... poems, gathered from all peoples and traditions, that blaze, inspire, and bring forth light.

This second collection of John Updike's poetry is equally divided between poems that, in their verbal jugglery and humorous bias, seem to qualify as “light” and poems that, one way or other, cross the problematic border into the general realm of poetry. The distinction cannot be clear-cut. The poet is consistently concerned with Man’s cosmic embarrassment, and the same vision illuminates the creatures of “The High Hearts” and “Seagulls.” Science and religion, so frequently and variously invoked, frame a single paradox, the paradox of the mundane; and each poem, whether inspired by an antic headline or a suburban landscape, rejoices in the elusive surface of created things. When The Carpentered Hen, John Updike’s first collection of verse, was published, Phyllis McGinley wrote: “I have been happily reading Mr. Updike in The New Yorker for some time and am happy, now, to own him collected. When he first appeared in that magazine, I was so elated to see a new name in light verse that I felt like crying with the Ancient Mariner ‘A Sail, A Sail!’ His is what poetry of this sort exactly out to be—playful but elegant, sharp-eyed, witty.” In the Saturday Review, David McCord wrote: “Furthermore, he is a graceful border-crosser (light verse to poem) as Auden has been; as Betjeman and McGinley frequently are.”

The collected works of one of contemporary poetry’s most original voices Gathered together, the poems of Frank Bidart perform one of the most remarkable transmutations of the body into language in contemporary literature. His pages represent the human voice in all its extreme registers, whether it’s that of the child-murderer Herbert White, the obsessive anorexic Ellen West, the tormented genius Vaslav Nijinsky, or the poet’s own. And in that embodiment is a transgressive empathy, one that recognizes our wild appetites, the monsters, the misfits, the misunderstood among us and inside us. Few writers have so willingly ventured to the dark places of the human psyche and allowed themselves to be stripped bare on the page with such candor and vulnerability. Over the past half century, Bidart has done nothing less than invent a poetics commensurate with the chaos and appetites of our experience. Half-light encompasses all of Bidart’s previous books, and also includes a new collection, Thirst, in which the poet austerely surveys his life, laying it plain for us before venturing into something new and unknown. Here Bidart finds himself a “Creature coterminous with thirst,” still longing, still searching in himself, one of the “queers of the universe.” Visionary and revelatory, intimate and unguarded, Bidart’s Half-light: Collected Poems 1965-2017 are a radical confrontation with human nature, a conflict eternally renewed and reframed, restless line by restless line.

Ms. McDaniel's first book of poetry- reflects the wide range of human emotions: love and loss in all its manifestations, redemption and discovery, ultimate joy and the depths of introspection. The reader is invited behind closed doors to witness the passions and the gut-wrenching spirit of that which is a personal and protected space. Ms. McDaniel's poems weave a rich tapestry, clear and eloquent, of life in all its wonder and challenge. Photographs and background stories make this an even more intimate journey as the voice of the poet emerges from conflict and struggle stronger than ever. Many of the pieces, while profoundly moving to any reader, are particularly empowering to women. Her poems strike the heart and reach into the soul, charting a unique new path into contemporary poetry. THE LIGHT leaves us touched by the mastery of the words and the emotions they invoke.

A gorgeous selection of the humane and moving poetry of David Young, a celebrated poet of the midwestern landscape and the people who live in it, with an expanded section featuring sixteen new poems exclusive to the paperback edition. A newly expanded career-spanning volume from one of our most valuable living American poets, offering poems that display an exquisite ear tuned to the natural world, to love and friendship, and to the continually renewable possibilities of language, and new poems that reflect a continued artistic interest in these subjects. Young’s settings are at once local and universal—an adolescence in Omaha, late summer on Lake Erie, a sleepless night in the backyard during a meteor shower. He moves with dazzling ease between culture and nature, between the literary and the philosophical, microcosm and macrocosm. Here are poems on Osip Mandelstam and Chairman Mao, the meaning of boxcars on the track, the beautiful names of the months, and a fox at the field’s edge, charged in each case by Young’s fierce intelligence and candor in the face of grief and loss. “We float through space. Days pass,” Young writes in “The Portable Earth-Lamp.” “Sometimes we know we are part of a crystal / where light is sorted and stored.” His metaphysical reach, balancing remarkable humility with penetrating vision, is one of the great gifts of this exemplary career in poetry.

Treasury of verse by the great Victorian poet includes the famous long narrative poem, Enoch Arden, plus "The Lady of Shalott," "The Charge of the Light Brigade," "Break, break, break," "Flower in the crannied Wall" and more. Also included are excerpts from three longer works: The Princess, "Maud" and "The Brook."

Winner of the Herder Prize, Nichita Stanescu was one of Romania’s most celebrated contemporary poets. This dazzling collection of poems – the most extensive collection of his work to date – reveals a world in which heavenly and mysterious forces converse with the everyday and earthbound, where love and a quest for truth are central, and urgent questions flow. His startling images stretch the boundaries of thought. His poems, at once surreal and corporeal, lead us into new metaphysical and linguistic terrain.