The second volume in The Last Roman trilogy, set in the final years of the Roman Empire Sixth-century Constantinople: Flavius Belisarius is barely eighteen and already commander of the cavalry patrolling the Persian frontier. A brilliant soldier but a poor schemer, Flavius needs to be both in order to survive the febrile politics of the Eastern Roman Empire. When his friend Petrus Sabbatius uses trickery to elevate himself to the position of co-emperor, Flavius finds himself embroiled in an explosive venture of machinations and warfare. As the valiant leader sets out to reconquer the Western Empire from the hands of the Vandals and Ostrogoths, Flavius is unaware that his wife, joining him on the campaign, has been secretly charged to spy on him. The brave general must battle against the deadly Sassanids and protect the co-emperor from his own subjects – who are out for blood.

J. E. Lendon offers a new interpretation of how the Roman empire worked in the first four centuries AD. A despotism rooted in force and fear enjoyed widespread support among the ruling classes of the provinces on the basis of an aristocratic culture of honour shard by rulers and ruled. The competitive Roman and Greek aristocrats of the empire conceived of their relative standing in terms of public esteem or honour, and conceived of their cities - toward which they felt a warm patriotism - as entities locked in a parallel struggle for primacy in honour over rivals. Emperors and provincial governors exploited these rivalries to gain the indispensable co-operation of local magnates by granting honours to individuals and their cities. Since rulers strove for honour as well, their subjects manipulated them with honours in their turn. Honour - whose workings are also traced in the Roman army - served as a way of talking and thinking about Roman government: it was both a species of power, and a way - connived in by rulers and ruled - of concealing the terrible realities of imperial rule. -- Book Cover

This book is an attempt to coax Roman history closer to the bone, to the breath and matter of the living being. Drawing from a remarkable array of ancient and modern sources, Carlin Barton offers the most complex understanding to date of the emotional and spiritual life of the ancient Romans. Her provocative and original inquiry focuses on the sentiments of honor that shaped the Romans' sense of themselves and their society. Speaking directly to the concerns and curiosities of the contemporary reader, Barton brings Roman society to life, elucidating the complex relation between the inner life of its citizens and its social fabric. Though thoroughly grounded in the ancient writings—especially the work of Seneca, Cicero, and Livy—this book also draws from contemporary theories of the self and social theory to deepen our understanding of ancient Rome. Barton explores the relation between inner desires and social behavior through an evocative analysis of the operation, in Roman society, of contests and ordeals, acts of supplication and confession, and the sense of shame. As she fleshes out Roman physical and psychological life, she particularly sheds new light on the consequential transition from republic to empire as a watershed of Roman social relations. Barton's ability to build productively on both old and new scholarship on Roman history, society, and culture and her imaginative use of a wide range of work in such fields as anthropology, sociology, psychology, modern history, and popular culture will make this book appealing for readers interested in many subjects. This beautifully written work not only generates insight into Roman history, but also uses that insight to bring us to a new understanding of ourselves, our modern codes of honor, and why it is that we think and act the way we do.

Sixth century Byzantium. The Emperor Justinian is determined to reunite the whole of the Roman Empire and his best general, Flavius Belisarius, is poised to invade Italy. Flavius and his men march north unopposed until the local senators of Naples refuse to surrender and a bloody assault ensues. Rome, hearing of the fate of Naples, yields the city to Flavius, but before long the Goths arrive and stage a brutal attack which Flavius’s army only just survives. Besieged and mired in a cesspit of corruption, Byzantium’s greatest general must navigate a world rife with deceit and brutality where only the most cut-throat survive.

History and adventure, brutality and courage combine to powerful effect, making Warrior of Byzantine an outstanding opening to The Last Roman trilogy following the career of Flavius Belisaurius, the general who re-conquered the old imperial provinces of the west.

A stunning novel of courage, camaraderie and deadly enemies from the Sunday Times bestselling author of Centurion and The Emperor's Exile. AD 59. BRITANNIA. TENSION IS SIMMERING. DANGER LIES ROUND EVERY CORNER FOR ROME'S BRAVE SOLDIERS ... Fifteen years after Rome's invasion of Britannia, centurion Marco is back. The island is settled now, bustling with commerce. Macro's goal is to help run his mother's Londinium inn, and exploit his land grant. He's prepared for the dismal weather and the barbaric ways of the people. But far worse dangers threaten all his plans. A gang led by an ex-legionary rules the city, demanding protection money and terrorising those who won't pay up. The Roman official in charge has turned a blind eye. Macro has to act. He needs the back-up of the finest soldier he knows: Prefect Cato. But Cato is in distant Rome. Or is he? As the streets run red with blood, the army's heroes face an enemy as merciless and cunning as any barbarian tribe. The honour of Rome is in their hands ... For readers of Bernard Cornwell, Conn Iggulden and Ben Kane - unputdownable fiction from an author who knows the Roman world like no other. IF YOU DON'T KNOW SIMON SCARROW, YOU DON'T KNOW ROME Praise for the Eagles of the Empire novels: 'Scarrow's novels rank with the best' Independent 'Blood, gore, political intrigue' Daily Sport 'Always a joy' The Times (P) 2021 Headline Publishing Group Limited

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”