A revised, updated edition of Jean Franco's "Introduction to Spanish-American Literature", first published in 1969.

The Poetics of Plants in Spanish American Literature examines the defining role of plants in cultural expression across Latin America, particularly in literature. From the colonial georgic to Pablo Neruda’s Canto general, Lesley Wylie’s close study of botanical imagery demonstrates the fundamental role of the natural world and the relationship between people and plants in the region. Plants are also central to literary forms originating in the Americas, such as the New World Baroque, described by Alejo Carpentier as “nacido de árboles.” The book establishes how vegetal imaginaries are key to Spanish American attempts to renovate European forms and traditions as well as to the reconfiguration of the relationship between humans and nonhumans. Such a reconfiguration, which persistently draws on indigenous animist ontologies to blur the boundaries between people and plants, anticipates much contemporary ecological thinking about our responsibility towards nonhuman nature and shows how environmental thinking by way of plants has a long history in Latin American literature.

With a focus both historical and literary, Enrique Anderson-Imbert surveys the literature of Hispanic America. His study is not merely an historical synthesis of names, titles, and dates; it is, rather, a critical analytical appraisal of the verse, prose, and drama written in Spanish in the Americas in the contemporary period.

Havard terms the discourse emerging from these reflections "Hispanicism." This discourse was used to portray the dominant viewpoint of classical liberalism that propounded an American exceptionalism premised on the idea that Hispanophone peoples were comparatively lacking the capacity for self-determination, hence rationalizing imperialism. On the conservative side were warnings against progress through conquest. Havard delves into selected works of early national and antebellum literature on Spain and Spanish America to illuminate US national identity. Poetry and novels by Joel Barlow, James Fenimore Cooper, and Herman Melville are mined to further his arguments regarding identity, liberalism, and conservatism. Understudied authors Mary Peabody Mann and José Antonio Saco are held up to contrast American and Cuban views on Hispanicism and Cuban annexation as well as to develop the focus on nationality and ideology via differences in views on liberalism.

During the period from 1808 to 1826, the Spanish empire was convulsed by wars throughout its dominions in Iberia and the Americas. The conflicts began in Spain, where Napoleon’s invasion triggered a war of national resistance. The collapse of the Spanish monarchy provoked challenges to the colonial regime in virtually all of Spain's American provinces, and colonial demands for autonomy and independence led to political turbulence and violent confrontation on a transcontinental scale. During the two decades after 1808, Spanish America witnessed warfare on a scale not seen since the conquests three centuries earlier. War and Independence in Spanish America provides a unified account of war in Spanish America during the period after the collapse of the Spanish government in 1808. McFarlane traces the courses and consequences of war, combining a broad narrative of the development and distribution of armed conflict with analysis of its characteristics and patterns. He maps the main arenas of war, traces the major campaigns by and crucial battles between rebels and royalists, and places the military conflicts in the context of international political change. Readers will come away with a fully realized understanding of how war and military mobilization affected Spanish American societies and shaped the emerging independent states.