Lord Peter and Harriet return to the scene of their literate courtship to resolve an Oxford University dispute that is complicated by the disappearance of several prominent Fellows.

The test of a true scholar is immeasurable. Molded by early mornings, late nights, countless study sessions, a strong conscience, and pure ambition, there's a reason why scholars' names shine from the pages of history books. Michael A. Woodward, Jr.'s Forever A Scholar pushes readers to find the scholar inside themselves. Line by line, this book builds up the courage and patience that young scholars need to take on life's big challenges, while reminding them that a scholar's ultimate reward is not setting themselves apart but bringing people together to inspire the masses.

Peter Wimsey is pleased to discover that along with a Dukedom he has inherited the duties of 'visitor' at an Oxford college. When the fellows appeal to him to resolve a dispute, he and Harriet set off happily to spend some time in Oxford. But the dispute turns out to be embittered. The voting is evenly balanced between two passionate parties - evenly balanced, that is, until several of the fellows unexpectedly die. The Warden has a casting vote, but the Warden has disappeared. And the causes of death of the deceased fellows bear an uncanny resemblance to the murder methods in Peter's past cases - methods that Harriet has used in her published novels.

From a Caldecott Honor-winning artist comes a cozy classic-in-the-making about finding your friends and sticking together through thick and thin. "Our Friend Hedgehog feels like a modern-day Winnie the Pooh. It's so warm and full of joy and love. It's got classic written all over it." --Victoria Jamieson, Newbery Honor-winning author of Roller Girl Sometimes you make a friend, and it feels like you have known that friend your entire life. . . . Hedgehog lives on a teeny-tiny island with only her stuffed dog, Mutty, for company. When a great storm carries Mutty away, she embarks on a quest to find her friend. Following the trail of clues Mutty left behind, brave Hedgehog meets a wiggly Mole, a wordy Owl, a curmudgeonly Beaver, a scatterbrained Hen and Chicks, and a girl who's new to the neighborhood, Annika May. With bravery and teamwork, there's nothing that can stop these seven from finding Mutty, but along the way they discover something even more important: each other. The first book in a new series from Caldecott Honor winner Lauren Castillo, Our Friend Hedgehog: The Story of Us has the feel of a timeless classic, introducing an unforgettable cast of characters who will star in many more adventures to come.

"..."The Stick Chair Book" is divided into three sections. The first section, "Thinking About Chairs," introduces you to the world of common stick chairs, plus the tools and wood to build them. The second section - "Chairmaking Techniques" - covers every process involved in making a chair, from cutting stout legs, to making curved arms with straight wood, to carving the seat. Plus, you'll get a taste for the wide variety of shapes you can use. The chapter on seats shows you how to lay out 14 different seat shapes. The chapter on legs has 16 common forms that can be made with only a couple handplanes. Add those to the 11 different arm shapes, six arm-joinery options, 14 shapes for hands, seven stretcher shapes and 11 combs, and you could make stick chairs your entire life without ever making the same one twice. The final section offers detailed plans for five stick chairs, from a basic Irish armchair to a dramatic Scottish comb-back. These five chair designs are a great jumping-off point for making stick chairs of your own design. Additional chapters in the book cover chair comfort, finishing and sharpening the tools. From the author: "When I first wrote 'The Stick Chair Book' in 2021, I was also fighting cancer. So I hammered out the text with urgency and the desire to record every fragment of information I knew about chairmaking. "To be fair, that's usually how I go about writing all my books. But then I typically take a couple months off, put the manuscript aside, then revisit it with fresh eyes and a sharpened pen. My final revisions remove about 10-20 percent of the original material. The stuff I cut is usually chapters that don't match the tone of the rest of the text. Or I snip sections that aren't as relevant as when I first wrote them. I also smooth out the writing and add bits of information I'd forgotten during the first brain-to-fingers dump. "And that's exactly what I've done for this revised edition. As a result, the text is 10.1 percent shorter than the first edition. It's more to the point. And it's where the manuscript would have ended up under normal conditions..."--Publisher's website.