A fascinating glimpse into the beginning and development of gay- and lesbian-themed films, from Maedchen in Uniform in 1931 to such current films as Philadelphia and Wilde, provides reviews and evaluations, and details the director's attitude toward public response and criticism. Original.

A new edition of a classic work of history, revealing the anti-homosexual purges of midcentury Washington. In The Lavender Scare, David K. Johnson tells the frightening story of how, during the Cold War, homosexuals were considered as dangerous a threat to national security as Communists. Charges that the Roosevelt and Truman administrations were havens for homosexuals proved a potent political weapon, sparking a “Lavender Scare” more vehement and long-lasting than Joseph McCarthy’s Red Scare. Drawing on declassified documents, years of research in the records of the National Archives and the FBI, and interviews with former civil servants, Johnson recreates the vibrant gay subculture that flourished in midcentury Washington and takes us inside the security interrogation rooms where anti-homosexual purges ruined the lives and careers of thousands of Americans. This enlarged edition of Johnson’s classic work of history—the winner of numerous awards and the basis for an acclaimed documentary broadcast on PBS—features a new epilogue, bringing the still-relevant story into the twenty-first century.

Despite the backlash against lesbian and gay rights occurring in cities and states across the country, a growing number of corporations are actually expanding protections and benefits for their gay and lesbian employees. Why this should be, and why some corporations are increasingly open to inclusive policies while others are determinedly not, is what Nicole C. Raeburn seeks to explain in Changing Corporate America from Inside Out. A long-overdue study of the workplace movement, Raeburn's analysis focuses on the mobilization of lesbian, gay, and bisexual employee networks over the past fifteen years to win domestic partner benefits in Fortune 1000 companies. Drawing on surveys of nearly one hundred corporations with and without gay networks, intensive interviews with human resources executives and gay employee activists, as well as a number of case studies, Raeburn reveals the impact of the larger social and political environment on corporations' openness to gay-inclusive policies, the effects of industry and corporate characteristics on companies' willingness to adopt such policies, and what strategies have been most effective in transforming corporate policies and practices to support equitable benefits for all workers. Nicole C. Raeburn is assistant professor and chair of sociology at the University of San Francisco.

Attending a controversial literary mystery night class taught by a professor who has been convicted of murder, Alex Shipley unravels an elaborate literary hoax that acquits the teacher, only for her to be targeted years later by a determined killer.

When Matt Collins turned 15, he thought he could start college in the fall and forget about his summer sojourn in an alternate world of magic. From Matt's bizarre behavior, Aunt Lois thought Matt was taking drugs. The Wizard Alaric thought Matt was safe from the wizardry of his wicked—but not quite evil—brother Crius. Lady-in-waiting Kaylyn thought she would never see Matt again. Princess Illeana thought her future was roses and marriage to Sir Michael. Alaric's apprentice Basil thought he would never learn to do magic. They were all wrong. Tunnel at the End of the Dark is the second novel in the Possible Magic Series, a backwards coming-of-age story. The first novel is The Princess, the Knight and the Knave. Cover design by Pat R. Steiner.

The earth trembled beneath Ruth's feet for a moment, then, all at once, she understood. The light in the attic window, the marked paragraph in the paper, and the death notices—why, yes, the Charles Winfield who had married Abigail Weatherby was Miss Ainslie's lover, and Carl was his son. “He went away!” Miss Ainslie's voice came again to Ruth, when she told her story, with no hint of her lover's name. He went away, and soon afterward, married Abigail Weatherby, but why? Was it love at first sight, or did he believe that his sweetheart was dead? Then Carl was born and the mother died. Twelve years afterward, he followed her—broken hearted. Carl had told her that his father could not bear the smell of lavender nor the sight of any shade of purple—and Miss Ainslie always wore lavender and lived in the scent of it—had he come to shrink from it through remorse...FROM THE BOOKS.