Focusing on the famous Medieval commentator Nicolas of Lyra and the anonymous Middle English biblical adaptation of the Gospel of John, the Cursor Mundi, this book examines the development of the analytical tools of biblical literary criticism showing how late Medieval commentators negotiated the paradoxical interdependence of the literal and spiritual senses, as transmitted by traditional and inherited vocabularies, through a focus on narrative structure. Mark Hazard combines an enlightening account of the actual practice of professional commentators, the history of Gospel interpretation and cultural history to reveal that remarkable shift in the treatment of the Bible that modern scholars would regard as having laid the groundwork for the historical-critical methods in biblical research. As such this book sheds light not only on the 14th century practice of biblical interpretation, but will also be of value to those currenlty engaged in reading and writing about the bible.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

A new history of the origins of the English Bible, revealing the complex continuities between Latin commentaries and English translations.

"Calvin, the Bible, and History investigates John Calvin's distinctive historicizing approach to scripture. The book explores how historical consciousness manifests itself in Calvin's engagement with the Bible, sometimes leading him to unusual, unprecedented, and occasionally deeply controversial exegetical conclusions. It reshapes the image of Calvin as a biblical interpreter by situating his approach within the context of premodern Christian biblical interpretation, recent Protestant hermeneutical trends, and early modern views of history. In an introductory overview of Calvin's method and seven chapters focusing on his interpretation of a different biblical books or authors, Barbara Pitkin analyzes his engagement with scripture from the Pentateuch to his reception of the apostle Paul. Each chapter examines intellectual or cultural contexts, situating Calvin's readings within traditional and contemporary exegesis, broader cultural trends, or historical developments, and explores the theme of historical consciousness from a different angle, focusing, for example, on Calvin's historicizing treatment of Old Testament prophecy, or his reflection of contemporary historiographical trends, or his efforts to relate the biblical past to present historical conditions. An epilogue explores the significance of these findings for understanding Calvin's concept of history. Collectively these linked case studies illustrate the multi-faceted character and expansive impact of his sense of history on his reading of the Bible. They demonstrate that Calvin's biblical exegesis must be seen in the context of the rising enthusiasm for defining adequate and more formalized approaches to the past that is evident in the writings of Renaissance humanists, early modern historical theorists, and religious reformers across the confessional spectrum"--

Vernacular writers of late medieval England were engaged in global conversations about orthodoxy and heresy. Entering these conversations with a developing vernacular required lexical innovation. The Language of Heresy in Late Medieval English Literature examines the way in which these writers complemented seemingly straightforward terms, like heretic, with a range of synonyms that complicated the definitions of both those words and orthodoxy itself. This text proposes four specific terms that become collated with heretic in the parlance of medieval English writers of the 14th and 15th centuries: jangler, Jew, Saracen, and witch. These four labels are especially important insofar as they represent the way in which medieval Christianity appropriated and subverted marginalized or vulnerable identities to promote a false image of unassailable authority.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Pestilence in Medieval and Early Modern English Literature examines three diseases--leprosy, bubonic plague, and syphilis--to show how doctors, priests, and literary authors from the Middle Ages through the Renaissance interpreted certain illnesses through a moral filter. Lacking knowledge about the transmission of contagious diseases, doctors and priests saw epidemic diseases as a punishment sent by God for human transgression. Accordingly, their job was to properly read sickness in relation to the sin. By examining different readings of specific illnesses, this book shows how the social construction of epidemic diseases formed a kind of narrative wherein man attempts to take the control of the disease out of God's hands by connecting epidemic diseases to the sins of carnality.