Gerald Scarfe and fledgling artist Ian Dury plus words and opinions from those riding high on the city`s cutting-edge, London Life remains the coolest document from the capital's most exciting period. Collected for the first time, including forewords from Peter Blake and David Puttnam and a scene-setting introduction from Simon Wells, London Life offers a remarkable and candid view on a period when London was the creative hub of the world.

WINNER OF THE FORWARD PRIZE FOR BEST FIRST COLLECTION Chosen as a Book of the Year by New Statesman, Financial Times, Guardian, Observer, Rough Trade and the BBC Shortlisted for the Rathbones Folio Prize Longlisted for the Jhalak Prize 'Restlessly inventive, brutally graceful, startlingly beautiful ... a landmark debut' Guardian 'Oh my God, he's just stirring me. Destroying me' Michaela Coel 'A poet of truth and rage, heartbreak and joy' Max Porter 'Takes us into new literary territory ... impressive' Bernardine Evaristo, New Statesman (Books of the Year) 'It's simply stunning. Every image is a revelation' Terrance Hayes What is it like to grow up in a place where the same police officer who told your primary school class they were special stops and searches you at 13 because 'you fit the description of a man' - and where it is possible to walk two and a half miles through an estate of 1,444 homes without ever touching the ground? In Poor, Caleb Femi combines poetry and original photography to explore the trials, tribulations, dreams and joys of young Black boys in twenty-first century Peckham. He contemplates the ways in which they are informed by the built environment of concrete walls and gentrifying neighbourhoods that form their stage, writes a coded, near-mythical history of the personalities and sagas of his South London youth, and pays tribute to the rappers and artists who spoke to their lives. Above all, this is a tribute to the world that shaped a poet, and to the people forging difficult lives and finding magic within it. As Femi writes in one of the final poems of this book: 'I have never loved anything the way I love the endz.'