In 1971, a skyjacker with a briefcase bomb demanded a $200,000 ransom and a parachute. Then he vanished out the jet's back door and became an instant legend. Now a determined citizen sleuth has assembled a forty-member cold case team, spearheaded by former FBI agents, to solve the mystery of D. B. Cooper. And after a five-year quest, they believe they have succeeded--with a fugitive at trail's end. The team's relentless investigation and final confrontation with the mystery man serve as the bookends in The Last Master Outlaw. The subject's astonishing life story as a daredevil fills the remaining chapters, the bulk of which comes from the heartwarming, gut-wrenching accounts of six of his women--two former wives; his only sister; a befriended college coed; a "getaway gal" he met up with during two more FBI escapes, both again involving planes; and a Hollywood producer who was also his cocaine-trade partner. Buckle your seatbelts as this Jekyll-and-Hyde ladies' man travels through five countries, utilizing more than a dozen identities, wigs, and fake mustaches while engaging in a half-dozen careers and raising three families. Then be a witness as the cornered chameleon is forced to face the truth in front of the cameras of a dogged cold case team, which was armed and ready for any eventuality.

The mysterious is all around us... UFOs, extraterrestrial encounters, baffling disappearances-Mysteries Uncovered investigates, without prejudice, some of the most notorious, disturbing, and enduring mysteries ever recorded. - UFO activity: the Roswell Incident, the Phoenix Lights, the Rendlesham Incident... - Alien abduction: the Barney and Betty Hill case... - Uncanny events: the missing crew of the Marie Celeste, the lost colony of Roanoke, the fate of Amelia Earhart... - Notorious disappearances: the cases of Lord Lucan and "D.B. Cooper"... For every instance rationalized away, there is another that defies explanation...

"On November 24, 1971, a man boarded a passenger plane in Portland, Oregon. Later, he would become known as D. B. Cooper. But that wasn't his real name, and he was no ordinary passenger. He hijacked the plane, demanded $200,000, and parachuted out of the plane with the money. He was never seen again. Who was D. B. Cooper, and what happened to him? Explore the theories behind this crime and why it has become one of history's greatest mysteries"--

In Food and Feast in Premodern Outlaw Tales editors Melissa Ridley Elmes and Kristin Bovaird-Abbo gather eleven original studies examining scenes of food and feasting in premodern outlaw texts ranging from the tenth through the seventeenth centuries and forward to their cinematic adaptations. Along with fresh insights into the popular Robin Hood legend, these essays investigate the intersections of outlawry, food studies, and feasting in Old English, Middle English, and French outlaw narratives, Anglo-Scottish border ballads, early modern ballads and dramatic works, and cinematic medievalism. The range of critical and disciplinary approaches employed, including history, literary studies, cultural studies, food studies, gender studies, and film studies, highlights the inherently interdisciplinary nature of outlaw narratives. The overall volume offers an example of the ways in which examining a subject through interdisciplinary, cross-geographic and cross-temporal lenses can yield fresh insights; places canonic and well-known works in conversation with lesser-known texts to showcase the dynamic nature and cultural influence and impact of premodern outlaw tales; and presents an introductory foray into the intersection of literary and food studies in premodern contexts which will be of value and interest to specialists and a general audience, alike.

“Brand practices his art to something like perfection.” —The New York Times “Max Brand is the Shakespeare of the Western range.” —Kirkus Reviews In “Dust Storm,” Bob Lindsay is stuck in his shack in the Powder Mountains during a huge dust storm. When he finally emerges, he finds his water hole is nothing but a wallow of mud, and two-thirds of his crop has been wiped out. Now the two largest ranches in the area are ready to fight for water. Lindsay stopped the fighting once—can he do it a second time? Hugo Ames is the outlaw in “Outlaw’s Pursuit” with a $15,000 bounty on his head following four years of robberies. Riding in the mountains in a thick fog, Ames needs to find Truck Janvers, an old prospector who can give him refuge for the night. Just when he’s about to give up, he finds Janvers’ hut—but the old man is dying. As Ames tries his best to help, the door is flung open and a man throws a knife at the old prospector, finishing him off. Now, the outlaw will pursue a killer… Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns—books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians—are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L’Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Arguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.